Xingshu is a typeface that was created by Liu Desheng in the late Han Dynasty and passed on to his two students, Hu Zhao and Zhong Xuan.
It was then passed on to Wang Xi's father and son, and it flourished, and reached a fairly mature height in art
From a practical point of view, the writing is more flexible than the script, the writing is convenient, and it is not as difficult to identify as cursive, because of the actual needs of people's writing, and its development is also its inevitable trend. In particular, its plasticity is stronger than other fonts, providing a very broad world of freedom for artistic creation. Thus, this font has the most popular and deepening conditions for it
Since its inception, it has never quit, it has been extended, and the famous generations have seen some people, and there is no shortage of famous generations. This font was formed
One of the most ordinary but also the most crystalline and precious pearls on the card altar.
In order to facilitate learning, some famous works of the past are listed for everyone to choose, appreciate, and sort out some belts
There are regular principles and methods for beginners' reference.
Chapter I
The classification of Chinese character fonts can generally be generally divided into five types: seal, li, 楷, xing, and cao. In fact, they are not juxtaposed
Relationship, seal, li, italic are three kinds of juxtaposed fonts, and each font has its own standardized writing, has its own convenient and practical writing
Method and sloppy writing. There are both the original book, or the true book, the script, and the cursive script. Seal books are more complicated. Just affiliation
In terms of books, the words on some formal and strict inscriptions are the "Kai" books; the words on some bamboo and wooden tablets are the words on the "line"
Book; chapter grass is the "grass" book attached to it. Regarding the script, it should be "present kai" to be precise, and as for the present line and the present grass, it is "present kai"
The penitential writing and cursing. The writing and cursive writing of the Lishu (originally the saying of the Building Rules) have their own names: "Jian shu" and "Zhang Cao", so I will do it now
It is listed with the present grass, and is generally referred to as "the five bodies of seal, affiliation, kai, row, and grass."
Regarding the "Xingshu", Tang Zhanghuai wrote in his book "Book Discussion": "Fu Xingshu: Non-grass is not true, away from the square, care
Between Ji Meng. Those who are also true are called true deeds, and those who carry grass are called walking grass. "It can be seen that the writing is based on the script, and some cursive writing is incorporated
The writing method of the book simplifies the complex, speeds up the writing speed, and the dot painting is a font with continuous characters and lively strokes
Zhang Huai also made a division of the xingshu, "the true one is called the true deed", which is now commonly called "xingkai"; "with grass."
It is called the grass of the line". In fact, there is a kind of general line book in between them. Xingkai can be Li Yong's "Li Sixun"
The stele (see figure 1) is represented; the xingcao can be represented by Wang Guozhi's "Deshi Ti" (see figure 2); the xingshu can be represented by Wang Xizhi's "Funeral."
The messy post (see figure 3) is represented. Of course, it is not easy to strictly distinguish them, and it is not even necessary, only
In general, it is only helpful to experience.
General understanding, think that the book is the easiest to learn: it is not successful, it is out of the rules, even the pen with grass, a wave of it. Not really
Although it is not difficult to learn, it is extremely difficult to write well, and it is very difficult to reach a certain height, and it is indispensable to make a hard work
Chapter 2: The Evolution of the Book
We believe that the xingshu is a convenient way to write the script; however, this does not mean that there is a calligraphy first, and then there is a xingshu. this
There are two problems. The former is from the perspective of the relationship between the font, and the latter from the aspect of the formation order of the font.
The occurrence and development of things always goes through the process of embryo, germination, growth, and heating, but several related things, though
Of course, they all go through such a process, but they may nurture each other, influence each other, and promote each other's penetration. word
This is exactly the case with the formation and development of the body.
The inscriptions, jianmu, and chapter grass in the book are roughly speaking, from forming to transmutation, which is quite rapid, but it takes four or five hundred years
time. At the end of the Eastern Han Dynasty, calligraphy, calligraphy, and cursive writing have gradually separated from the embryo, and the bud has emerged and then taken shape. In the Jin Dynasty,
It seems that calligraphy and cursive writing have tended to grow, even to a considerable degree of popularity.
It cannot be arbitrarily assumed that the practice of italism and grass, but rather that it is done, and that grass promotes the progress of italification seems to be closer to the facts of the time.
From informality, and then standardized; from standardization, it promotes the development of grass, which is a more objective judgment.
Wang Xizhi (Jin) is known as the "Sage of Books" in the history of books. He learned from Zhong Xuan, who learned from Liu Desheng, the founder of Xingshu, because of this
In this regard, Wang Xizhi should be the third generation of Liu Desheng's character in the history of calligraphy cannot be seen, and although There are relics of Zhong Xuan's character, however
Indeed, it is not as hot as Wang Xizhi's words. Although the authenticity of the extant king character is highly controversial, the number of relics that exist is hot
To the extent, these are indisputable facts. If it is only out of idol superstition and historical misunderstanding, it is two generations to go back
Liu Desheng seems to be more "smooth"? However, it is no accident that there is no retrospection and stagnation in the Wang family. This was from Wang Xianzhi's exhortation to Wang Xi
Judging from the matter of the transformation of the body, it is very clear: "The ancient chapter grass has not been grand, the real body is different, the present is poor and pseudo-strategic, and the extreme grass is indulgent,
If not between kaorus, in the past Dharma Gushuye, adults should change their bodies. It can be seen that at that time, there was a growing trend in the book, the father and son of the Wang family
Then he took advantage of the tide and promoted the development of the book and achieved great achievements.
Judging only from the calligraphy of Wang's father and son, the brushwork of xingshu has tended to be perfect, and the starting pen and closing pen of dot painting are connected
The method of taking the pen with the lower pen, the method of connecting the upper pen, the method of connecting the silk between the dot paintings, the method of saving the pen, the method of deformation, the method of connecting the words under
The law of continuity, the acceptance of the word, is almost everything. Whether it is the avoidance of knots, the staggered interpolation of sizes, the spacing of the line
And the white cloth between the lines, all formed the law, and wrote books that could be the law
In particular, Wang Xizhi inherited the achievements of his predecessors, adapted to the fashion of the time, exerted his wisdom, and melted his casting
The pursuit finally formed the "book style" style of its words, and set up a banner in the history of writing.
Wang Xizhi's "Aunt Post" (see Figure 4), the brushstrokes into the square circle, simple and dignified, but without losing its elegance. Start and close
The pen has a natural interest in the lingering belt is less, and the character posture is vigorously opened horizontally, although it is not far from the letter, but it does not matter the word spacing or between the lines
Without carving, its gesture is up and down, left and right, and the meaning of the haunting is visible. Word after word, though only two
The words are connected, but the front and back echo the momentum, broken and connected.
If you do not pay attention to its simplicity and thickness, it is very easy to fall into sweet customs. From this, I will appreciate its strength and clumsiness, or you can avoid sweetness a little
Flattery.
Wang Xizhi's "Qing Ti in the Fast Snow" (see Figure 5), although it is only four lines and twenty-eight characters, is thick and vivid. Emperor Gaozong thought of it as "Heaven."
Under the peerless ancient and modern pairs", and after the post with "Dragon Jumping Heavenly Gate, Tiger Leaping Wind Pavilion" The post is with Wang Xianzhi's "Mid-Autumn Festival" and Wang Xun
The "Boyuan Thesis" is placed in the Sanxi Hall, which is one of the three treasures of the Xi World, and the word "Dunshou" interspersed with it is of course in cursive
Even written together, the word "Guowei" is also related, but its pen is more purple than that of "Auntie Post". It should be said that division
A few words, this post is close to the line.
Wang Xizhi's "FengJu Ti" (see figure 6) actually includes the "Ping An Ti" and "He Ru Ti" and "Feng Qiang Ti San Ti" because of the first title
Signed the "Jin Wang Xi Zhi Feng Orange Thesis", so the name was passed on. There are also because the first post is "Peace Post", so it is collectively called "Peace Post". "Ping
An Ti" four lines, twenty-seven characters, there are eight characters damaged, the pen Yang ink is drunk, dripping with "He Ru Ti" three lines, twenty-eight words, although also
There are damages, but they are all recognizable, and their words seem to be more convergent than the previous post, the thickness of the strokes does not change much, and the knots are quite tight. 《Bong Orange Thesis》
Line, twelve characters, there are two words damaged, than "He Ru Ti" seems to be slightly open, natural, here selected one of the "Peace Post", some people recognize
For this is a model in the book
Wang Xizhi's "Frequent Lamentations" (see Figure 7), three lines, two crosses. It should be a row of grass, except for the "Naihe" continuous grass, "province."
Comfort" for cursive writing, the rest are line writing. Because of its heavy meaning of continuous writing and shortening, it is classified as a line grass. Such as "Lamentations and Sorrows Push Cut Can't."
