Mi Fu "Kenzan Ming"
Mi Fu 'Yan Shan Ming', silk hand scroll, Xingshu, volume length 36 cm, width 136 cm, with The Southern Tang Chengxintang paper written with thirty-nine large characters. The Palace Museum in Beijing.
The "Kenshan Inscription" is a representative work in the fine works of Mi Fu calligraphy. This post is deep and majestic, with ups and downs, the knot is free to go, not restricted by the laws of the predecessors, expressing the natural interest, and is a rare treasure in the works of Mi Fu in large characters.
Interpretation: Kenzan Ming. Five-colored water, floating Kunlun. The pool is at the top, out of the black clouds. Hanging dragon monsters, flashing electric marks. Under the tremor, Ze Houkun. Pole change, close the door. Bao Jin Shan Qian Xuan Shu.
"Kenshan Ming", divided into three parts. The first part is the thirty-nine characters written by Mi Fu on Southern Tang Chengxintang paper: "Five-colored water, floating Kunlun." The pool is fixed, and the black clouds are out. Hanging dragon monsters, flashing marks. Pole change, close the door. Bao Jin Shan Qian Xuan Shu". The second part is a hand-drawn yanshan map, and the seal book withdraws: "Baojin Zhaiyan mountain map, not fake carving, naturally complete.". Kensan is a mountain-shaped yantai, and the various parts of the Yanshan Strange Stone Map are marked with a letter: "Huagai Peak", "Moon Rock", "Square Altar", "Cuilan", "Jade Shoots", "Shangdongkou", "Lower Cave Three Folds Upper Cave to Taste the Divine Swim in it", "Dragon Pond Encounters Heavenly Desire Rain then Jinrun", "Dripping Water Is Inexhaustible in the Pool". The third part is the inscription of Mi Youren, the son of Mi Fu: "Right Ken Shan Ming, The True Deeds of The Ancestor Mi Fu, and the Identification of Gong Bao by Mi Yu Ren". Mi Fu's nephew Wang Tingjun of the Jin Dynasty inscribed: "Bird traces are finch-shaped, the meaning of the characters is extremely ancient, the perverted shape is all shaped, there is a god at the bottom of the pen, and the old man Wang Tingjun of Huanghua is the old man." Chen Haoba of the Qing Dynasty: "The Yanshan Inscription is the old object of Li Hou's lord, and the old man of Mi Is a good stone, and he has obtained this strange inscription to pass it on." Yi qi also wrote its handwriting, xi Dong Si Weng Ji Zong yang mi shu, and slightly felt that it was not indifferent. The magic of the rice book is like a whimsical situation, uncontrollable, so it can look at the ages alone, and there is no need to seek it in vain. Falling into this volume is simple and thin, and when it is proud, it is forgotten by hand, and it is obtained by chance, so that Si Weng can see it, when it is not to say anything. Qianlong Pengzi November, Changping Chen Hao title". Zhou Yu Libao: "Yan Shan Ming, arrogant and arrogant, Mi Lao's true colors, such as this." Also Garden Week in ceremonial title". Former Japanese Prime Minister Inuyasha Tookshi in the title "Iris Flying Fish Leap, Kido Old Man Yi".
This hand scroll was circulated in an orderly manner and once entered the courts of the Northern Song Dynasty and the Southern Song Dynasty. During the Southern Song Dynasty, it was collected by the Right Chancellor Jia Xiangdao. It was passed down to the Yuan Dynasty and collected by Ke Jiusi, the most prestigious calligraphy and painting connoisseur of the Yuan Dynasty. During the Yongzheng period of the Qing Dynasty, it was collected by Yu Teng, a connoisseur of calligraphy and painting and the prefect of Chengdu, Sichuan. In modern times, it is lamentable that they have been exiled to Japan. There are more than 20 seals such as neifu shuyin (three times), Xuanhe, Shuanglong Yuanyin, Jia Xiangdao, Yutang Keshi Jiusi private seal, etc.
