Jin Yong is a writer in the Hong Kong literary circle who absolutely cannot get around, and I believe that many people have had unforgettable experiences of picking up Jin Yong's novels and not being able to put them down, or even staying up all night. The vivid characters and exquisite martial arts in the book are all hot topics discussed in the streets and alleys in those years.
This boom also spread to the academic community.
As early as 1994, Sanlian Bookstore, which has always been famous for publishing elite literature, solemnly launched the "Jin Yong Works Collection", which caused a sensation in the academic circle;
At the same time, in the classroom of Peking University, there are professors who discuss Jin Yong's Wei Xiaobao and Lu Xun's Ah Q together;
Professor Tang Zhesheng said: "Although some people in martial arts novels have noticed the writing of human feelings and human nature, jin Yong is the first person to establish that writing people is the center and writes so wonderfully. ”
The research on Jin Yong's martial arts novels from all walks of life is like a piece of paper, and there are countless, however, Jin Yong believes that only three people have really read thoroughly:
Feng Qiyong, Yan Jiayan, Chen Mo
"There are also people who comment on their own without my authorization, except for Feng Qiyong, Yan Jiayan, and Chen Mo, who are three gentlemen with profound skills and serious things, and I am deeply concerned about Bai Jia, most of the rest of the reviews are far from the author's original intention."
- Jin Yong
The third gentleman mentioned by Jin Yong: Chen Mo, is definitely a character that all Jin Yong fans cannot miss.
He is not only the closest gold scholar to Jin Yong, but also has more than twenty years of in-depth contact with Jin Yong.
Their initial contact was not "smooth", and in order to maintain the independence of literary criticism, Chen Mo did not have in-depth contact with Jin Yong even if he and Jin Yong repeatedly went to major conferences at the same time.
It was not until later, after Jin Yong read the article written by Chen Mo ("The Transformation of Jin Yong's Novel in 1959 and a Major Key to Jin Yong's Life"), and personally asked Chen Mo to write a biography for him, which allowed the two to establish diplomatic relations and establish friendship.
Jin Yong affectionately refers to him in his letters as "Brother Chen Mo"
Later, Chen Mo became one of the facilitators of Jin Yong's novel, when the new revision of Jin Yong's "Divine Eagle Hero" had begun to be printed, and everyone was very satisfied, only Chen Mo proposed a revision of 100,000 words. In the face of such a large range of revisions, Jin Yong was not displeased, but resolutely adopted, and immediately made a phone call to the factory, asking the factory to suspend printing and wait. I also put in the revision work myself, and carefully revised it for two months in the email sent by Chen Mo. After that, every time Jin Yong modified a novel, he had to send a sample to Chen Mo to see, and after receiving Chen Mo's email, he could finalize the draft.
Jin Yong repeatedly mentioned Chen Mo
Today, after publishing a number of monographs, Chen Mo still feels that the literary value of Jin Yong's novels has not yet been excavated, so he has carefully polished such an audio course: "Reading Jin Yong with Chen Mo - Take You to Understand the Real Jianghu", which has incorporated the essence of his thirty-four years of research. In this class, you will see the real Jin Yong and the grand rivers and lakes.
Why should we read Jin Yong
Jin Yong's novels have countless charms, and the most critical and attractive one is not a profound cultural heritage, nor an earth-shattering martial art, but love.
Jin Yong's love is the most inexhaustible, thousands of faces, each of which can make a deep impression:
For example, Zhao Min's persistence: "I prefer to be reluctant." ”；
Another example is Guo Jing's stay: "Rong Er is not a demon girl, she is a very good girl, very good and very good";
Another example is Chen Jialuo's Jean: "Deep affection is not longevity, and strong is humiliating." Humble gentleman, gentle as jade. ”
Not only love, but also the love of parents and children in this world, the love of teachers and apprentices, the love of friends and friends, and even jealousy, hatred, arrogance, lust, anger, inferiority, pride, fear, admiration... All kinds of emotions are vividly displayed in Jin Yong's pen.