Words such as "self-victory" are indeed "Han Yi Shen Fei", and the pen is dashing, making the flow beautiful. Although this post is not much, it is very practical
Wang Xizhi's "September 17th Post", also known as "Kong Shi Zhong Ti" (see Figure 8), has six lines, forty-two characters, some of which are
Line italics, some words are line grass. Many words, such as "report and the book can not forget to take the news", are indeed extremely well written
essence
The Preface to the Orchid Pavilion, see Figure IX) has always been said to be the first of the xingshu. It was originally Wang Xizhi and Xie of the Eastern Jin Dynasty and March 3 of the ninth year
When An, Sun Qi, and forty-one others went to the Lanting Pavilion in Shanyin to perform the ritual of repairing deeds, drink feasts and poems, Wang Xizhi wrote a preface to the poetry collection, which was used
It is said that Wang Xizhi was already half drunk at the time, and wanted to rewrite it after he went back, but wrote a few
Over and over again, I am not as satisfied as the original one. Tang Taizong was in love with Wang Shu, and after receiving the Preface to the Orchid Pavilion, he ordered his attendants to come to the scene
Later, he ordered the real thing to be collected and buried after the death, so that the authentic book was not seen by the world. Those who preach are all present
root. There have always been many carvings, including the "Kai Huang Ben" carved during the Sui Kai Emperor period, and the "Dingwu Ben" (rumored to be Ouyang) found during the Northern Song Dynasty
Ask for this) and so on. Such as Yu Shinan Chu Suiliang and other people's Linben, Feng Chengsu's double hook filling is the Ben, even if the wind god is lost, and the bone is competing
There has always been controversy as to whether it was originally from the king's hand, and even different views on its artistic value, but its influence is objective. Its juanxiu rules, clean and clear, is recognized. In terms of its use of the pen, the washing has a method, up
Convergence; the pen posture is lively, the mood is vivid; before and after, echoing the knot, the overburden is appropriate, the left and right are balanced; the opening and closing are relaxed, densely interlaced; the jagged and interesting, and the swing is complete. In particular, it is good at changing without any similarity, in one article, only
There are as many as twenty "zigzags", but there is no one who is the same. Whether this post is genuine or false, there are many merits, as a model for beginners,
It should be the most appropriate.
Although Huai Ren collected Wang Xi's book "Sacred Order" (see Figure 10), although it was collected by the Tang Dynasty, it was all reduced to the Book of Wang. Huai Ren used twenty
In four years, all the kings were collected, the great ones were shrunk, and the ones who relied on them were all collected in the "preface" and "record". It takes a lot of effort
Strength, only ingenuity, can have this achievement. The practice of "collecting books" began at that time. Later the collection of king books
There are not many, but those who are so superb are unparalleled. The stele was originally located in Hongfu Temple, Xi'an, Shaanxi, and later moved to the Shaanxi Museum. Inbey
Chu Shuyan Pagoda's "Holy Order" is nineteen years late, and the content adds "Emperor Wen's Reply", "Crown Prince's Answer", and "Prajnaparamita Heart"
Jing", signed "Yu Zhining, Laiji, Xu Jingzong, Xue Yuanchao, Li Yifu and other Fengshu polishing" paragraph, etc.
It should be affirmed that Huai Ren is quite good at the base writing, but it is obvious in terms of size, haunting, echo, and line
The difference pool. Therefore, people think that it is okay to ask for its single word, and as for the layout of Gu Pan, it is inferior to the "Orchid Pavilion Prologue", although so, but it is
In terms of each word, there are both curtain writing and processing, and there are changes in stone and engraving, which is inevitable to be out of shape, and some may not be as good as the original, but there are
It may also be more colorful than the original. Therefore, the value of the Holy Order must not be underestimated, especially because of its large number of words
It provides convenience for learners, especially the follow-up "Heart Sutra", which is coherent in its practice, as if it were a work of one breath, and is extremely sufficient to take the Fa. beginning
Learning the book of conduct, starting from the "Holy Order" is the right way, and after the word is written, it is not wrong to turn it to other posts. In fact, at the beginning, I learned to do it
The book should be from a single word, if directly from the overall point of view, it is easy to get close to the rules, messed up the "pen xing", but it is not easy to receive in the future
pick up
Wang Xianzhi's book
Wang Xianzhi (王献之), courtesy name Zijing (字子敬), was the seventh son of Wang Xizhi (王羲之). Because he was an official to Shang Shu Ling, he was also called
for the "Great Order". Together with his father Wang Lingzhi, he was called the "Second King". His calligraphy was studied by Wang Xizhi, but he also studied others, and he was good at all kinds of things
Although the bone strength is not as good as Wang Xizhi, it is too flattering. From his advice to Wang Lingzhi to change his body and abandon Zhang Cao and attack XingCao instead, it can be seen that he is quite capable
When adapting to the trend of change, it has contributed to the development of the book.
The "Duck Head Pill Post" (see Figure 11), without falling money, is said to be the work of Wang Xian. Silk, two lines, fifteen characters. "Duck head pills are not
Good, ming should be gathered, when you meet the king. "The ink seems to be slightly withered, or it is papery; the ink floats on it, and it seems not to have penetrated, or because the paper has been."
Old, worn out for a long time. Throughout the text, in one go, from the beginning to the end of the pen, there is no trace, there is really a taste of heavenly clothing. Penmanship
Wanton, all rebellious. Later, the Ming dynasty's cursive writing seemed to have gained the Law from then on
The Mid-Autumn Festival Thesis (see Figure XII), without a paragraph, is said to be the book of Wang Xian, and some people suspect that it is the Book of Rice Fu Linben, but there is no confirmation, and it was originally the Five Elements
Twelve characters, after cutting off two lines, now three lines, twenty-two words. This post line is like a fire basket painting ash, continuous, unprovoked, unprovoked,
There is a saying of "a book". It is so continuous that some people call it cursive; however, looking at its knot, there are few omissions and no travel
The book world said, so it can also be called a book. This post is full of ink and ink, the gesture is strong, and it is quite sufficient.
"Dihuang Tang Ti" (see Figure 13), the full name is "The Bride Serves Di Huang Tang Ti" six lines, forty-four characters, is a more standardized line
book. Its words seem to be more regular and more restrained than Wang Yizhi's words. It makes the transformation of the Fa degree of the pen linger enough for the teaching. Beginners from now on
At first, it was easy to get started.
Wang Xun's writings
Wang Xun, Zi Yuanlin, Small Character Law Protector. Calligrapher of the Jin Dynasty. Yi LangYa Wang Yimen, son of Wang Qia, grandson of Wang Dao, official Zhishang
Shu Ling, the extant "Boyuan Thesis", see Figure 14), is an earlier authentic handwriting in the surviving inkblot, one of the "Three Xi", which is extant in Beijing
Palace Museum
The "Boyuan Thesis" is still new, so that it can not only glimpse the Meaning of the Jin people from a distance, know the tendency of their sharp and inflection, but also mos the Northern Wei characters
The origin of the opening. This post is elegant and elegant. Between the swings, the tension is casual, and the care is not reckless, and the concession is not informal
sprinkle. If you study Wang Xizhi on the basis of this, you will definitely be able to gain a thick and heroic momentum and the radiance of vertical and horizontal opening.
The writings of the father and son of the monk Wang
Wang Shengdu, a southern Dynasty Song and Qijian, a disciple of the Langya Wang clan, had both ability in calligraphy and theory
Tang Shizhuo's Shushu Fu (述書赋) said that "God is high and complete, Geng Jie is sharp, and his hair is full of glow, and he can do both."
Absolute, in name only and extraordinary, such as planning to win the decisive victory, wei zhen special fang.".
Not a base person, of all
"Wang Yan Ti" see Figure 15), for its famous work, careful observation, its pen seems to be soft, the paper is smoother, and the pen can be quite paved
In the paper, the pen belly is full of ink, the hidden edge, the release front have explanations, and only with the tip of the pen to stroke the word, especially very good at pressing the pen, so the word see
Rich. Its glyphs are mostly horizontal, the horizontal pen is light and thin, and the adjustment is flexible, so it is very vibrant. Judging his writing style, it is quite similar to Zhiyong.
