<h1>plot</h1>
Ever since Tian Shi met King Sun of Chu, he hadn't thought about tea and dinner all day, and he was so intoxicated. The old servant of King Sun of Chu was instructed by his master to come to see the Tian clan through wine and drunkenness. Tian Shi eagerly inquired about Wang Sun's situation, and when she learned that the handsome wang sun had not yet married and had the intention of marrying her, she was very excited, so she asked him to go back and say goodbye. Later, the old servant told the Tian clan that Wang Sun had promised to be a relative, but he only had to choose an auspicious day to be able to cave the candles. Tian Shi was anxious and demanded to be married quickly.
<h1>Appreciation</h1>
"Talk back" is the two folds in the legendary "Butterfly Dream". Because in the past, some kinds of dramas such as "Big Split Coffin" (another name for "Butterfly Dream") belonged to "pink" plays, and the Kunqu opera "Butterfly Dream" also disappeared on the stage for a long time. During his studies at the Shanghai Opera School, Hua Wenyi had studied "Butterfly Dream" with Teacher Zhu Chuanming, and in 1979, he re-learned this play from Teacher Yao Chuanqian. Therefore, after the 1980s, her performance of "Speaking Back to Relatives" can not only be based on solid and steady singing, reading, and body performances, but also because the artistic cultivation has reached the realm, making the vividness of this role a big step forward and being praised by the audience.
Tian Shi is a woman with a hot personality and strong feelings. After she was newly widowed, she was not willing to be bound by etiquette and boldly pursued sex, and her love ideals were firm and distinct. In "Say Kiss", Tian Shi wore a filial piety dress and was full of sorrow. When he read "After the concubine saw the king and grandson...", his eyes suddenly lit up and his spirit was lifted, which was in stark contrast to the previous state of malaise. Then, while singing [Jin Tang Dao], he slowly drew a red paw from his sleeve, and after completely withdrawing it, it was as if he was afraid of exposing the secret of his inner eagerness to remarry, and hurriedly looked around, afraid of being detected. After her heart was settled, she sighed: She was dissatisfied with the marriage of "daddy's dispatch", and now her husband died suddenly, and she was alone. When singing "Flashing My Lonely Phoenix", one hand supports the edge of the table, squatting slightly, the foot draws an arc, from the "big side" to the "small side", changing hands, squatting, paddling the foot, and the face is shrouded in a sentimental shadow. I couldn't help but think of the handsome Chu Wangsun I had just met, just like the ancient and heavy waves, and increased the number of wounds, wiping the tears with Pa, and the stunt was endless. At this time, Wang Sun's old servant came to "say kisses", and when she heard that Wang Sun was "only twenty-three years old", she could not help but admire that "he was envious of his character style, smart and elegant, I don't know if he could have married any clan, people and families", and her heart could not suppress the joy, and her hands and siblings also danced.
After the old servant left, Tian Shi was completely immersed in the joy of his future life. She twisted the red paw on one end of each hand and pulled the papa. When the song was sung, "I made more waves and sands of the past kindness, I suddenly threw the red pa to Zhuangzi to show the determination of "one knife and two breaks". Who knows, one carelessly, the handkerchief landed on the ground. The whole set of "paw picking" actions here contains a strong inner conflict. Tian Shi turned to pick up the pa, saw the remains of Zhuangzi, and suddenly felt that Zhuangzi was accusing her: when her husband had just died, she could not adhere to the chastity that women should maintain, and would not tolerate etiquette... It caused her to feel a sense of fear. She got up and turned around a little, thinking and thinking, or the happiness in front of her is more important! So, he leaned down again, half-crouched, one hand trembling to pick it up, and one pair of eyes could not help but look at the portrait. Finally, she overcame the last bit of fear, her eyes suddenly became firm, she bravely picked up the handkerchief, and in her self-composure, she steadily left the Spirit Hall. This performance is very wonderful, in the past, when there were "inspection field" people, every time they came here, they had to shake the statue of Zhuangzi to show the hallucinations of the Tian family, and the artistic effect was very strong.