In March 2002, China Trade Shengjia International Auction Co., Ltd. collected "Kenyama Ming" from Japan. After the State Administration of Cultural Heritage learned of this situation, it organized experts to appraise and evaluate the "Yanshan Ming" in accordance with the law. The experts unanimously agreed that the piece was indeed a genuine piece of rice and suggested that the cultural relics department negotiate with the auction company and let the state give priority to the purchase. On December 6, 2002, the State Administration of Cultural Heritage purchased it at auction for 29.99 million yuan, which was equivalent to 76.5 million yuan per word. 90,000 yuan. It sold for more than 23.5 million yuan for the Northern Song Dynasty Huizong's "Sketching Rare Birds" auctioned not long ago, setting a new world record for Chinese art auctions. After the auction results, "Yanshan Ming" was handed over to the Palace Museum for collection. However, the "Yanshan Ming", which is well known in the millennium book world, can be worth tens of millions, not because of these.
Its zhen, zhen in it is a representative work of the top masters of Chinese calligraphy. Together with Su Shi, Huang Tingjian and Cai Xiang, Mi Fu is known as the "Four Houses of Song", and is a calligrapher of the Kaizong Founding School. In the past five thousand years, there have been only a few such figures, including Wang Xizhi, Wang Xianzhi, Ouyang Qian, Yu Shinan, Chu Suiliang, Yan Zhenqing, Zhang Xu, Liu Gongquan, Huai Su, Mi Fu, Zhao Mengzhao page, and a few dozen others. Among them, Mi Fu has changed extremely well with his penmanship of "eight sides out of the front", which is the most difficult to write and the most expressive personality, which is unique. Su Shi had sincerely admired the "parallel" of Mi Fudang and Shusheng Wang Xizhi. Among the few works that mi fu only existed in the world, the "Yanshan Ming" is considered to be the most representative, and it is said to be the "first book under the world" and "The First Book of Lanting", which is "the first difficult book in the world".
Its treasures, treasures in it shake the ancient and modern art of calligraphy. Shen Peng, president of the Chinese Calligraphers Association, told reporters that the characters of the "Yanshan Ming" are pearls and the pen is difficult to write, and he most admires the "zhen" character of "lower zhen thunder": a sharp stroke as thin as silk and stable as a rock, and the dangerous penmanship reaches the peak. "Some people say it's a failure, but I think it's just the best thing to do." Just like playing ping-pong to wipe the edge of the ball, and like a football bouncing on the goal frame and then entering the net, it is wonderful! Just like Confucius on the highest state of life——— is both 'from the heart' and 'not excessive'. ”
Its treasures are still cherished in the fact that it is a "returnee" ——— a private museum in Japan that collects it is sold due to economic difficulties, and the rare products I have scattered overseas are mostly in the national museums of various countries, and such opportunities may not be available again.
Therefore, the value of "Yanshan Ming" is extraordinary!
Mr. Qi Gong, chairman of the State Cultural Relics Appraisal Committee, once said, "I will not see Mi Fu's "Yanshan Ming" in this life, and I will die blindly!" As early as 1986, Mr. Qi Gong said in the "Introduction to Calligraphy": "The "Kenshan Inscription" is a representative work in the authentic works of Mi Fu. Mi Fu's writing achievement is the highest. Under this post, the pen is full of vertical and horizontal, ups and downs, not bound by predecessors, expressing temperament and natural interest, in his large inkblot, should be pushed as the top product. ”
On the issue of the authenticity of the "Yanshan Ming".
Before the targeted auction, although the "Yanshan Ming" was appraised by many well-known experts in the domestic cultural relics and calligraphy circles (including many top figures), the experts involved in the appraisal unanimously agreed that the "Yanshan Ming" was the authentic handwriting of Mi Fu's book, and it had been photocopied and published many times in the past. Although the original work does not have the name of the book, because there is an appraisal of Mi Yuren, the son of Mi Fu, after the post, it is believed that it is the book of Mi Fu, so people have always regarded the "Kenzan Ming" as a work of Mi Fu's heirloom, and no one pays attention to whether there is a question of whether there is a true fake in it. However, just ten days after the targeted auction of "Yanshan Ming", the China Cultural Relics Newspaper (published on January 1, 2003) published a "Letter Zhaodeng", in which Fu Xinian, an expert who participated in the appraisal of "Yanshan Ming", corrected in the letter: "Wang Tingjun and Mi Youren's books are imitations of the back-up."