Those who only know that those who write books with the tip of a pen should learn from it,
Wang Ci and Wang Zhi were both sons of Wang Monk Du, and both were good at calligraphy Wang Ci Zi Bo Bao, and were often with his cousin Wang Jian
Study calligraphy. His writing posture is majestic and arrogant, and his body posture is strange and wanton, and he seems to be closer to Wang Xianzhi. Row middle grass, large
Small and different, the word spacing is almost the same as between the lines, but in the dense natural branches, full of paper, shining. His "Debo Wine Thesis"
(See Figure 16) is a masterpiece
Wang Zhi, who was nine years younger than Wang Ci, was the best at grass and grass, and at that time he was known as the Fa, and was even known as the "Sage of Books"
"One Day Without Shen Ti" (see Figure 17) is his famous work, and the calligraphy is extremely majestic. The gestures are precipitous and indulgent. Line the book to press
Mainly, there is Teton in between, and the strokes are thick and thin, and the spirit is vibrant. Unlike Wang Ci, he was not very concerned about relaxation, and the knot was even more common
preciseness. If the study book is too evacuated and it is not easy to disturb people, you can explore the method from this post.
Ouyang Inquiry's book
Ouyang Inquiry, Chu Tang Dynasty. His calligraphy is well known to the world, in fact, his calligraphy and writing are also very successful. Its famous
His works include "Zhongni Meng dian ti", "Bu Shang reading post", "Thousand Character Text", "Zhang Han Ti" and so on
"Zhang Han Ti" is also known as "Zhang Han Si Perch", also known as "Ji Ying Ti" (see Figure 18), ten lines, ninety-eight characters. Tang Gaozu commented on Ou
Shu Yun: "In his later years, his pen was strong and vigorous, and he had the wind of law enforcement and court fighting. The lone peak rises, cut on all sides, and is not a false reputation. Emperor Gaozong of the Qing Dynasty called it
For "Better than taking the momentum, there is more than enough." These evaluations are not excessive. Looking at its predecessor, it should be two kings and one vein. It is written with a pen and a script base
This is consistent, but there is often indulgence. Its knots seem to be woven proudly on the basis of the script, and the momentum is more open, and the gods are more dangerous
Yu Shinan's writings
Yu Shinan was a Tang Dynasty calligrapher. Needless to say, his writings are also excellent, and the "Orchid Pavilion Preface" is clear and clear
And without losing dunhou, Park Mao is solid, and the divine charm of the extreme Xi is "The Manuscript of the Princess Jizhi of Runan" in Figure 19), Xingshu, Eighteen Lines, II
One hundred and twenty-two words. Because the pen is similar to rice, it is said that rice is pro. The gestures are round, and the Gofa is still there. Overall, it is warm and round
Xiao Scattered and vain, indeed has the style of a Jin person
Chu Suiliang's writings
Chu Suiliang was a Calligrapher of the Tang Dynasty. The extant "Orchid Pavilion Preface" is also in its original version, and there is also a Chu Linyi Pass. In terms of the appearance of the strokes, it may be with Feng Cheng
There are basically differences in the plain, but its charm temperament, all won the King's Law and his "Dead Tree Endowment" (see Figure 20), the gesture is haunting, extremely vivid,
The beauty is rewarding. In this regard, commentators also have micro-words, believing that the Chu character is less open, the pen is light and thin, and it lacks the temperament of the husband. This is quite
It seems to be due to the Great Order "Roselle Endowment". Treat "Dead Tree Endowment" as a stink and give it for life, of course, not. But for writing too
For those who have just lost their beauty, they can get some charm from it, in order to clean up the roughness, but they cannot be passed by
Lu Shuzhi's "Wen Gui Lu Shuzhi is yu shinan's external detail, the Tang Dynasty calligrapher specialized in yushu from an early age, and later asked Wang Zi for the law
In his "Wen Fu" (see Figure 21), it can also be seen that Yu Lin's "Orchid Pavilion Preface" has a quiet and elegant charm, and it has increased the solemnity of the moist show, which is not only the solemnity of the book, the point into the pen is not floating or grassy, the pen is not late or hurried, it can not only pave the moist, but also flow and not lag. Closing pen
Alternate clearly, and harvest appropriately. Its knots are heterogeneous
And the ability to coordinate is extremely coordinated
Sometimes there is a stable specification of the letter, and sometimes there is a stone book
The pace is easy and beautiful, sometimes there is the convenience and simplicity of cursive writing, and even the strokes of chapter and cursive are occasionally seen. The glyphs have large and large
Small, horizontal and longitudinal, staggered and jagged, interlocking, so that people do not feel relaxed, anti-light Watson from the words between the lines
Beginners start from this, can be used as a transition from calligraphy to calligraphy, absorbing its beautiful and moving style of writing, calm and smooth
The charm of the qi, when there is a lot of benefit.
Li Yong's Xingshu, ZiTai, Was a Tang Dynasty calligrapher. He once did beihai taishou, so he was called "Li Beihai" to learn the Wang Shu, after the face
shake off
The form is a family of its own. Since the Wei and Jin dynasties, the inscription must be written in letters. Li Shimin began to advocate the eight steles of xingshu, and Li Beihaidou was the body
A scholar of the epitaphs. He not only approved of writing books into the stele, but also took matters into his own hands, personally knifed, and self-carved, so yes
Later generations have a great influence
His "Li Sixun Monument", also known as the "Yunmo Monument" (see figure 1), has always been praised by Po as the first lishu (there is also a "Yunmo Driving",
It is the monument of General Yun mo Pingxiu, also out of Li {, but the original stele was damaged early). Here is an introduction to the "Mountain Temple Bomb", also known as "Yue FanYu."
The stele (see Figure 22), erected in the 18th year of the Tang Dynasty in 730 AD), was in Changsha, Hunan. Twenty-eight lines, kingship
Sixteen Han, dissolved "Ji Yong wrote and book, Huang Xian Carved". Huang Tingjian commented: "Ning Shi is luxurious, really strange, and the hated skill is too much."
Deep ears, less than half of the merits, so that Yu Jing was revived, but so," Wang Shi page "Zhou ShanRen Draft) Yun: "Although the hook is not possible."
Looking back, looking at his expression of exile, the heavens are full of joy, the faint remnants of the ink are broken, and the feet are dumped on Shield Mountain and Wu Xingye. "The cloud rate is mostly 10,000
Li 'Yue Long' is a fine painting, and Li's "Yue Long" is rounded and thickened, and the knot is more calligraphic between the northern souls. The two monuments are clear and thick to each other, and the fibers are heavy
Yes, combined with a more complete picture of Li calligraphy
In addition, for example, the "Fahua Miracle Stele" is also a masterpiece of the book, if you can get it, you can know the origin of Zhao Meng
Yan Zhen bomb's line
After the Jin Dynasty, Yan Zhenqing stood tall on the altar of books, but it was not in vain to do the work of his calligraphy, but the achievements of his writing seemed to be even more
Prominently, Yan Zhenqing's xingshu is a new one under the situation that Wang Shu unifies the world, and it has increased in the evolution of xingshu
style. The most famous are the "Three Drafts", namely the "Sacrifice Nephew Draft", the "Sacrifice Uncle Draft" and the "Battle for the Seat Post", the characteristic of which is: division
Recognize the three books and come to the penmanship of the knot, the toyo into the Ding Zhen meaning, to its elegance, increase its majesty. To be loyal to the fierceness of the mountains and rivers
Qi, as far as the end of the pen. Thus formed the style of Liaoqiang. Among them, the "Sacrifice nephew draft" (see Figure 23) is particularly Yu,
The pen and ink are both drunk and mournful, and the Qing Yuan zhuang has become a masterpiece of thousands of years
"Sacrifice to the Nephew" was originally a grass for the martyrdom of Ji Ming. Twenty-five lines, two hundred and thirty-four words. original
Ben Yuan intends to wade into books, but he is radiant and flying, his posture is full of vitality, his gestures are difficult, and he is super divine, and he is the first of Yan Shu's grass, and some people take it later
The Lan Ting is first called the second book
Although the "Battle for Seats" is strongly inscribed, it is still healthy and is also a famous masterpiece, and the scholar has written the "Article"
After the nephew," he has done his best to turn to "Scramble for Seats", and he has gained a lot from his pen
Yang Ning's "Leek Flower Post."
Yang Ningshi, Zi Jingdu, five generations of calligraphers. Rich in literary style, good at poetry, good at writing. Luochuan Temple view blue wall powder
Above the wall, the inscriptions are all over the place, and people at that time coveted him and called him "crazy". His books are patriarchal and yan, but more elegant and penmanship
Daofang. Seat belt to buy, capital
His "Leek Flower Post" is shown in Figure 25) is the most standardized work of Yang Ningshi. The spacing of the words is larger, and each word is tightly enclosed in the middle palace, four
Zhou does not make indulgence, so there is no false pen, very condensed and elegant demeanor, its use of the pen naturally obtained, in the casual without losing the norms. dot
The painting is vivid, sharp and shining, and the knot body is stable and flexible, simple and elegant. Although weaving, but calm. overall
It seems that the demeanor is far-reaching, calm and introverted.
