Gao Pai Allegro founder Gao Fengshan Master Profile

Gao Fengshan (1921-1993)

People from Sanhe, Hebei. He was a director of the China Qu Artists Association and a director of the Beijing Municipal Federation of Literature and Literature. Born into a peasant family, he was orphaned at the age of 6 and went into exile in Beijing begging alone. At the age of 7, he worshipped Cao Dekui, one of the "Eight Monsters of Tianqiao", as a teacher and learned to sing the number of nobles. At the age of 14, he went to Tianjin and performed in the "Three Disregards" juggling shed, because of his wonderful performances and more income, he was blackmailed by the hooligans, and returned to Beijing two years later. Soon, he took the famous cross-talk artist Gao Deliang as his teacher, learned to cross-talk, and since then he has become a "two-door hug" artist who counts noble treasure and cross-talk.

During this period, Gao Fengshan mainly performed in many places such as Tianqiao, Xidan Shopping Mall, and Dong'an Market. During this period, he also performed in the tea house. He has partnered with Ma Sanli, Zhu Xiangchen, Hou Baolin, Wang Changyou, Wang Shichen, Luo Rongshou, etc., and has performed in Tianjin, Tangshan, Qinhuangdao and other cities.

In 1950, Gao Fengshan participated in the "Crosstalk Improvement Group" initiated by Sun Yukui and Hou Baolin, actively sorting out traditional cross-talk repertoire and creating new cross-talk. In 1951, he participated in the first Chinese people's condolence mission to the DPRK and paid tribute to the volunteer army. In 1952, he went to Korea again to offer condolences. The Beijing QuYi Troupe was established with three troupes, three of which were composed of cross-talk actors, and he served as the leader. In 1957, the three troupes were merged with the Beijing Quyi Troupe, and he served as the deputy head of the Beijing Quyi Troupe. After that, he specialized in Allegro books and counting nobles. In his later years, he mainly engaged in the teaching of qu art, and cooperated with Luo Rongshou to perform traditional cross-talk festivals such as "Selling Cloth Heads" and "Yellow Crane Tower".

Gao Fengshan sings the allegro, the words are clear, the voice is crisp, the language is playful, the rhythm is clear, the momentum is smooth, the singing section is compact, in one go, the plate groove is extremely stable and full of changes, which is different from the "Li Pai" created by Li Runjie and the "Wang Pai" created by Wang Fengshan, and is known as "Gao Pai". Its representative repertoire includes several noble treasures (TongRen Tang", "Zhuge Liang Bet", "Counting Treasures", etc., allegro books "Sun Wukong Three Thieves Banana Fan", "Black Girl" Zhang Yu Boiling Sea", "Breaking the King's Cousin", "WuSong Dadian" and so on. There were apprentices Wang Xueyi, Shi Fukuan, Li Xuegui, Cui Qi, LaiBaogang, Li Shaojie and so on. (1921-1993)

Gao Fengshan sings the allegro, the words are clear, the voice is crisp, the language is playful, the rhythm is clear, the momentum is smooth, the singing section is compact, in one go, the plate groove is extremely stable and full of changes, which is different from the "Li Pai" created by Li Runjie and the "Wang Pai" created by Wang Fengshan, and is known as "Gao Pai". Its representative repertoire includes several noble treasures (TongRen Tang", "Zhuge Liang Bet", "Counting Treasures", etc., allegro books "Sun Wukong Three Thieves Banana Fan", "Black Girl" Zhang Yu Boiling Sea", "Breaking the King's Cousin", "WuSong Dadian" and so on. There were apprentices Wang Xueyi, Shi Fukuan, Li Xuegui, Cui Qi, LaiBaogang, Li Shaojie and so on.