Not long after, the 3rd issue of Chinese Painting and Calligraphy in 2003 published the famous painter Mr. Fan Zeng's article "Dust Washes Away the Discernment of Yan Yan - Mi Fu (Yan Shan Ming) Identification of Forgery", in which Mr. Fan said that the second half of "Yan Shan Ming" was "straight to the evil of the city, would it be from the hand of Mi Fu". Mr. Fan Zeng also pointed out that mi youren's pao jian after the volume of the "Yanshan Ming" should have been copied by Mi Youren after the "Nine Cursive Writings" written by Mi Fu. Others believe that there is a problem with the overall rules of the Kenzan Ming. To analyze the merits and authenticity of a calligraphy work, it is crucial to practice the rules and regulations. The structure of the chapter of the "Yanshan Ming" is very strange, a few lines are large, a few lines are small, the pulse between the words is not smooth, and the whole article is scattered. Typography is contrived, and the rows are skewed. The sky is uneven, the ground is not smooth. There is a big gap with the calligraphy of Mi Fu, which is consistent with the strokes and smooth lines. This disorderly composition of the chapter does not look like it is written naturally, but may be caused by a patchwork of words. The Yanshan Ming is a post-imitation book with a style similar to that of Mi Fu, which has similarities with some of the fake pens that appeared before and after Jiajing and Wanli in the Ming Dynasty, and is an imitation of the period.
Finally, Southern Weekend (published on July 17, 2003) published an article by reporter Zhai Minglei entitled "The Doubts of the Forbidden City's Surprise Purchase of 'National Treasures'", which pointed out: "For "Yanshan Ming", Yang Xin, former vice president of the Palace Museum, has stood up to prove that 'some time ago, the "Yanshan Ming" of the Friendly Neighbor Ben was shrouded by the aura of the return of the national treasure and was hyped up, and now that the dust has settled, it is time to think calmly, do not make mistakes again and again, let the world see jokes, and delay future generations'. ”
From the rhetoric of the crowd to the suspicions, the question of the authenticity of the "Yanshan Ming" has become complicated. The question of the authenticity of the "Yanshan Ming" needs to be further studied.
Mi Yu Ren Pa
Wang Tingjun
The dust washes away the discernment
——Identification of forgeries in Mi Fu's "Yanshan Ming"
Author: Fan Zeng
This is really a tragedy that makes the ancient literati inker lament, with the smoke and haze disease, the spring plaster smells of rice in the wilderness, once he loses his love Shi Yanshan, it will make him sad more than losing the usha. He thought about it again, and when he saw Yanshan again, he could not get it, and his former confidant Xue Shaopeng became a "ninja"; because Mi Fu had already exchanged Yanshan for a treasure with him, and since he had become the lord of Yanshan, he knew very well that Mi fu pretended to be foolish and unscrupulous and asked for the treasure, of course, he did not dare to show it to him again. He has genius and is obsessed with it, and you can't bear to see his disappointment, then the only way is to be a "ninja" and let him cry alone. At the end of the Yuan Dynasty and the beginning of the Ming Dynasty, Tao Zongyi's "Nancun QuitTing Cultivation Record" described this, but fortunately its text is not long: "This stone is a Southern Tang gemstone, which was easily removed by Daozu. Zhongmei old poetry cloud: Yanshan is not easy to see, moved to Qincui Peak. Cave color book a few, faint smoke hazy. The rock has its own ancient, independent and high song. Anzhi has no clouds, and creation and heaven are connected. Standing wall illuminates haruno, when there is a thousand pines. Rugged and floating waves, looking up at the dragon, Xiao Xiao is born of wind and rain, like a mountain forest. Dust dreams are sudden, and everything is worrying. The public family is rich in strange stones, and ordinary people are not allowed to be the same. The research mountain is out of the layer of blue, the zhengrong is really heavenly, the spring on the mountain is dripping, and the drip is helping the millimeter. Swing into a shocking text, the intention is the original. Jiangnan autumn color, the wind far away from the cave garden wide, often into the good fun, sprinkled out of the wonderful words, may the public cherish this stone, do not shoulder with the crowd, why Song Shaoyin, can be hidden as a fairy. Yu also has a cloud: Kenzan is no longer seen, oh poet sighs. Only the jade toad, Xiang Yu frequent teardrops. As soon as this stone enters the canal, it is not allowed to see again, and every time you make friends, you will not look at it. Shao Peng Gongzhen ninja also. Yu Jinbi thought of the picture, as if in sight, from now on I zhai xiu qi should no longer be lost. Chongning first year of August looking, Mi Fu Book. Since the "ninja" is so ruthless, the childlike Mi Fu's way of being bored is to draw this rare desk confession from memory. This text has been copied in the notes of later literati, and recently flipped through the five-year (1625) edition of "Sumi Zhilin" at the end of the Ming Dynasty, almost without a word, which shows that this private case in the literary world has led to the sentiments of literati for hundreds of years, which contains the nostalgia for all the cherished things after the loss, we may as well call it the "Kenshan Complex".