Today's scholars, every time they want to gallop freely, it is easy to appear impetuous if they can draw more solemn and timeless from this post
Qi, when it is not a realm.
Mountains, straight belts,
Li Jianzhong's "Tumu Ti" Gao Zeng
One is from it, one is from it
Li Jianzhong, the middle of the word, the character is simple and quiet, the wind god is elegant, the tranquility is rongli, the good chant, the good book, the book is particularly work. Song Huang Tingjian
He said: "Xitai (i.e., Jianzhong) stands out from the crowd, fat and not left flesh, such as the beauty of the world, plump muscles and beautiful people." Zhao Mengyun:
"The Book of Xitai is not far away from Tang, just like the Tang people's residual wind." However, Su Shi thought that Li Shu was "humble and humble" and had an atmosphere of decay since the end of the Tang Dynasty.
Li Jianzhong's "Tumu Ti see Figure 26"), with a calm pen and a flattering word, does have the method of rate change (Ouyang Inquiry), there is
Lu Shuzhi's penmanship, but the wind flow is slightly inferior, and the sluggishness is more than them. Sometimes it is also directly leaked, but it can increase the interest,
Don't lose it. Rao has the temperament of Sven, which is the handwriting of the literati, but the pattern is too small, and it is inevitable that the temperament is insufficient.
If the scholar has been infected with a domineering disease, he can restrain his nature from this post and improve his pen posture to the dignified aspect, so this post can be great
A pro. Others, such as "The Same Year Post" and "Noble House Post", can also be admired.
Cai's line book
Point 2 Cai, referring to Cai Xiang and Cai Jing
Cai Shu (蔡 Wrap), also spelled Junmo (君Mo), is a book of extreme engineering, and together with Su Dongpo, Huang Tingjian, and Mi Fu, is known as the "Four Houses of Song". Ouyang Xiu thought that Su Zimei was a beautiful brother
After his brother, he walked alone in the world, with a master's teaching, and the first Su Shi of the Book said that he was "both highly talented, deep in learning, corresponding in heart and hand, and changed."
Infinity, sent as the first of this dynasty"Ming Sheng Shi Tai "Cangrun Xuan Stele" Yun: "The Song Dynasty is called the able to write, and the four houses are unique among the four families,
Su Yunqi, Huang Liuli, and Mi Qiaoba are all intriguing, and Cai Gong is alone in his thick position. It can be seen that Cai Xiang is highly respected
Cai Jing, Yu Yuanchang, also gongshu. "Zhang Ugly Pipe See" Yun: "Song Ren Shu, for example, Su Huang Mi Cai, is called Jingye. The hereafter is evil
To be a man is to rebuke him and to enter into the king's way. Jun Mo is before Su Huang, should not be listed after the Yuan Zhang, it is undoubtedly Jing Jing pen style,
Non-Jun mo can be compared also. That's true. In short, its words are indeed good, but both are designated as "the head of the six thieves", Yuan
It is impossible to praise it
Three
Cai Xiang's "Hu Congti" (see Figure 27), with a pen of Iwo Lang Wanjian, Rao has the legacy of the Jin and Tang Dynasties, and the wind and spirit are all in the font meaning
within the state, and the connotation is deeply contained between the lines. The whole article is elegant and generous, and the money is appropriate. Cai Jing's "Letters with palace envoys" (see picture
Twenty-eight) with the pen is heavy and beautiful, the work is healthy and flying, although sometimes the pen is continuous, but the heavy press is lightly turned, the silk is gentle, the word is strong, Andhan
Not fake. It is true that the treatise on books is superior, but it is hidden by human character and is taken for granted. It can be seen that the study of books must first be established, and the products cannot be
Nor can it be established.
Su Dongpo's calligraphy Su Dongpo is a literary master of China's Song Dynasty, and he is also a generation of masters in calligraphy. There are many famous works of calligraphy, such as "Huangzhou Han"
Food Poems", "Sky dark clouds", "Former Chibi Fu", "Bitter Rain", "Return to the Word" and so on are famous. Here's the selection of "Cold Food."
See Figure 29) for everyone to enjoy.
Su Zi came from a wide range of roads, and had studied "Lan Ting", both Xu Jihai's AnMei and Liu Gongquan's XiuJin; he had also studied Yan Zhen
Qing, Yang Ningshi, Li Beihai, so the fusion casting is very rich. In particular, he is male and learned, has a broad heart, is drunk and promiscuous, and has a long sense of arrogance
Naturally clever. Although the "One Night Post" is simple, no matter how white the branches are, there is both the posture of sulfur and the state of closeness.
Its size is correct, light and heavy, and its thickness can be seen in its wisdom. The gestures are majestic and the air is beautiful. Studying its words is just inadvertent here
Ponder it, or be able to see its true meaning.
to the device,
Huang Tingjian's writings
Huang Tingjian, character Lu Zhi, the number of the valley Daoren, Fu Weng, long in poetry, gong calligraphy, with cursive as the most. In fact, his writings are even worse
Considerable, especially Xingkai is a family of its own, whose words are called "yellow body" He once described his experience of learning books: "Yu xue cursive for more than thirty years,
At the beginning, with Zhou Yue as his teacher, he did not get rid of the tacky atmosphere for twenty years, and later he got Su Cai Weng Zi's beautiful book view, which was the intention of the ancients, and then he got it
Zhang Changshi and Monk Huaisu inkblots are the magic of peeping brushwork. It can be seen that the study of books can be achieved without the ability of disciples, and it is necessary to obtain the "Fa."
Here his "Songfengge Poetry Scroll" (see figure 30) is selected to show the interest of his pen and ink. Huang Tingjian's line of writings is the most popular jagged longitudinal pen, withdrawn
Often the weaving force escapes, and the horizontal is far away and swept flat. The size of the universe is mixed, and the space distance is densely staggered. Twist left and right to form a row that is straight, up and down
Interpolated and each has its own pan-land. Throughout, it gives people a sense of charm and curiosity
Mi Fu's book
Mi Fu (米芾), the first name knock, the character YuanZhang, the number Xiangyang Manshi Haiyue Waishi, the Lumen resident Song Xuanhe and nian bao were promoted to the doctor of calligraphy and painting
Shi, known as "Minang Palace". Because of his wild and clean personality, he is called "Rice Bump". Mi Fu can write poetry, good at calligraphy and painting, fine
Identification, good collection, especially in the book theory, each has a unique opinion. Because he could collect the Six Dynasties Han Mo in his hand, his words were heavy
Pain and pleasure, like riding a horse, in and out of abundance, do not have to be strong to be handy. Su Shi thought he could run parallel to King Zhong. Rice bush most
Can come, every time can be chaotic, there is a "set of words" ridicule for a while. But he said: "People call my book a collection of ancient characters, and cover the strengths of the total."
it. Since he is old, he has always been a family, and people do not know what his ancestor is. His comments revealed the doorway to becoming a "family.". In fact
That's exactly what success is all about. Some people, do not know what peaks there were before, do not know what famous mountains are today, they have just started, they have already been
It is ridiculous and pitiful to learn to the pinnacle of learning and to pretend to be "home" in a dignified manner, which is a leaf obstacle and does not see Tarzan!
There are many calligraphy works in Minang Palace, especially poetry and calligraphy, such as "Shuxi Poetry Scroll" and "Shu Su Ti"
Famous. The carved stone is best in the Records of The Fangyuan An (see Figure 31). Its characters are quite wei and jin relics. Although the carved stone is not easy to body
Can write, but in the meantime shelf Ya rhyme can still be appreciated, in addition, his "Zhang Jiming Post" see Figure 32) the pen is smooth, the rhyme is elegant
Agility is also the best in his grass
Mi Yuren's book
Mi Youren, young name Tiger Er, alias Yin Ren, character Yuanhui, the descendant of Haiyue, lazy Daoist, is the eldest son of Mi Fu. Noh
The father's wind is also a work of calligraphy and painting, known as "Millet" also some people think that they have passed their father, Qing Kang has a cloud for "Guangyi Zhou Shuangyi": "Mi Youren."
(Line) The book contains nangong outer expansion, and the nangong dart is too much, junruo jump throw is there, especially if Zhuang Ruo yue meaning, if millet
The book, on the other hand, is deep and thick, and the muscles are rich and good. "It's just a family statement, it's not necessarily fair
The "Moving and Stopping the Blessing Post" is a full-text secret line of Mi Youren's book, which is consistent and sprinkled with foreign language. The pen posture is very similar to that of the Minang Palace, but the unbridled interest is much inferior. The strokes are thick and thin, and the heavy strokes are the mainstay. Longitudinal
Straight book, less swinger left and right. Not good at writing, immediately withdraw cool to seek the father's style. The characters are slightly longer, rarely pulled apart left and right, and are quite late and heavy
Thick air.
