A few years ago, a popular drama "Sima Yi of the Great Army Division" showed us a magnificent post-Three Kingdoms heroic era. There is a scene in the play in which Yang Xiu strongly persuades Xun Yu to kill Sima Yi, and Xun Yu replies: "Gong did not cross the river, but Gong actually crossed the river." Yang Xiu, on the other hand, said to him: "Crossing the river and dying, what is his justice?" ”
This section of the passage "the public does not cross the river, but the public crosses the river." Crossing the river and dying, what is the reason for it? It is a song of ancient music, and its figure has appeared many times in the play, Xun Yu said it to Yang Xiu, and Sima Yi also said it to Cao Pi, as if it was a "drama eye" that closely followed the main idea of the whole play.
This ancient music house is a tragic song composed by an old man who fell into the river and died, and his old wife could not be rescued, also known as "Zhen Zhen Yin", which was first seen in the "Ancient and Modern Notes" written by Cui Bao in the Jin Dynasty. The book "The Joy of Lefu", published by One Page Culture, tells the story behind this music house.
The author of the "Zhen Zhen Introduction", written by Li Yu, the wife of The Korean Jin's Horiko. Zi Gao raised a thorn boat in the morning, and there was a white-headed madman, who was sent a pot and crossed in turbulence. His wife stopped and died when she crossed the river. So he sang to the aid of Zhen Zhen: "Gong did not cross the river, but Gong crossed the river." Fall into the river and die, what will it be? The sound was very sad, and the song finally threw himself into the river and died. Zi Gao also, to the language Of Li Yu. Li Yu was wounded, but he wrote his voice in the lead, and the hearer could not but weep and weep.
When I first read this sentence, I was still a teenager who had just ventured into the rivers and lakes, and at that time I despised the white-headed maniac, thinking that this person did not listen to the advice of others and insisted on going his own way. The end of crossing the river and dying is completely self-inflicted, and he cannot complain about others.
Today, a few years later, I have been beaten up by society, and I have experienced many people and things, and I am no longer the ignorant teenager I was. A few days ago, I flipped through "The Joy of Lefu", and I accidentally saw this "Zhen Zhen Citation" and the commentary in the book, and I couldn't help but burst into tears. I can't help but say: What is the harm in falling into the river and dying, and in the end, I will not go through the world in vain.
The deep meaning of this song is as commented by the two authors of "The Joy of Lefu", Mr. Wang Yunxi, who has served as a professor in the Department of Chinese of Fudan University and the director of the Institute of Chinese Chinese Chinese Language and Literature, and Mr. Wang's disciple, Professor Wang Guoan, who was the director of the Institute of Sinology at the School of International Cultural Exchange of Fudan University, commented:
Although the causes and consequences of the event are unknown in the shocking tragedy of the Great River, the "White-headed Madman" is obviously consciously ending his life. It is impossible to know whether they are forced to cut themselves off by the torment of disease, whether they are forced to find a way out of poverty and have no way to survive, or whether they are persecuted and forced to commit suicide. However, the poem has revealed that although it is a gushing river that directly engulfs him, there should be a deeper social reason behind it.
The poem is only four sentences, sentence by sentence is the old wife's blame and resentment, and the sentence contains infinite regret and affection, three times there are people calling the pronoun "gong", pause sentence by sentence, rotate in one breath, especially in the last four sentences, dragging out the inexhaustible words, sad and touching to the extreme. It is no wonder that this poem "Zhen Zhen Yin" has been repeatedly reinterpreted by poets of all generations, and even the poet Li Bai has written that "he is crazy and crazy by the hair, and he wants to do it in the morning." The poem that others will not hesitate to stop their wives, and the public will not cross the river and cross it bitterly."
Gong Wu crossed the river! In the bloody and cruel world of great strife created for us by "Sima Yi the Great Army Master", whether it is Yang Xiu and Xun Yu, or Cao Cao, Cao Pi, and Sima Yi, everyone is involuntarily wrapped up in the torrent of the times, and is trapped in a desperate situation with no way to go and no way to retreat.
In that era, no one had a way to cross the river!
Yang Xiu did not cross the river. Born in the Hongnong Yang clan, since childhood literary style, it seems that a life without worry, but in fact it is like walking on thin ice. Yang Xiu's father, Yang Biao, was a famous courtier at the end of the Eastern Han Dynasty, and when Emperor Xian of Han moved east, Yang Biao did his best to protect the Lord. Afterwards, he was ostensibly with Cao Cao and the snake, but in fact he had his heart set on the Han Dynasty, and he was already dissatisfied with Cao Cao's "blackmailing the Son of Heaven to order the princes", and was deeply hated by Cao Cao. In order to avoid the extinction of the family, Yang Xiu had to put down Qinggao and get involved in the quagmire of politics. Since then, the noble teenager who was dressed in white has become a politician with blood on his hands and a beast-like howl--crossing the river and dying.