This "Yanshan complex" performed the uproar comedy of "Yanshan Ming" returning to the homeland in China in the early 21st century.
First of all, the domestic rumors of the true relics of rice fu "Kenshan Ming" returned from Japan to be auctioned, at an astronomical price was purchased by the Forbidden City, Gou Guo has the true traces of mi fu in 900 years of silence, experienced all the soldiers and insects, the vicissitudes of the world, suddenly saw the day, and returned to the east, the possibility of this discovery is of course very few, this is nothing more than astronomers found a star hundreds of millions of light-years away. People's joy and rushing to tell each other are understandable, but when Mr. Mi Jingyang brought me a copy of the "Kenzan Ming" in front of my eyes, my heart could not help but be half cold.
Facing the face is a wave of hypocrisy revealed from the scrolls of the "Yanshan Ming", not to mention that this inscription has not seen any classic notes from the Southern Song Dynasty to the Ming and Qing dynasties, and from the inscription itself alone, it is also very poetic, but rather like the Taoist Fu Wei, the preface does not match the afterword, the realm is like, it must be said that this is the work of the "first people in the world" (Su Shi Praise), and it is inevitable that it is a bit funny to explain people and blow this ugly poem to the sky. Obviously, the forgers will use ten lies to round one lie, so in the volume appears the "Kenshan Map", which is immediately after the "Kenshan Ming", of course, hoping that people will believe that this is the "Yanshan Tu" that Mi Fu "thought of the pen to make a picture", but it completed our first interrogation of the "Yanshan Ming".
First of all, the pen strength of "Yanshan Tu" is as weak as a little girl's work, while the six characters of "Baojin Zhai Yanshan Tu" and the eight-character seal book of "No False Carving, Naturally Natural" are naïve as beginners, and the book is not a Song style bone, and those who are as arrogant and wanton as mi fu will never draw and write such a thing. We have no luck to see Mi Fu's "Rice Point Landscape", the brilliance of the talented Mi Fu poetry is beyond doubt, but painting one requires the madman to be patient and a little bit of "should be the pictogram" of the kung fu, this point Mi Fu probably can't do, and usually speak wildly, commenting vertically and horizontally, hiding the clumsiness should be mi Fu's best strategy. Even so, Mi Fu's next pen is probably still considerable, in the past I have only seen the coral on the "Coral Post", and the line is still as extraordinary as the Vajra pestle, compared with this "Yanshan Map", there is a world of difference. The chill in my heart drove me to turn coldly to the second interrogation of the "Yanshan Ming": the authenticity of the Mi Youren appraisal book.
The origin of the calligraphy of the big and small rice goes back to Wang Xianzhi, and the calligraphy of Wang Xianzhi is sharper than that of Nai Weng, which can be seen in the calligraphy of the big millet, and their words have a rigid and untamed side. And the appraisal certificate of Mi Youren after the "Yanshan Ming", which is weak and weak with a pen, has an abominable face, and further scrutiny shows the traces of depiction instead of directly expressing the chest, if this intuition is not far from ten, then when we compare these two lines of Xiao Kai with Mi Youren's other authentic works such as "Simple Ruler and Coral Post", "Amaranth Poetry Scroll", and "Cursive Nine Posters", it immediately proves my intuition as an artist. There is no doubt that these two lines of Mi Youren are extremely clumsy imitations, and the hesitation to use the pen comes from the state of looking at the state of writing a stroke, and the clumsiness of the lines is purely the low ability of the imitator. The most revealing thing finally appeared, try to see the "Yanshan Ming" after mi youren's identification of the text, and the "cursive nine posts" after the handwriting how similar Nair, the word spacing, stroke length, thickness, inclination degree is almost cloning, a little bit of identification of common sense, will not hesitate to point out that one of them must be false. Since ancient times, the true and false are the same as the ice charcoal, the true one is true, the false is self-false, and the false state of Mi Youren after the "Yanshan Ming" is expected. Looking at the skimming of the word "Gong Bao" again, it is simply a big gimmick, and the three words of "Yanshan Ming" are stiff and hard, and the dead Dun Dun jumps into the line of sight because there is no model, and this is an outrageously false word, can't you see it in the middle of the country to identify the families?