Just to say jealousy, there is Kang Min in "Tianlong Babu" to steal the flower clothes of the sister next door, and he can't ask for it:
Duan Zhengchun smiled and said, "Stealing new clothes?" Heck, I only said that we are well-off and only steal men, and it turns out that we will steal clothes. ”
Madame Ma's starry eyes fluttered, and she smiled and said, "I'm not stealing new clothes and pants!" I took the scissors from the sewing basket on the table, cut the new dress to pieces, and cut the pants into strips, which could never be sewn up. After I cut this new set of clothes and pants, the unspeakable joy in my heart was even happier than when I had new clothes to wear, and I didn't think about what would happen tomorrow when the adults knew. ”
Duan Zhengchun has been smiling, hearing this, his face gradually changed color, quite unhappy, said: "Xiao Kang, don't talk about these old things, let's sleep!" ”
In turn, there is the frankness and self-resolution of the fox in "Laughing proud of the jianghu":
Ling Hu Chong smiled slightly bitterly, and suddenly remembered, "That day, Little Master Sister made the 'Jade Girl Sword Nineteen Style', why did I use the Songfeng Sword Method of the Qingcheng Sect to fight with her." Could it be that I have the heart of dealing with Master Lin's evil sword method in my heart? He Lin Jia Fu Wei Dart Bureau family was broken, all wounded in the hands of the Qingcheng Sect, am I deliberately scorning him? Why am I so mean and stingy? ”
Thinking about it again, he thought, "That day in the Hengshan Jade Courtyard, I almost died under the palm of Yu Canghai, all because Master Lin disregarded his own safety and shouted 'bully the small with the big, so as not to face', Yu Canghai left his palm behind. Speaking of Master Lin, it can be said that I have the grace of saving my life. Thinking of this, he couldn't help but feel ashamed, sighed, and said, "Master Lin is smart and willing to work hard, and in the past few months, little master sister has pointed out the sword technique, and presumably he must have entered the realm very quickly." It's a pity that I can't go down the cliff this year, otherwise he will be kind to me, and I should help him practice his sword. ”
Such details are very numerous and numerous in all 15 martial arts novels of Jin Yong, so it is no wonder that some people say that the process of reading Jin Yong is the process of seeing the world clearly and explaining oneself.
In this course, the first thing that Teacher Chen Mo analyzes is the psychological value of Jin Yong's novel, which is a feast that satisfies the audience with his own skills in studying Jin Yong novels for thirty-four years.
Whether you have read the original work or not, whether you have seen the adapted film and television drama, you can follow the voice of Teacher Chen Mo and enter the jianghu world where "no one is wronged, and all sentient beings are evil".
Course Highlights
one
Interpret 15 novels and show the multi-faceted rivers and lakes with different styles
It should be known that Jin Yong only established his authoritative position in the field of martial arts novels in the early third novel", "The Legend of the Archery Hero". However, he did not fix his own creative program, nor did he follow the old ways, but while thinking, he tried new experiments, so there was a creative climax for decades.
Each of these 15 works has a different style, and the rivers and lakes in which they are inked are even more different. It is no exaggeration to say that in the process of understanding Jin Yong's novels, these 15 are indispensable.
To this end, Teacher Chen Mo specially pulled out these 15 works and analyzed them in detail for us.
Just by looking at Professor Chen Mo's analysis of these three works, you can feel how thoroughly he has studied Jin Yong's novels:
01
At the beginning, "The Legend of the Archery Hero" was just a "simple version" of the jianghu, but the teacher would tell us that the reason why "The Legend of the Archery Hero" can make Jin Yong "seal the gods" is because it has a breakthrough significance in the history of martial arts novels:
In "Green Blood Sword", he has actually written about the protagonist's experience from childhood to adulthood, but he did not take this experience as a real focus, and when it came to "The Legend of the Eagle Shooter", he took the protagonist Guo Jing's experience of growth, talent and success as the focus of his real writing, and reversed the creation method of the past story-driven characters and changed to the character-driven story.