Xun Yu did not cross the river. Born in the Yingchuan Xun clan, his every word and deed is the eyes of the world's disciples. When this ceremony collapsed and the world was in chaos, Xun Yu issued a declaration that "in this long night of eternity, even if there is a glimmer of light and a glimmer of hope, we will fight for ourselves." For the next twenty years, Xun Yu committed himself to Cao Cao, helping him unify the north, commanding the crowd, wanting to drive the tiger and swallow the wolf, and supporting the Han Dynasty. However, when Cao Wei's power swelled to the point of no return, even if Xun Yu was good at dancing with long sleeves, he could not change the end of the complete decline of the Han Dynasty. Faced with the empty food box that Cao Cao ordered people to send, Xun Lingjun had no choice but to die to martyr his heart's Tao--crossing the river and dying.
Cao Cao did not cross the river. "Holding the Son of Heaven hostage to order the princes", breaking Yuan Shao in the north and rejecting Sun Liu in the south, seems to be at the peak, but I am afraid that only Cao Cao himself knows the taste of cold in the high places. As a generation of tyrants, he could not give up the authority in his hands, nor did he dare to cross the last step and claim the emperor in the south. Perhaps, the sentence he said to Emperor Xian of Han, "If there is no loneliness in the world, I don't know that when a few people are called kings and several people are called emperors", he can best express his true heart -- crossing the river and dying, what is his justice?
Cao Pi did not cross the river. As the weakest of the "Three Caos", he did not want to and could not lose, so Cao Pi had to hollow out his mind and compete for power with his brothers and sisters, and even with his towering father. "How exactly do you cross this river?" Cao Pi did not know, so he had to write such a sad poem as "sighing long to the wind, cutting off my midgut", and he was depressed at the age of forty- crossing the river and dying.
Sima Yi did not cross the river. The Sima clan of Hanoi was also a member of the Eastern Han Dynasty, and in Sima Yi's generation, he was quite suspicious of Cao Cao. In order to protect himself, Sima Yi did not hesitate to pretend to be crazy and stupid, and avoided being out of the world. However, his wolf gu appearance was still discovered by Cao Cao, and in order to suppress this future tyrant, Cao Cao put him under his own eyes and watched his every move at all times. And Sima Yi just endured humiliation and burdens, struggling to maneuver around in the cruel and devious reality, until he was forced to helplessly, the moment he launched the gaopingling change, he still tried to retreat, until there was no way to retreat, he showed his fangs, but at this time, Sima Yi had long been dying of old age, knew old friends, and turned into loess, even if he gained authority, what was the use of it - crossing the river and dying, what is his justice?
XuanDe, Zhongmou, Bo fu, Benchu, Kong Ming, Gongjin, Yunchang, Yide, Meng Qi, Han Sheng, Zilong, Bo yue... These are the heroes of the Three Kingdoms era, each name is as dazzling as a star, they are all seeking a way to cross the river in their own way, but all of their names eventually become dark, until they disappear with the wind and turn to dust.
Gong did not cross the river, but crossed the river! Fall into the river and die, what a shame!
In fact, there are many, many more lefu poems such as "Zhen Zhen Yin" that are meaningful, such as "Zhen Zhen Yin", in the Han and Wei Dynasties and the Jin Dynasty and the Southern and Northern Dynasties, for example, "The South Wind Knows My Intentions and Blows Dreams to Xizhou" in "Xizhou Qu"; "Qingqing Riverside Grass, Thinking Of The Distant Road" in "Drinking Horse Great Wall Cave Line"; "Willing to win the hearts of one person, white heads are not separated"; "Short Song Line" "Song to wine, life geometry? For example, the morning dew, going to the day is more bitter"; "Between the heavens and the earth of life, suddenly like a long-distance traveler" in "Qingqing Ling Shangbai"...
These ancient and bright Lefu poems are not only representatives of the musical literature of the Han and Wei dynasties and the Jin Dynasty and the Southern and Northern Dynasties, but also have a very important position in the entire history of Chinese poetry and even in the history of Chinese literature. They inherit the poetry classics on the top and the Tang poems on the bottom, and truly reflect the contradictions and conflicts of the Han Dynasty's social forms, and the joys and sorrows of the vast number of lower-class people, which nourish the poetry circle of future generations like rain and dew.
Reading the famous articles of Han Le Fu, you can appreciate the magnificent Atmosphere of the Great Han Dynasty; reading the poetry of the Wei and Jin literati, you can taste the style of celebrities; reading the folk songs of the Northern Dynasty can enjoy the scenery of the desert; reading the minor tunes of the Southern Dynasty, you can whisper the urban love songs of the South...
Perhaps, this is the deepest emotion that Wang Yunxi, Wang Guoan, and the young paper carving artist have invested in the poetry of Gulefu, and it is also the original intention of a page of culture to publish this "Music of Lefu":
When the world was young, we loved, missed and parted in this way. Only by going straight up can we truly read Chinese poetry!
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