Okay, now we're fighting against the Yanshan Ming, which is a crusade in a completely disheartened mood, of course, sweeping away all irresponsible enthusiasm, and at this time there is only a cold and fierce spirit of judgment. The first 25 words from "research" to "Ze" are still considerable, "Ze" after the drop of the word "Houkun" is not discussed, the next 12 words compared with the former, it is obvious that the hand of non-one person, not only the ink color is different, even the brush has been replaced. The pen used in the first 25 characters is rigid and soft, and the sheep is mixed with the wolf, so there are occasional pen painters. The words in the back are clumsy and incomprehensible, and the three words of "Former Xuan shu" are straight to the evil of the city, will they come from the hands of Mi Fu? If it has been determined that Mi Youren's certificate is false, then Mi Fu's "Kenshan Ming" seems to be a forgery, in order to have a precedent of falsification and authenticity, so it is necessary for us to make the above analysis.
After the third trial of the "Yanshan Ming", there is no doubt that the book is false, in addition, we can also put forward some low-level questions, such as the inscription of the Jin ren Wang Tingjun, which is obviously an inaccessible to the bull's head of the "Yanshan Ming". I would like to ask, is Wang Tingjun talking about the word Mi Fu? It seems to be praising a bird and insect seal, so there is a saying that "the bird trace is finch-shaped, the meaning of the word is extremely ancient, the pervert is too big, and there is a god at the bottom of the pen", and the counterfeiter does not know where to cut a piece of celebrity handwriting, which is not only helpless to be true, but also more false. Since the Mi Youren Text is false, the two seals do not need to be distinguished, and the difference in their seal strokes is very obvious with the "Neifu Shuyin" on the previous "Kenshan Ming", especially the square arc at the top of the word "Nei".
After too much silence in the collecting world, it takes some stimulating factors to blow a pool of spring water, and the boiling of the first half of the year is the time to calm down. For some sudden collection events, the herd mentality of the whole society is inevitable, and everyone has given a thumbs up to "Yanshan Ming". And the gaze of the appraiser, after being baptized with enthusiasm, was harshly reduced to tolerance, and the obvious fragmentation and dilapidation such as the last 12 characters of the "Yanshan Ming" (excluding the word "Houkun"), thought that Mi Fucai was high and eight buckets, so he had this risk of ups and downs. We must not be blinded by the turbulent and crazy people in the history of calligraphy and painting, in general, it is an art of survival, a strategy of Taoguang and obscurity, and Mi Fu, Zhang Xu, and Huai Su cannot escape this law. Because their works tell us that they absolutely have a calm aesthetic judgment to control the creative enthusiasm of the rush, and almost none of their crazy works have failed, which is ironclad evidence. The real nerve problem is Xu Wei, who from time to time in his works of genius Junfa have a bad stroke or two. Is rice bush possible? Of course not.
Thinking about it quietly, if the experts of the Forbidden City verify that the seals of "Neifu Shuyin", "Feng", and "Yuesheng" are true, then we can now take out Holmes's inference to solve the suspicious case and make a 900-year inspection: At first, we found a word similar to Mi Fu's "Yanshan Ming", which did not fall, and after arriving at the Song Inner Province, it was stamped with the "Inner House Book Seal"; and then to Quan Xiangjia, who was a big player in the world, his eyesight was not bad, and he had some doubts about this word, so although he stamped the "Seal" and "Yuesheng" gourd seals, However, it is not included in his "Catalogue of Calligraphy and Paintings Collected by Yuesheng". This character was circulated from the court to the folk at the end of the Song Dynasty, and all the forgers were in the Yuan Dynasty, because with the front seal, it was inevitable to wear the idea of chiseling and attaching it. After a considerable period of time, the "Yanshan Ming" of Mi Youren,which was supplemented with the pseudo-trek of Mi Youren, finally came out, which was more than a hundred years after Mi Youren had been dead, and after that, the Yueyuan, Ming, and Qing dynasties, and the elegant literati did not know much about calligraphy, and the inscription of two nonsense and a few seals was not within the scope of this article's analysis, and could be used as a child's play. It is a pity that this forgery did not reach the front of Dong Qichang's powerful roles, and it is impossible to believe that all the controversies today are probably superfluous.