The simple saying is that he introduced Western coming-of-age novels into the creation of martial arts novels, which was never dared to be tried by martial arts writers in the past. Because of a martial arts novel, everyone thinks that it must be a fight at the beginning, a fight in the middle, and a fight at the end, and it must be full of scenes of fighting, and it is unlikely to write a story about the growth of orphans in a chaotic world.
02
"Smiling Proud of the Jianghu" is a gang-style jianghu closely linked to power plots, where everyone is not free. As soon as the prelude of the novel begins, it shows the reader an extremely fierce power struggle: Liu Zhengfeng, who wants to wash his hands of the golden basin and withdraw from the jianghu, cannot even be satisfied with his desire to return to seclusion, and he is destroyed. After that, even the usual dashing "free man" Ling Hu Chong was deeply wrapped up in the tide of conspiracy and misunderstanding, bumping and drifting. In the vast world, why is it so difficult for a person to obtain personal freedom?
Under the analysis of teacher Chen Mo, the thinking contained in the book is vividly displayed, and for every person who advocates freedom, this section is definitely unpleasant:
Ruan Yuan, Ji Kang, and Liu Ling of the "Seven Sages of the Bamboo Forest" are outstanding representatives of the awakening of individual life consciousness in Chinese history, and they are also the earliest group of liberals in China, who are unwilling to engage in politics or deal with government officials. But Ji Kang was more special, he was related to Cao Wei by marriage, and when Sima Shi's Jin Dynasty usurped the Cao family's power, he was unwilling to deal with Sima Shi, preferring to go to iron, work, and earn a living on his own, and finally he was killed.
He was one of the first people to dedicate himself to freedom, that is to say, from "Guangling San" to "The Song of laughing pride", they are all such a piece of music with the theme of the spirit of freedom, and Liu Zhengfeng and Qu Yang were injured by the Songshan faction, and before they died, they gave the score to Ling Huchong, hoping that Ling Huchong could find a successor for them, and finally made Hu Chong and Ren Yingying become the descendants of this piece of music, in fact, they also became the descendants of the free spirit.
03
As for the Eight Parts of the Heavenly Dragon, it is a new jianghu: a world of suffering in which a person is forced to become an "inhuman". In this regard, teacher Chen Mo told us that Jin Yong actually has a secret mental journey behind the creation: "In 1962, when Jin Yong's state of mind was very depressed, he was thinking about the causes of human suffering, which was a major ideological moment for Mr. Jin Yong's life. ”
Every character in the "Eight Parts of the Heavenly Dragon", Qiao Feng, Aju, Azi, You Tanzhi, XuanZhu... They are all "no one is wronged, all sentient beings are evil", why are good people forced to become "non-human", and what should people do to be liberated? In the book, Jin Yong did not directly say it, but the teacher distilled it all out:
"Tianlong Babu" is a Buddhist concept that refers to eight kinds of inhuman Shinto spirits, such as the celestial gods, the dragon gods, the night forks, the Qianmin Po, and so on. All in all its key words are non-human. It is a total of five volumes, and when the story of Dali Guo is written in the first volume, we can actually see who is like a god, who is like a dragon god, who is like a night fork, and who is like Qian Min Po. Including those lovers of Duan Zhengchun, Gan Baobao, Kakhong Mian, and Madame Wang are all like a certain god of the Eight Parts of the Heavenly Dragon.
But then it was written that as its length expanded and the author's realm improved, he deleted his original idea and overturned some of his original ideas about who was the god of heaven, symbolizing all or most of the people in the book with the gods and monsters in the Eight Parts of the Heavenly Dragon. Except for the three protagonists, in fact, all the people in this book are "Tianlong Babu".
