Maybe I really watched too much, and this year I have no feeling for Korean movies at all. The most common love is also full of craftsmanship. It's not surprising that all the emotional music is being copied in electronic love letters, and it is already tacitly agreed that the same music will be played in the scene before men and women go to bed.
It didn't turn out, but I went to bed all the way to the ground. The cut is flat and stable, and it is a muscle reaction that has not passed the brain. There are quite a few sections of Hong Kong TV dramas in the 90s.
Romance is the best and hardest to make. Love films all over the world cannot be installed with excavators, and they can copy them at any time, but it is difficult to shoot differently. The only way is to change the background.
The office romance selected by the film can only be said that the background is too familiar with the target audience, and there is no differentiation. Seoul is like this, Tokyo is also OK, and any city in China is established.
The universality of the background sets up a safe space for the director, and then the director tells a safe story in the safe space.
Big sugar water films have always been like this, but recently we have shot less.
![Kong Xiaozhen's "Most Ordinary Love" pretends to be drunk and frantically stirs Jin Laiyuan, pities each other with the same disease and tries each other first, the starring actor who fits, the tacit cooperation, the super surprise CP sense, and the most lovely drunken acting skills; second, although the story is mediocre but not vulgar, the characters are real and cute; third, the details are warm and healing, and ordinary love can also give you full of positive energy;[fig]](data:image/gif;base64,R0lGODlhAQABAIAAAP///wAAACwAAAAAAQABAAACAkQBADs=)