An accompanying poem:
Discerning the "Kenzan Ming"
Kensan lost the drama and was pitiful, and rice once slept with stones.
Tears without chips under the cold moon, waving a little before trying to draw a picture.
The inscription is probably an idle pen, and the seal was originally a smoke.
Looking at the troublesome Jun chasing the ancients, the dust washed away the discernment of The Concubine.
<h1 class="pgc-h-arrow-right" data-track="78" > Shikai: Read the Yanshan Ming</h1>
There are generally two ways to identify Chinese paintings and calligraphy, one is examination, and the other is appreciation. Examiners, consider the time of creation, the background of creation, personnel contacts, as well as text content and creative materials, decoration, circulation certificates, etc. Appreciation, on the other hand, is simply a comparative analysis of the artistic content of the work, and then a reasonable conclusion is made. Both examination and appreciation require a rational and scientific spirit, but relatively speaking, appreciation and examination are carried out simultaneously, so this identification work is relatively perfect. There are many contemporary calligraphers who have learned to write about rice, and about forty or fifty of them have written with taste. There are about three or five scholars at home and abroad who study rice characters in contemporary times, although the number is far less than those who study rice characters, but their research level is rare in the past thousand years, among which Mr. Cao Baolin, the first of whom can be called an expert, and Cao Shi is a scholar specializing in rice characters. He is both good at research and appreciation, and his opinion has weight.
Mi Fu is one of the most outstanding calligraphers in the history of Chinese calligraphy, and if he goes down the popular ranking list on time, he is at least in the top five. The reason why he is recognized by history is neither an official title nor a moral article personality, it is purely based on outstanding penmanship, he writes accurately, vividly, energetically, and the "gold content" of the dot painting is full, almost reaching a perfect state. There have been countless scholars who have studied rice in the past thousand years, but they have not heard of those who can mess with the truth, mainly because it is not easy to mess up the truth. Mi Fu 'forged' "Mid-Autumn Festival" depended on his first-hand divine skill, and in the same way, to forge Mi Fu also had to use a first-hand magic skill, and the Si people did not see anyone after that.
"Yanshan Ming" has wonderful characters and magical pens. The words that make me fall the most are: mountain, color, water, floating, kunlun, top, hanging, trace, bottom, earthquake, Ze, Dao, Bao, Jin, Qian, Xuan and other words. These words not only have extremely high difficulty in dot painting, but also have a strong momentum, which can be described as a variety of manners and natural opportunities. Some people suspect that it is false because it has not entered the Qing Dynasty, and after entering Japan, they question it because it has not been recorded by the Japanese, and they do not know the magic of the rice characters, and the imitation can be done, and the false cannot be. Each stroke of "Kenyama Ming" speaks to itself.
Carefully examining this volume, it is not completely without doubt, Wang Tingjun's inscription is obviously the surface layer has been removed, and now what remains in the volume is only the second layer of the original paper, so he is vague. It is estimated that the "Yanshan Ming" has also been removed from the first layer, and the second layer of the unveiling has been filled with ink and connected with the original traces of Wang Tingjun, will it not become the twins of the "Yanshan Ming"? This is also one of the means of pre-artificial counterfeiting. But this volume of rice books is clearly the original. From the second floor of Wang Tingjun, it seems that this volume can also be refuted as true. What to say? If it is not easy to fake Wang Tingjun, why expose a layer of flaws?
After this volume flowed into Japan, the Japanese celebrity Inuyasha wrote the words "Iris Flying Fish Leap" at the beginning of the volume, which was too poor. If this volume is available to the Chinese, it is recommended that a clever framer dig up the beginning of the volume and ask to write it by today's famous artists. Of course, this is a very prudent thing, please ask today's famous masters, although they are not worthy of Mi Lao, but they are better than the Japanese. If this matter is decided, the selection of famous artists should also be cautious, I think there are only two conditions, one is that the words should be good, the other is to be responsible for history, and it is necessary to see that after a hundred years, the inscription is still a famous master.
Shi Kai, "Yanshan Mingzan", 2002
"Yanshan Ming" is enlarged word for word in high definition
grind
mountain
Ming
Colored
water
float
elder brother
Lun
tan
at
top
go out
black
cloud
Hanging dragons
blame
Shuo
electricity
trace
under
shake
Held
marsh
Hou Kun
pole
change
change
close
road
door
treasure
advance
former
Xuan Shu