Xue Shaopeng's writings
Xue Shaopeng, a native of Chang'an during the reign of Emperor Shenzong of Song, was a Daoist ancestor of the late CuiWei household, and called himself "the descendant of the Three Phoenixes of Hedong". It was named after Han Mo
generation. The collection of Jin and Tang calligraphy is very rich. He is friendly with Mi Fu and often reviews and appreciates books together. ICBC grass, with the Jin and Tang dynasties as the French style, has always been
High rating. Zhao Mengyun: "Daozu shu is like the king and the children of the Xie family, and they have the habit of flowing with the wind." Youyun: "Tang and Song, Qi Zhongqian,
Wouldn't it be great! Song Wei Suyun: "Beyond the Tang Dynasty, the only one who has the pen intention of the second king, Mo Shao Pengruo." ”
Xue Shaopeng's "Poetry Scroll" (see Figure 34) selected here has a clear and quiet character, a circle and a familiar flow, and a standardized character
The pen is indulgent, and the dot painting does not lose its momentum, but the beauty is beautiful and beautiful, and it is pleasant.
In order to make the dot painting flow as soon as possible, you can come to this post.
Wu said the line book
Wu said (Song), the character Fu Peng, the number of practicing Tang. He worked in calligraphy, took the Second King of the Fa, and also collected Huang Tingjian, and sometimes learned Zhong Xuan. Good at writing miscellaneous
Books, gossamer books. The "Mennei Ti" is shown in Figure 35) is a frame of his letters, which have both the penmanship of the two kings and the beauty of gossamer.
The spacing is sparse, the lines are wide open, and the words and words are not very urgent. The words are close to the grass, quite flowing.
Wang Tingjun's book
Wang Tingjun, Zi Rui, HuanghuaShanren. He was summoned by Emperor Gaozong of Song to be appointed as the Ying Feng Hanlin script, and ordered to work with his secretary Lang Ru Fang Pindi
Famous paintings of the Law Book. Work in calligraphy, teacher Fa Mi Fu. Ming Xiejin's "Teaching of Calligraphy" Yun: "Tingjun, the nephew of Nangong, whose calligraphy is passed on to zi you
To Zhang Tianxi. Ming Li Rihua's "Six Yan Zhai Three Strokes" Yun: "Tingjun calligraphy is shen dun xiong fast, and the elders of the Southern Song Dynasty are in the north and south, the beginning of the Yuan."
The people of The Mountain of Minions are not up to it. From his inscription "Li Shan Painting Wind And Cedar Pine Scroll" (see Figure 36), we can get a glimpse of his writings
Style. From the word point of view, it may be hot paper, and the pen seems to be hard. Review its use of pen square pen more lines of pen rich press, both can be paved, but also
Can put the sharp edge, between the thickness of the dot painting, it can show the interest of the pen edge to turn. The kerning is not very dense, and the width between the lines is slightly larger. Occasionally
Even those who leak their pens are not very casual and seem to care. Judging from the qi rhyme, it is indeed similar to mi fu, but it is not the same,
Because the circle turns more than the square fold. Viewed holistically, its words are calm and calm.
Zhao Mengjian's writings
Zhao Mengjian (赵孟健), courtesy name Zigu (字子固), was a cousin of Zhao Meng'e and a calligrapher of the Song Dynasty. Sexual sulfur is weak, not Mu Shijin, seclusion
Guangchen Town of Xiuzhou. After entering the Yuan, knowing Meng Cheek Shi Yuan, the visitor did not reluctantly enter the back door, and after a few words, Meng Zhi retreated in shame. walk
After Mao's seat, it can be seen that his Deku Zhen Fa Book, once purchased the white stone old collection of five characters do not damage the book "Deed Order", travel, the wind up the boat,
Meng Jian drowned and held aloft the "Qi Order": "The Lan Ting is here, and Yu does not mind it." The first part of the self-titled volume reads: "Life may be light, to."
Treasure is the guarantee. "It can be seen that the treasure of the famous works of the Fa Shu is cherished.
Zhao Mengjian is good at painting books, often carrying pen and ink with him, and wherever he goes, he will write and paint. "With Yan Lang Zhong ti" (see picture
XXXVII) is its masterpiece. Its words are mainly based on gentle strokes, and it seems that there is no stop at all, but it can be pressed. The line seems to be extremely fast,
However, the black is very stable to see that its fingers and wrists are accurate, especially the dot painting, although it is mainly connected, but the word between words is mainly broken. Line pen
Jumping and running, but not necessarily continuous, this is the ancient law. Zhao Mengjian's words are worth linji.
Wu Ju's writings
Wu Ju (吴琚), the character Ju Father, the number of yun yuan. He is the nephew of Empress Xiansheng of Song, but he is afraid of fame and righteousness, and he will never be proud of his qi bowl. Work in Han
Ink, calligraphy mi fu, on the chase bell king. Dong Qichang said that his book resembled Mi Yuanzhang, but it was steeper than it
Wu Ju's "Miscellaneous Poems See Figure 38" enters the square circle and is very similar to Mi Fu. Watch its edges pitch left and right, up and down
Flipping, knowing that he had truly experienced the power of Minang's wrist, this kind of wrist flipping to move the pen edge, such as the playing edge of the ox, no
It is simply out of reach of real bookers.
Zhao Mengzhao's writings
Zhao Mengzhao, Zi Ang, SongXueDaoren, Yuan Dynasty calligrapher, known as "Zhao Chengzhi". Articles on the economy, Buddha's poems and paintings are all
Absolutely, the seal is divided into various bodies of the true line grass, and it is all wonderful. It is also known as a book. As for the festival exercised by Song into the Yuan, there are subtle words in the world, but not
When the softness of its words is boneless, it stems from this theory. In terms of books alone, all that can be done and far away is indeed a generation of people.
Especially for the grass, the one who has the deepest degree of the two kings should be Zhao Mengzhao.
Zhao Ziang's study of the Wang Shu is not only the penmanship, the knotting of the word micro-portrait, that is, the pattern of the line of money is all chased. The magnificent works are certainly beautiful
Eternal, and its codex is even more noble and clean. "Guiyun Lai Ci" (see Figure 39) is a work of appearance, and it is not without traces of deliberately seeking each other
Traces, and its pen notes, hand in hand, with the text into words, meaning to follow the emotion, the fun between its pen and ink, is really heart-wrenching "and the second mountain."
The Book of The General Manager (see Figure 40) is written in cursive between lines, but it is refreshing and clear- and more agile in the rules, and the pen is pointed at the rate
The heart pulse is seen in the meaning; the occasional work is continuous, the god is far away, and the sincerity is a masterpiece.
Pipe rises the line book
Pipe Sheng, zi Zhongji, wife of Zhao Mengzhao. Good words chapters, gong calligraphy and painting. A deep believer in Buddhism, he once wrote dozens of volumes of the Diamond Sutra by hand
With famous mountain monks. At that time, the emperor had ordered her to write a "Thousand Character Text", and robbed the jade worker to grind the jade shaft, sent it to the secretary to supervise the collection of the pool, and said
"Let the future generations know that I have a woman who has good books, and that all the families can read books, and that there are also miracles."
Ming Dong Qichang's "Rongtai Collection" Yun: "Lady Guan Shu Mu Xingkai and Ou Bo Gong Are indistinguishable, and Lady Wei has no differences." "So
The book "And Zhongfeng Zen Master Shu Ti" is obviously different from Zhao Mengzhou, but its six characters are almost the same as Song Xue, among which Wang Xi
The legacy seems to be too loose and snowy.
Her "Book with Aunts" is shown in Figure 41), which is obviously based on Wang Xizhi, and sometimes melts some of the ingredients of rice and is elegant
Refreshing and non-frizzy. The kerning is slightly tighter and the line spacing is slightly wider. The practice is not concentrated in the main pen, but in the outer exhibition and the unified qi, and goes along with it
Dashing and beautiful, full of paper spirit, sharp and glowing.
Rarely in the book of the hub
Xian Yu Shu, Zi Bo Ji, Number Sleepy Scholar, Yuan Dynasty Calligrapher. Ming Tao Zongyi said that Xian Yushu was good at grass, and Zhao Mengzhao was very good at him
Push hard: "Try to cursive with Bo Ji's classmates, Bo Ji is too far away, try to chase it and can't reach it." The machine is finished, and the world is called a servant
Books, the so-called Buddha-free places are called honorable ears. Lu Shen thought: Calligraphy is based on the Song Dynasty, Yuan Xing author has merit, and Zhao Wuxing and Xian Yuyang
For the giant slaughter. In the lifetime of the end, in and out of these two homes. It can be seen that it is rarely the position of the shu in the history of books.
