In fact, I just went to Tsinghua Garden before the incident to see the exhibition "Mizuki Zhan Qinghua - Nature in Chinese Painting". The exhibition name is very in line with the theme of the school celebration, the beginning of the year was announced when it was co-organized with the Forbidden City, but I don't know why the Forbidden City did not participate later, the exhibits became the main one of the Capital Museum, the grade naturally dropped a lot, but fortunately there are some rare private collections, the most important of which is the "Yansong Picture Scroll" under su Shi's name.
Northern Song Dynasty, Su Shi (biography) "Yansong Tu Scroll", private collection
This work has been famous for a long time, but I didn't expect to have the same as "Wood and Stone Diagram", and suddenly I had the opportunity to see it. It was once collected by Xiang Yuanbian and Qianlong, two sealed demons, and was stamped with dozens of seals by Xiang Yuanbian, and there were more than ten Seals in the Qing Palace. According to Mr. Xu Bangda's appraisal, the "Meishan Su Shi" model is added later and deliberately old, and the "Zhao Junsu Clan" seal is also fake, and the pulp and semi-cooked paper used are common in the Southern Song Dynasty, which is determined to be the work of the Southern Song Dynasty connoisseurs.
As far as the physical object is concerned, this picture and the "Wood and Stone Diagram" are completely two painting styles, and this picture is more detailed, which is the connoisseur style that Xu Lao said. As the initiator of literati painting, Su Shi can understand the more freehand work of "Wooden Stone Diagram", but it is a bit difficult to paint like this. Although it is the same twisted and stubborn pine tree, this picture is too deliberate, and the trunk is more than one circle. However, although it is not a real pen, it is the one that is most "sealed and identified", there are Ming and Qing dynasty works such as "Shiqu Baodi", and what is even more rare is that even the outsourced tips produced by Qianlong in the ninth year are still there. Therefore, if it is auctioned, the transaction price may be higher than that of "Wood and Stone Diagram". This work did not xuan tong seal, it should have flowed out of the palace before the Qing Dynasty, and the subsequent circulation situation is unknown, now it belongs to the Zhao Chongwen Hall in Hangzhou, and in 1992, Xu Lao wrote an article called "Zhao Clan in Beijing, Tibet", and I don't know if it is the same family as the current Zhao Clan. Speaking of a few paintings that are now classified as Su Shi, I have only seen the "Xiaoxiang Bamboo stone map" of the National Art Museum of China, which has been exhibited twice in recent years, but unfortunately they are all embarrassed.
Song, Li Gonglin (biography) "Lanting Xiu Zen Picture Scroll", private collection
This work is not a white painting style at all, I don't know why it is classified as Li Gonglin, in fact, it is more like the work of Li Tang's school. The characters are well drawn. I don't know why the head, scroll, etc. are gone.
Song, anon. "Prayer And Blessing Map", private collection
This album hanging on the wall is basically impossible to see, and it feels like the pavilion is decent, and the characters are average.
Song, anon. "Double Chick Diagram", private collection
Among the several "Song paintings" on display, I like this one the most, which is more in line with the meticulousness of the Song Dynasty flower and bird sketches, especially the carefully crocheted residual lotus is in line with the taste of the Song people, and the two wild ducks are also well painted. In the painting, there are Xiang Yuanbian and Wu Tingyin.
Song-Yuan, anon. "Spring Creek Songbird Diagram", private collection
This piece has been seen at the Guangdong Museum of Art, Gao Juhan's old collection, I don't know if it is still the collection of the painter Qiu Ting. The last time the target was "Song-Yuan", this time it was simply not marked with an age. The painting is still very good.
Yuan, Ni Zhan,"Frost Forest Turbulence Stone Map", private collection
There are Wang Jiqian inscriptions and multi-party Tibetan seals, the painting feels acceptable, and the characters are weak.
Yuan, Zhu Derun,"Imitation of Miyun Mountain Map", private collection
This piece has Zhu Derun's seal, but it is very different from Zhu Zemin's painting style, and it is introduced that Zhu once studied painting with Gao Kegong, so this is his early style Yunyun.
The above is the Song and Yuan works in the exhibition, all of which are private collections, I doubt whether the Forbidden City temporarily refused to borrow the exhibition, and in a hurry, the curators had to use their connections to find private borrowers to support these collections.
Ming, Shen Zhou, "Tong Yin Mao Foot Map", Capital Museum collection
This piece of green landscape axis that I have seen in shoubo, I feel that it is the same as the previous Bo's "Lindai Wen into Xie Andong Mountain Map", may not be Shen Zhou's work. On this issue, Teacher Huang Xiaofeng has a special article to discuss, and will not repeat it.
Ming, Wen Zhengming, "Jiangnan Spring Color Picture Scroll", Capital Museum collection
After the king's pet, the brush used to paint is slightly trivial, and it is not necessarily the real pen.
Ming, Qiu Ying,"Song Yin Qin Ruan Tu", private collection
This green and green work, and the "Taoyuan Wonderland Map" such a standard piece can be seen as a gap, and it is actually a multiple birth, the pattern is the same as the Guangzhou Museum of Art's "Stop the Piano listening to Ruan Tu", similar to the composition of the composition of the work, but for a moment can not remember where to see.
Ming, Dong Qichang and other eight "Landscape Scrolls", collected by the Capital Museum
Painted by Dong Qichang, Zhuang Zhuang, Zhu Nianxiu, Li Shaoji, Chen Lian, Shi Shaoxian, Lan Ying, and Wu Zhen, there is a Chen Jiru inscription above the Dong painting, saying that Dong is imitating Zhang Monk's penmanship.