Many of the characters in the book, in the end, did anyone succeed in liberation, and how did they get rid of it? In the teacher's explanation, you will hear richer and more exciting content.
two
Dissect 20+ characters and read out the subconscious of the characters' hearts
If you only cut in from the perspective of the whole novel, no matter how detailed you are, there will still be details that cannot be taken care of and depth that cannot be reached, so the teacher goes a step further and carefully selects at least 20+ key characters in 15 novels to explain for us.
1 Jump out of the fragmented reading and establish a complete view of the character
When many people mention the characters in the novel, they can only say a certain personality characteristic of the characters, such as Huang Rong's flexible and lively, making Fox Chong dashing and uninhibited, and A Zi making people hate, but sympathetic... Or say that a certain experience of the character is similar to his own, but these are invariably fragmentary impressions.
In Teacher Chen Mo's interpretation, you will jump out of the limitations of the previous fragmentary reading and learn to combine the themes of the whole book to understand the characters more deeply.
2 Combine modern perspectives to explore the larger inner world
Talking about Kang Min in "Tianlong Babu", he will insert the theory of modern psychology, starting with the "flower clothes complex" in her childhood;
When talking about Ling Huchong in "Laughing proud of the jianghu", he will praise Ling Huchong's "free man" spirit, but he will also let us see the limitations of Ling Huchong, "a natural free person, not a free thinker.".
In the course, Teacher Chen Mo will not only take you into the inner world of the characters, but also analyze their subconscious through the text, in the process of reading them, dismantling them, and compassion for them, you will not only get a more intelligent art of knowing people, but also a precious experience of self-reflection and self-reflection in the mirror.
3 Combined with Jin Yong's life experience, he reached the realm of "knowing people and discussing the world"
Jin Yong's works written at different stages of his life are different. The main speaker will take you to discover that even Jin Yong, the master of the Martial League, has a time when his writing is young, and even has failed experimental works. Without touting, without concealing, take you to understand Jin Yong's complete and complex creative process.
three
Stand by Jin Yong's side and read his creative path
Teacher Chen Mo will reveal Jin Yong's 94 years of life experience for you as a whole, and at the same time, combined with Jin Yong's mental journey and thinking situation, take you to know Jin Yong and his works in depth.
These cannot be fully displayed in our course catalog, because the teacher has incorporated the corresponding details in each section of the interpretation, and we can only intercept one or two to let the reader have a preliminary feeling:
What does "Tianlong Babu" mean? When I was talking about "The Secret of The City", I once said that in 1962, when Jin Yong's state of mind was very depressed, he was thinking about the causes of human suffering, which was a major ideological moment for Mr. Jin Yong's life. Why there is so much suffering in the human world, this is also a topic that all thinkers have been concerned about since ancient times, the ancients thought that this suffering came from fate from the gods, folk people thought that suffering came from the devil, and Mr. Jin Yong's answer to this question in this book is that in fact, the suffering in the human world comes from man himself, from the unsoundness of man's reason, from the change of man's mind, from man's excessive desire and lack of reason.
- "Eight Parts of the Heavenly Dragon"
When Mr. Jin Yong is creating, he actually not only carefully constructs a virtual martial arts world, but also the biggest difference between him and other martial arts novelists is that on the one hand, he is constructing a virtual jianghu world, on the other hand, there is always a realistic concern. This is because his identity is relatively special, he is not only a writer of martial arts novels, but also a newspaperman, a journalist, a commentator on current affairs and a social critic, so he has one eye staring at social reality, one eye staring at the virtual world, one hand writing editorials, the other writing novels.
Some people like "Lian Cheng Ti" very much, because it is very real, its depth of concern for reality exceeds many pure literary novels, and it is completely different from ordinary martial arts novels, it has no chivalrous, not a chivalrous.
- "The Trick of the City"
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The original price is 149 yuan
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