The "Drunken Song Post" (see Figure 42) selected here has a strong and heavy character, and the qi runs through the final chapter, making a continuous stretch of silk and fiber, there is
It's a very painful read.
Conri's book
KangLi, Zizi Mountain, Zheng Zhai Shu Shu Shu, Shi Chuan Duo as Kang Li. Originally from the Western Regions, he is a Semu person, a nobleman, and a young man
Ye Guoxue, BoTongqunshu, deliberate Han Mo, elegant and elegant, can know the general body of the country. Those who hold high in high esteem, and Ya loves Confucianism more than that
Hungry and thirsty, the Four Fangshi Masters were gathered at their doors. Good at writing, walking, cursive, to promote the penmanship, single piece of paper people to compete for treasure
It is nothing less than gold and jade. He has made outstanding achievements in the study of Han culture and art, and is the most influential calligraphy in the late Yuan Dynasty
One of the homes.
Although Kanglizishan is particularly popular with cursive works, Yu Xingshu is also very commendable. For example, his "Self-Written Poetry Scroll" (see picture
Forty-three), the font size is staggered, indulgent, but very uniform, and it is extremely natural to enter the line with grass.
General Road, Peace Loss,,
Yao Shuo's writings
"Earthquake"
Yao Shou (姚绶), zi gong huan, no. gu an, also known as Xian Yi, late yun dong yi shi, ming dynasty calligrapher, known as "Mr. Danqiu" good book,
Shi Fa Zhong, Wang, Jin Wan Xian Miao. Here is a page of his book (see Figure 44) for appreciation. His books are full of sharp interest.
Yu shoulders are wide, not accustomed to the long pen, but often left and right waving.
the regiment
Wu Kuan's writings are in abundance
Wu Kuan, literally "Yuanqing", was a Ming Dynasty calligrapher. Do not be radical, but self-disciplined. Gong calligraphy. Species
Bamboo Poems (see Figure 45) is Wu Kuan's masterpiece, which has been obtained from Su, but has its own novelty. Mingdu Muyun: "Shu Hanzhi."
Wonderful, the knower thinks that it does not reduce the Great Su. Ming Xing Dongyun: "Zao Weng calligraphy Fa Su bachelor, thick face, get rid of Wu Xi, also Bi Jing Zhao Song."
True ear, beyond the real difficulty. ”
Tang Yin's book
Tang Yin, Zi Bohu, More Mi Zi Wei, Liu Ru Ju Shi, Peach Blossom Master, Fugitive Zen Immortal Official, etc., along with Xu Zhenqing, Zhu Yunming, and Wen Zheng
Ming was known as the Ming Dynasty "Haozhong Four Talents". Although he is famous for his paintings: his books are also very clean. "Falling Flowers Poetry" (see Figure 4
Sixth), the rules of dot painting, the knot is graceful and there is no lack of strength.
Dissolve" limit (noodles
Wen Zhengming's writings
A。 Wen Zhengming, the first name of the wall, with character lines, more characters Zhengzhong, alias Hengshan, Ming Dynasty calligrapher. He once learned from Li Yingzhen and studied literature
Wide, learned to paint in Shen Zhou. The four beggars poetry, calligraphy and painting, followed by the Tao, and the rich and noble people are not easy to get their pieces, especially unwilling to cooperate with the royal palace
and the middle man. The kings gave it as a gift, and returned it without opening the seal. The foreign emissary said to Wumen, looked at the shrine and worshipped, hating not seeing it. wen
The pen is all over the world, and there are many fake authors under the door, and Zheng Ming can't help it.
Wen Zhengming's grass work was added to the basis of Wang's "Holy Religion" and then added rice, forming a family of its own, with a literati atmosphere. "Green Jade
The case (see Figure 47) is very impressive, and there is no other work of hardness and bitterness, and it is crystal clear and lovely in softness.
Zhang Fengyi's book
Zhang Fengyi, Yu Boqi. Ming Jiajing raised people. Good words and happy texts, work books, self-sufficiency in the later years. Ming Wang Shizhen "Yiyuan Jie."
"Bo Qi Ping's life is the most in the second king, and he withdraws his pen into a tomb, although the heavens are small and exhausted, but the rules are senran." "His book is not seen in his own way
Path, but still not lost the ancient law, Junxiu is gratifying (see Figure 48).
Lan Qichang's book
Dong Qichang character Xuan Zai number Si Bai, also known as Xiang Guang, the Ming Dynasty people whose books were first Zong Mi Fu, and then became a family especially good at the title,
Also works in painting. Try to compose the "Painting Zen Room Self-Discussion" day: "When I was seventeen years old, I first learned Yan Pingyuan's "Many Pagodas" and changed to Yu Yong
Xing, thinking that the Book of Tang was inferior to the Jin Wei Sui imitation of the Huangting Jing and Zhong Yuanchang's "Declaration Table", "Force Life Table", "Returning The Post", and "Bingshe"
Thesis), who for three years, claiming that he forced the ancients not to repeat the corner of his eyes with Wenzheng StretchIng Zhu Xi, is the divine reason of the scholar, and has not yet entered, disciple
Shou Geru er than You Jiaxing, to see the xiangzi Jing family collection of authentic works, and also see the right army "Official Slave Thesis" in Jinling, Fang Wu used to vainly mark himself
Hsu, since then, has gradually become smaller. "He is very conceited, often shorter and longer than Ziang. After entering the Qing Dynasty, Xiangguang was favored and was also popular for a while
However, since Bao Shichen and Kang Youwei came out, the light of the incense light was eclipsed by the cloud of "Guangyi Zhou Shuangyi": "Although the incense light is famous, it is like a rest of the grain road."
Soldier, the spirit is cold and thrifty. If a general is strong in the army, the barrier is skyscraper, and the flag is discolored, he will not dare to go down the mountain. ”
The "Title Shu Su Ti" (see Figure 49) selected here is the best of the Dong characters. Fragrant light so can be uniquely revered, self
It is admirable, smooth and flowing, and it is pleasing to the eye, but as he himself has indicated, it is inevitable to deceive people
finish.
invitation card
Five
Zhang Ruitu's book
Zhang Ruitu, the word Changgong, the number of the second water. Most of the inscriptions of the official To The University Scholar Wei Zhongxian's Ancestral Hall came from his hand, and he later sat down with a reverse case,
Redeemed as a commoner. He is good at landscape and calligraphy. It is on a par with Xing Tong, Mi Wanzhong and Dong Qichang. His book is strange and elegant, Yu Zhong Wangzhi
In addition, he has his own style in terms of pen and knots. His books are best written in cursive law, and his writings are also unique
turn
Creative (see Figure 50). Although it may not be a law, you can enjoy its breath and open up your own ideas.
Fu Shan's book
Fu Shan, the word Qing Lord, the other word public residence. After the death of the Ming Dynasty, Yi Zhuyi, living in the earth cave, adoptive mother, zhuyi Daoist, other name true mountain, turbidity
source
Weng, Shi Daoren, etc. Temperament Gengsuke, to die should not be cleared. The Botong Sutra Shi Zhuzi, the study of the Buddhist Tao also tasted to dabble, especially the fine medical tao,
Work on painting and calligraphy
Fu Shan tasted his own book, saying: "Weak crown learning Jin and Tang Ren Kai fa, can not be Xiao. And get pine snow, fragrant ink, love its roundness
Fluent, a little bit of it, then send chaos really. He who is already a daughter-in-law says: "He who is like a gentleman who learns from a righteous man, every time he feels that it is difficult to approach, he descends to the bandit."
