Human society is a society of human feelings and a society of interests, and this situation is reflected in all aspects of the living environment of human beings, so the circle of pear garden travel cannot be exempt from customs.
Today we look at the past information is not difficult to find that between artists, today's cooperation, tomorrow's face of things that really abound, almost happen to every famous artist, here has nothing to do with conduct and integrity, sometimes the artistic views will be scattered in two shots, parting ways!
Of course, there are also those who have cooperated for a lifetime, but it is inevitable that they will stumble, and if they are separated, only one of them will compromise to make the relationship continue, but this situation is rare.
Especially as some of the artists who are famous characters, they are proud of themselves, if the two personalities are very stubborn, then once the contradiction is formed, if it is not handled well, the more it accumulates, and the final result is to fall apart, destroy the decay and become unmanageable.
Cheng Yanqiu and Zhou Changhua, Xun Huisheng and Chen Moxiang are all typical examples of this situation.
Mr. Xun Huisheng, founder of the Peking Opera Master Xun School
As we all know, the Peking Opera master Xun Huisheng himself has no culture, his lack of culture does not mean that he is not smart, no vision, he reused several royal screenwriters in his life, and compiled a number of absolutely many excellent books for him, thus inspiring him to re-create and perform many famous Xun Pai dramas.
Among them, he and the literati playwright Chen Moxiang from cooperation to breakup, it is also very regrettable and regrettable.
Some people say that for the Xun Sect, there should be Chen Moxiang before there is Xun Huisheng, because Chen is older, and even Xun himself said so, the drama critic He Baotang does not think so, he thinks that it cannot be because Chen's age is older than Xun before Xun, for the Xun Sect, there is still Xun Huisheng and then Chen Moxiang. Although they have achieved each other, if there is no Xun Huisheng, Chen Moxiang's script is no better, and it will not shine.
Xun Huisheng and Chen Moxiang cooperated for a long time and not a whole decade, from 1924 to 1934 they separated, in this decade, Chen Weixun wrote and adapted more than 40 plays, which can be described as hard work, of which "Dan Qingyin", "Buried Xiang Illusion", "Embroidery Notes", "Baotou Phoenix", "Xiangluo Belt", "Liu Ru is" have become Mr. Xun Huisheng's representative works.
Xun Huisheng acted in "Embroidery Notes"
At the beginning, the cooperation between the old brothers was harmonious and pleasant, which was like the honeymoon period of a pair of lovers, we will find that when we look back at "Xun Huisheng's Diary" today, we will find that at that time, the two were good and a person, so that Chen went to see Xun, even if Xun took a nap, he did not have to let people say hello and went directly into the bedroom.
When the two were good, Xun Huisheng said several times: "Without Chen Moxiang, there would be no Xun Huisheng", in fact, this kind of talk can be listened to, but this nerd Mr. Chen took it seriously, which also contributed to a fuse for the two to break up later.
Don't look at Xun Huisheng and Chen Hao when they "respect Brother Yu, respect Brother Yu short" shouted, and their mouths were very respectful.
However, if two people who are very skilled in ability do not contradict each other in terms of communication and cooperation, it is absolutely impossible. The honeymoon period of Chen Xun and the two will not be extended indefinitely, and once the courtesy passes, as soon as the chai rice oil and salt, pots and pans are put on the table, the contradiction will come!
Xun Huisheng Chen Moxiang during the farewell to Cheng Yanqiu to Europe
The reason for the contradiction is actually very old-fashioned, Xun Huisheng, this everyone, he can't run behind others when he engages in opera, he has his own opinions and ideas in all aspects, and if these ideas are the same as others, they are likely to be different or even contradictory, so that contradictions will arise, and if they cannot be adjusted, they will run to each other.
As we all know, the script of Peking Opera is not the final conclusion after it is written, and it also requires the second adaptation and re-creation of the actors, which is especially obvious in traditional Chinese opera.
Then the artists on the stage will once again adapt the singing voice and lyrics and other relationships according to their own cognitive understanding, which is a very normal thing, and other people like Xun Huisheng are not exempt from vulgarity. But in this way, Chen Moxiang, as a playwright, may have an idea, so the gap will arise again and again.
The elderly Chen Moxiang was practicing
In addition, Xun Huisheng also has his own set of understandings and practices in the creation of the script, that is, to require the screenwriter to make the lyrics as concise as possible, not to drop the book bag, he does not like, he thinks that the audience will not like, the result is that Mr. Chen, who is from a cultural background, is very dissatisfied, so things that break down and do not compromise occur from time to time.
This also contributed to the fact that the separation of the last two people finally became a situation of old death and no contact with each other, and to this day we do not know why the two have such a deep grudge! So that Chen Moxiang died, Xun did not go to mourn, by this matter at that time also caused a lot of repercussions in society, and finally Xun Huisheng had no choice but to perform a few obligatory plays, and gave the ticket money to the Chen family as a condolence fund, but it seems that the situation is reluctant, in order to cope with public opinion, it is quite boring to look at it, for us outsiders, talking about it is just a relief after tea and dinner, for the specific situation of the parties to make it like this, I am afraid it will become a mystery that will never be known.
Welcome to the Lotus Tuan Zhu talk about drama and drama