"Talk Back" is a comedic performance. The old servant pretended to say, "Because the prince and the husband are called masters and apprentices", it is not easy to become relatives. Tian Shi listened and was very surprised: he couldn't imagine that the beautiful things that he had felt safe had failed again! Anger rose from the heart, and without thinking, a slap was struck. The old servant was beaten to the point of dizziness, and the situation was not good, indicating that the prince was "a thousand joys and joys", but it was inconvenient for Zhuangzi Lingshu to be in front. Knowing that the Tian clan immediately made an advocate, they wanted to move the coffin elsewhere. At this time, the thunder roared, and Tian Shi couldn't help but be afraid, but he still couldn't resist the temptation in his heart and resolutely made a move. The old servant did not look good, and then he thought of prevarication, and proposed that the prince should return to the king of Chu to prepare the dowry, and he would have to wait a little while. Tian Shi saw that there was a turnaround in the end, and couldn't help but be overjoyed, laughing and groaning and accusing him of "why not say it earlier", generously and sharply taking the silver ten twelve, and stressing that it was better to choose a day than to collide with the sun, that is, today's good", the image of a widow who could not hold back her temperament and was eager to remarry jumped on the paper.
Hua Wenyi once said that Tian's "Si Chun" did not have to be completely avoided, otherwise the red handkerchief would not come out. But it should not be overemphasized, but should reflect her complex inner turmoil in a layered way--at the beginning, when Tian Shi asked Cang to marry a beautiful woman like her, he was still a little shy, and when he learned that King Sun of Chu was going to marry a beautiful woman like her, her feelings were sudden, unrestrained and irrepressible. Especially later, when he heard that King Sun of Chu had some objections to the marriage, he suddenly turned his face and slapped Cang's head with a mouth, clearly showing the stubborn personality of the Tian clan who was not willing to be ridiculed. The famous opera director Li Zigui once commented: "Hua Wenyi's expression control of feelings and understanding of the role during the performance process are very accurate and strong. Tian Shi in "Butterfly Dream" shows her ability to shape characters to the fullest.
Liang Guyin of the Shanghai Kun Opera Troupe is also good at performing this play, and her acting method is the way of "Liu Dan". In terms of detail and style, there is a big difference with Hua Wenyi's "Five Dan", which is more spicy, capable, bright and hot. Both have their own strengths and weaknesses, and each has its own charm.
<h1>Starring</h1>
Hua Wenyi (1941—), female, originally from Wuxi, Jiangsu Province. In 1954, he entered the Kunqu Opera Actor Training Class of the East China Opera Research Institute, where he studied under Zhu Chuanming and Yan Huizhu. After graduating from the Shanghai Opera School in 1961, he became the head of the troupe. Good at boudoir Dan, gorgeous and dignified appearance, sweet and round voice, elegant and delicate performance. Du Liniang of "Peony Pavilion", Li Qianjun of "Wall Head Horse", Tang Huixian of "Chaotou Feng", Qingwen of "Qingwen", Cai Wenji of "Cai Wenji", Bai Niangzi of "The Legend of the White Snake", Chen Miaochang of "The Book of Jade Hairpins", Zhao Wuniang of "Pipa", Yang Guifei of "Hall of Eternal Life" and other characters have distinct personalities and are full of brilliance. The origami dramas are best in "Dream of Visiting the Garden", "A Hundred Flowers and a Sword", "Writing", "Piano Pick", "Small Feast", "Stealing Poems", "Saying Kissing back" and so on. He won the 4th Chinese Drama Plum Blossom Award. Fans commented: "Hua Wenyi is beautiful on the stage, no matter from which angle. Her play is like a crystal with the contemplation of the years, more and more pure crystal, dazzling. ”