People travel, do not feel their relatives, Song Xueyu tasted not to learn the right army, and the result is shallow, to the boneless of the colt king, the heart is bad and the hand follows
Also, so he resumed his studies as a yan taishi. Because of the method of learning books: rather clumsy than skillful, rather ugly than charming, rather fragmented than slippery, rather frank and true
carve
row. "His cursive writing is inherently important, but his writing is also extremely impressive (see Figure 51).
again
Wang Duo's writings
see
Wang Duo, Zi Juesi, Song Qiao (嵩樵). In the Ming Dynasty, the official to the university scholar; into the Qing, the official to the Rebbe Shangshu. Wang Duo has a self-set daily lesson: Wang
Juesi writing class, one day to post, one day to ask for advice, so that it is not easy to live. Written "LanghuaGuan Post", "Quasi-Mountain Garden Post"
this
wait
go out
Wang Juesi cursive writing is often praised for his excellent writing, both ancient and innovative (see Figure 52)
target
Zheng Qian's writings
Zheng Xie, Zi Ke Rou, No. Banqiao. Yongzheng Juren, Qianlong Jinshi, Zeng Guan who knew the county, with the honor of Hui zheng for the people, of course
and Hao Gentry, so he resigned from the government to sell calligraphy and paintings in Yangzhou, and was one of the "Eight Monsters of Yangzhou"
Zheng Banqiao set up his own "six-and-a-half-minute book", in addition to blending into the Kai, he used painting methods in between. Writing is like writing orchid, and writing orchid is like writing
They are called "banqiao body". Although its writings also have their own characteristics, their pen and ink make them interesting, ancient and thick, and innovative
Absolutely, it is enough to see his skill and personal wisdom (see Figure 53
Wang Wenzhi's writings
Wang Wenzhi,Zi Yuqing,Trumpet Menglou,Qing Dynasty calligrapher. Born with a long-cherished wisdom, at the age of twelve, he was able to write poetry. It is the same as The Book of Liang
"Liang, Wang". With Liu Yong, he has the eyes of "thick ink prime minister light ink exploration flower". Its words are clear and elegant, and can be taken from the law, not to the direction
The way of victory and grandeur. Because he crossed the sea to Ryukyu, his characters spread far and wide (see Figure 54)
Weng Fanggang's writings
No
Weng Fanggang, Zi Zhengsan, Qin Xi, Late Su Zhai, Qianlong Jinshi, Guanzhi Cabinet Bachelor can poetry, fine appreciation, examination monument
There are many posters. Learn from Europe and Yu, and abide by the law. He is on a par with Liu Yong, Liang Tongshu, and Wang Wenzhi. His book is elegant and elegant (see Figure 50
Five).
Feng Minchang's Writings,
Feng Minchang (Qing), zi Boqiu, the number of Yushan Gong poetry and good books, runs through the families, and traces its origin in detail, as if starting from Chu
Turn to the Great Order. Ushi is open-minded, not well-known, and his books are considerable (see Figure 56)
He Shaoji's writings
He Shaoji, zizhen, trumpet ape, was an outstanding calligrapher of the Qing Dynasty. All bodies can. Self-proclaimed: "Yu Xueshu for more than forty years, retrospective."
The source seal is divided, and the law of the law tian bei chao asks for the seal to be divided into the true xu. Yu Beibei is not accustomed to it, while the Southerner Jianzha faction does not pay much attention.
The book flooded the Six Dynasties, and Yang Chengtinghao, but with the four-character law of horizontal and vertical straight. "His deeds, in the midst of wantonness, saw his name and arrogance, though not
The Dharma degree of the Yan Kai is exhausted, but its breath base is free (see Figure 57).
Zhao Zhiqian's book
Zhao Zhiqian (清), the first character Yifu, the number Leng Jun, the later changed the word Uncle Shu, the number of sorrowful She, the other name of Wu Sullen Liao, Si SorrowFul Weng. Painting
Carved stone, outstanding. The beginner Deng Shiru, but not hated, and chased the ancient far away, next to and Bo involved, so he became a family of his own
Commentators also have a harsh remark about him, which is too solemn and ancient, and too beautiful and feminine. Although there is some truth in the words, as for the book, then
It is also quite majestic and powerful, both the square thickness and solemnity of the Northern Wei Dynasty, and the charm of the Jin people, seeing interest in retardation and in the ethereal
See the thickness, sincerity can not be over-capital also (see Figure 58)
The above is a simple description of some handwriting or engraved rubbings that appear in the history of the book and have been preserved to the present.
This is only a common or findable part, in fact, there is a lot of content, but it is not explained for those who are not beginners. List
The purpose of coming out is to hope that aspiring practitioners will first make a general survey, and on this basis, make a block selection in order to determine themselves
The specialization, and then the turn, is better integrated and cast, and the strengths of thousands of families are gathered to improve their own level of calligraphy art.
Chapter Three: The Course of Learning
Learning to write is the same as learning calligraphy, and you should first "come" to the hands of people from word to word. If "Pro" can not be on,
It is not impossible to start from the shadow fishing, even so, it is not a delay in time, in fact, it is slow and fast: otherwise it is
Want to be fast but not reached.
In learning, from will not to will go from bad to good, there is an inevitable process, this process is no one can avoid, who
There are people who can't jump out, but some people quickly recognize the process and can follow it; and some people
Then they never recognize this process, or recognize but refuse to be serious about being talented, or the so-called "genius", Lord
If you can understand this process, and if you can follow this process to go to the low energy, then the main thing is that you can't know or as soon as possible
Yuan Chen can't recognize it, and if he can understand this process, he can quickly reach the other shore; if he can't recognize this process, he can't know it
You can't get to the other shore very quickly, or you can't get to the other shore at all. This process should be the course of our learning.
To study according to this trajectory is to "attain the Fa." The study time is very long, but the reason why there is no progress is that it is not "getting the Fa"
Once we can "get the Fa," we will achieve results very quickly
Before we talk about the "Fa" in detail, we must establish a few points of understanding ideologically, otherwise it will be impossible to "obtain the Fa."
First, admit that you are not good at it, and you must study hard
Some views are right, or on another level, but not necessarily appropriate for yourself. For example, there are quite a few
The artist summed up his experience of achieving outstanding results in this way: do not come to others, but take his own path and form himself
The style of this statement is undoubtedly true, and may be perfectly suitable for himself, but not necessarily correct for beginners
If a person wants to learn from others and only considers playing his own characteristics, he will inevitably achieve nothing. It's not hard to have a personal character, as long as it's not
Learning from others, will have their own characteristics, but their own characteristics are bad characteristics, what is the use of this feature? It is important to know:
On the issue of writing, from ancient times to the present, how many people have written out the rules, what is good and what is bad, there are already standards
How to write well has been summarized in practice. These are all objective, all are already made up of more
The practice of a few people has confirmed it. Smart people inevitably choose the shortest and fastest path to success. Of course, everyone
They will subjectively think that the path they have chosen is right, and they will feel good about themselves, but wishful thinking is not ok, it is necessary
It is indeed objectively a real shortcut.
So how can you know in advance? Self-judgment alone is not enough, we must be good at seeking answers from the march of others,
To look at the path of the predecessors, to see the path of modern people, just think about which is good for you and which is not for yourself
Profit, it will be clear. Is it better to enrich yourself with others? Or is it better to refuse the "funding" of others and "take responsibility for your own profits"? be
Is it good to always keep your own "one"? Or is it better to add the "one" of others to your own? Which is cost-effective, which
Isn't it clear which one is less, which one is more! Don't always be young enough to be ignorant.
Everyone knows how to count, how can anyone not calculate the account? Not because it can't be counted, but because it's because you add other people's things
It is not easy to come to oneself, without paying a certain amount of strength, people do not give and maintain their own "one", it is not necessary
Force, is easy. Good and bad work are the characteristics of stupid people, who cannot force themselves, can only surrender to themselves, can only fight
Overcome yourself, but it is impossible to surpass others.
Willing not to surpass others, willing to maintain their own "one", it is just that. Yet not really willing. Heard already put
Other people's things have been taken over, and thousands of people have been melted, and when it comes to "playing their own characteristics", they can't see people
The family has been melted into a thousand families, so they took over the last half of the words and found a theoretical basis for themselves. So, they chanted "Yes."
The triumphant song of "giving full play to its own characteristics" has magnificently embarked on a high-level avenue and entered the palace of calligraphy art
finish. Qualitatively, this is a self-deception theory of anesthetizing oneself. Don't you be pitiful to lie to yourself! What's more, take this again
A theory to warn others, in fact, to deceive others, of course, there will be a "market", there will be people to echo, so there will be more people who believe
Come, as if this had become the truth.
My intention in making this remark is only to hope that people who do not know how to count will figure it out: one plus one, one plus one, one more plus one, sure
Than one, people who don't understand this truth wake up. The reason for not getting the achievement is probably the most important one, blame
In oneself, it is unfair to complain about others. The "dream pen and flowers" thing is a fantasy, just a kind of "dream" thought, which is complete in reality
impossible.
Don't just believe in hard work, repeating your wrong "suffering" is not only useless, but also harmful
People's learning is a process that never arrives, from bad to good. The ideal process should be to progress day by day, from time to time
"Take it slow" is an excuse for not being able to progress quickly. The process of never arriving should not be slow
target. The process from bad to good may not be so fast, but it is by no means invading the point of standing still and holding on to the point of stagnation.
It is true that the development of things is a leap from quantitative change to qualitative change, quantitative change is not the purpose, the ultimate purpose is the requirement
Qualitative change, leap. What we ask for is qualitative change, not the accumulation of quantity, and "quantitative change" is not equal to the simple accumulation of quantity.
It's "change rather than repeat." That kind of hard work day after day, as long as there is no progress, it is "bitter" and has no value. at
Under the premise of mistakes, the days are long, and you can only repeat the wrong things over and over again, and eventually it will lead to changes
There are difficulties. When practicing, if the second pass is not better than the first pass, what does it mean? Explain that the first time the problem got again
After practicing, I got another consolidation. If you use "hard work" again, the result is bound to be that the problem is becoming more and more consolidated!
We demand: practice again and again to reap the harvest, to use the analysis of the mind instead of meaningless repetition, with the movement of the mind
To replace the passage of time; to replace the accumulation of quantitative change with thinking, and to shorten the process of quantitative change with the analysis of the mind, we must strive to achieve it
Practice over and over again. Who wouldn't want to do this kind of thing that saves money and money and time? But although this Xiang did not work hard,
But there is "suffering". This is much more painful than the "hard work" over and over again. Presumably, the really smart people should exchange this little "suffering" for it
Those who take great "merit" have to exchange long-term "suffering" for a little pitiful "work"; those who are falsely intelligent have a long period of suffering and smallness
I don't want to be "bitter", I just want to be successful without suffering. This is the case. I hope that my fellow friends will make good use of their wisdom, no
Pin your hopes on "hard work", let alone fantasize about "success without suffering", and use "addition" and "multiplication" to get the truth without work
Can't figure it out.
Grass reputation: Do not look at oneself and have the courage to deny yourself
In terms of learning, we cannot deny that we cannot make progress. How do you deny yourself? Of course, it is to use others to deny the self
You can rest assured that you can't lose your own good things, because you can't deny your own good things by not entering bad things; your own
The bad things are replaced by the good things of others, which is undoubtedly a kind of enrichment for oneself. Deny yourself, you will not suffer losses, on the contrary,
It is precisely the abundance of oneself, which is obviously a kind of "cheap."
But denying yourself is not an easy task, even extremely painful. Especially in the ones that have just achieved a little
When it comes to denying oneself, it is like self-destruction, which is both emotionally difficult and painful. Self-indulgence is a pleasure, but it is
A kind of pause. A pursuer of art is a pause that does not allow pauses, which means the suffocation of the realm, which means the withering of art
For a true art seeker, a pause means desperation, it means the decline and fall of artistic life, "stop."
"Ton" may also be an "interval" of entering, and it is also common for people to take a break after just climbing a peak. A little
After resting, climbing to another peak is a kind of enterprising, and I hope that "stopping" is not "stopping", "stopping" is the last
end. Like a flower, the flower blooms to the maximum, and after that, there is only "the flower has fallen." The flowers of art always shine through the ages.
Although human life is limited, the ideals and pursuits of art should be infinite so that they will be followed by other artists
To go on and on, or to be replaced and denied by later artists, is something else. But art is what everyone pursues
Goals and thoughts should be endless in their limits. If your own ideological goals can enlighten future generations, yes
To provide convenience for future generations, that is an art everyone's bosom, of course, this is not something that everyone can reach, but as an art
For the seeker of the art, it is necessary to "yearn for it with the heart.".
The trajectory of an artist's pursuit is always constantly denying itself. The "bitterness" of denying one's own suffering should be self-contained
To be willing to be bitter should be regarded as sweet. You can't eat this kind of "bitterness", nor can you taste the "sweetness" of a real artist. If you make up your mind
Determined, if you are willing to use "bitter" skills, you should eat such "suffering" instead of practicing "suffering" for twenty-four hours a day.
In short, one must recognize others and concentrate what others can do on oneself; the other is to make progress day by day and not to repeat oneself
Mistakes; third, we must constantly deny ourselves and move forward to new heights
What is the "Law"?
Tang Sun Guoting mentioned in the "Book Genealogy" that "the one who observes it is still refined, and the one who imitates it is similar", these two sentences are already for beginners
Enough is enough. "Observing" is observing the eyesight. This is required to be accurate in observation. To the stippling situation of a word, Shen Yun,
Look in your eyes without mistake. "Imitation" is the ability to imitate, to point fingers. This is required that the hand be able to put the observed things without error
The imitation of things can reproduce the object vividly. These two sentences do tell the true meaning of learning calligraphy
To learn to write, the first thing is to look at all existing works. If you haven't seen it, you must find a way to do it as much as possible
Found it. In this way, we can grasp all the situations in the field of xingshu, where it is deep and where it is shallow, and it is completely clear. former
The chapter introduces the history of the book and the famous works, and this is the purpose.
The second is to distinguish between good and bad in existing works. If you can't distinguish between good and bad, good and bad, of course not; wrong
Treating the good as bad is not good; mistaking the bad as good, let alone not, so distinguishing between good and bad is a direction to ask
If this problem is not solved first, the wrong goal is chosen, and the wrong path is taken, it is likely that the harder you try, the worse it will be, forever
It is far from reaching the other side of the ideal.
Of course, many of the books we have selected have gone past the choices of history, and have eliminated all the bad ones, but also
There is inevitably a bias of likes and dislikes. In order to avoid too narrow a field of vision, I hope that beginners should expand their horizons as much as possible, as much as possible
Explore and search for more information so that you don't make mistakes when choosing your learning objects
Third, after choosing your own goal, you are "changing" other people's good things into your own hands. Only to see the eyes,
Still belongs to others, not to oneself. To change into my own hands, I must imitate the ability to "seem", that is, I can also do what others can, don't
I will be the one who will.
"Like" has the so-called "shape like" and "god like". The important of these is "god-like". It is not enough to seek "likeness", only "to resemble it."
It can't be "god-like", but it only meets the minimum requirements. The ideal requirement is not only to "resemble" but also to be "god-like". "Shape-like" with
"God-like" is unified, unified by one and two. They must not be regarded as opposites, and they must not be merely "god-like."
It has stopped; it is even more important not to think that we only seek "god-likeness", and whether "shape-likeness" is "similar" or not can be ignored. It must be known that it can only be "shaped", but it is a dead body
The mere desire for "god-likeness" is that the soul is not possessed. In order to make the writing stable and dynamic, it must be both "similar" and "similar"
Strive to be "god-like"
Fourth, we must be good at integrating all the families. After one post is successful, it should be turned to another height, and the height of one by one is continuous
After getting a hand, over time, the ability in his hands has accumulated a variety of things, and then there are more conditions for choosing to integrate. On this basis
You should be good at synthesizing books with the same characteristics, and you can also integrate the books with different characteristics to do your own good
Evil, taste, style, habits, etc. are all embedded in the pen to form their own style on their own book body, to accommodate the connotation
The more, the richer, the deeper, the more typical their own book style, the more generally appreciated, the more obvious and prominent the characteristics
But it is also necessary to be both "out of the customs" and "not out of the customs", otherwise, the loss of "into the customs" will be unsustainable; too "out of the customs", it will not be passed on forever
Zhao Mengzhao has the disadvantage of being too "vulgar"; Zheng Banqiao has the mistake of "going out of the customs" too far. Therefore, we must be good at melting the strengths of all.
As mentioned above, it is not difficult to say, but it is difficult to do, and it takes a lot of thought and effort to do it, and it is necessary to live with yourself at all times
Go. Non-wise people can't recognize it, and non-brave people can't do it. However, whoever can't do it can't achieve excellent results. Think
Excellent results are indispensable
It is possible to go to the same destination, which refers to more specific issues, such as whether to come to Wang Yizhi or Yan Zhenqing first
can. As for the above talk, there is no other way. This is the "Law", the universal law of learning calligraphy.
Now, we offer you a track to learn how to do it and be easy to achieve
Learning the book, Wang Xizhi should be the ontology. Among the king characters, it is best to start with the Holy Order, because it is well-behaved
Learning word by word, learning with a stroke, is easy to get. On this basis, we will come to the Orchid Pavilion Preface. Can be more careful
The treatment of word-to-word, line-to-line continuity, refining line, and inter-line cloth white
Then, before Yan Zhenqing's "Sacrifice nephew draft", refer to his "Scramble for Seats", focusing on the new meaning of Yan Zi's change of king.
After the two major schools of learning are started, the selected pages of each post will be passed to one. Of course, if you can find more legal books, also
It is better to be a passer-by, and it is not boring to learn. With the previous foundation in place, it is time to decide on one of the specializations. After being able to specialize in success,
You can move on to another specialized target.
Determining the target of specialization can choose to be the same as the style of the previous post, or you can choose the opposite of the style of the previous post. former
The latter approach is pioneering, each with its own strengths. Which way to go depends on your own conditions. so
Step by step, the eyes will be sharpened, the hands will be accurate, and over time, with the advancement of their own artistic aesthetic consciousness
step, you will be improved very quickly