Ming, Chen Hongshou, "Song yin on the Taotu", Tsinghua University Art Museum collection
The painting may be a story similar to "Zhang Guo Lao Sees the Ming Emperor", and the miniature backward riding donkey in the painting should be Zhang Guo Lao? In the exhibition, there is another painting of "Songyin Gaoshitu" by Chen Hongshou, which is far from Lao Lian, so I will not look at it.
Ming, Chen Hongshou, "The Picture of a Lady Holding a Mirror", Tsinghua University Art Museum Collection
This Chen Laolian is an exhibit in "All Things Are Photographed: Chinese Bronze Mirror Culture and Art", and I will talk about this exhibition later.
Ming, Wen Jia, "Landscape Map", Capital Museum Collection
Learn from his father's "fine text" style all the way. Some of the collections in the exhibition were seen in the 2019 "Picturesque Rivers and Mountains" exhibition.
Qing, Zhu Yun," Songgang Pavilion, Capital Museum
Qing, Wang Yuanqi,"Qiankun Grand View Scroll", capital museum collection
Self-titled with the Big Idiot Ink Method.
Ming, Song Xu," "Diagram of the Forest House in the District", private collection
A very high axis, learning is the Wang Meng penmanship.
Ming, Guan Si, Zhang Hong, etc., "Sleeve Ridge Peak Picture Scroll", private collection
This volume has similarities with the "Ten-Sided Lingbi Picture Scroll" that was auctioned at a sky-high price, all of which are products of the late Ming Dynasty, all of which are painted stones, and all of which are group creations. It is Xu Junping from the first year of Chongzhen (1628) to the thirteenth year of Shunzhi (1656) invited Guan Si, Zhang Hong, Wen Congjian, Bian Wenyu, Liu Yuanqi, Jin Junming and other nineteen painters to collect strange stones, but the era is slightly later than the Ten Faces Lingbi, and the participants are slightly inferior to Dong Qichang and Wu Bin.
Qing, Wang Yi, "Imitation of the River Crossing The Snow Stream", Tsinghua University Art Museum Collection
Qing, Shi Tao's "Picture Scroll of Zhuxi", private collection
The painting is a landscape of Yangzhou, and the twelve poems of Guangling bamboo branches are inscribed.
Ming, anon. "Plum Bamboo Double Bird Diagram", Tsinghua University Art Museum Collection
The original inscription is written on the Song people, and the painting is indeed meticulous, but I don't know why it is now set as a Ming person.
Ming, Chen Chun, "Eight Kinds of Ink Flowers", Capital Museum Collection
There are only six kinds of orchids on display, namely orchids, peonies, peach blossoms, Ruixiang, Moon Season, and Magnolias.
Qing, Fang Shishu ,"Imitation of Various Landscape Scrolls", collected by the Capital Museum
Imitating Wang Meng, Li Cheng, and Shen Zhou respectively, the fourth section imitated Wu Zhen without unfolding.
Qing, Yun Shouping,"Lotus Perfume Pavilion", capital museum collection
This is a set of twelve-open landscape albums, and only this one is displayed on the spot. Nantian also has a set of landscape albums with Meiqing.
Qing, Wang Shimin, "Landscape Album", Capital Museum collection
It is also a twelve-open landscape album, which only shows this opening and Tong Yuan's opening.
Qing, Jiaqing "Mizuki Zhan Qinghua" seal, private collection
Finally, look at this Jiaqing Royal Seal, "Mizuki Zhan Qinghua" is from the Eastern Jin Dynasty Xie Chao's "You Xi chi" poem, which is also the origin of the name of Tsinghua University. There are also many works by lesser-known painters in the exhibition, so I will not look closely. The exhibition lasted until October, and it is said that some of the exhibits will be replaced later, and it is precisely because I am worried that Su Shi will be replaced, so I ran to see it at the first time.
Then I happened to encounter "Everything Is Photographed - Chinese Bronze Mirror Culture and Art" at the same time, which is probably the largest bronze mirror exhibition in history, with more than 400 bronze mirrors exhibited, and many of them are private collections, but I have no research on copper mirrors, so I can only go through them.
Western Han Dynasty, Bird and Insect Seal Inscription Painted Mirror, Tsinghua University Art Museum Collection
This piece was seen last time in the "Long time with the sky" exhibition. This time, the manuscript of Mr. Li Zero's interpretation of the inscription was also exhibited.
Warring States - Western Han Dynasty, gilded inlaid dragon mirror, private collection
Tang, gold and silver flat pegasus luan phoenix mirror, Shaanxi History Museum collection
In 1963, the Xi'an East Hall Door Solicitation.
In addition, this exhibition borrows 5 ancient mirrors containing "Chinese" inscriptions, which can be said to be very "main theme".
Western Han Dynasty, "Tour China" mirror, private collection
Western Han Dynasty - Xin Mang, "China Tranquility" Mingbo Bureau Mirror, private collection
Eastern Han Dynasty, "Siyi Surrenders to China Ning" Ming Seven Milky Beast Mirror, Guangdong Daguan Museum Collection
This piece has been written before, in fact, it is also a private museum collection, and this time the grand view borrowed a lot of exhibits.
Eastern Han Dynasty, "China" Ming Wang Zhaojun Story Portrait Mirror, Guangdong Lanju Greater Bay Area Art Museum Collection
Checked, this museum is still in preparation, is the Zhongshan Lanju Group investment, it is said to be built according to the standards of the national first-class museum, do not know whether there are calligraphy and paintings.
Eastern Han Dynasty, "China Strong" Minglong Tiger Seven Milky Poultry and Beast Mirror, Xi'an TangXi City Museum Collection
Well, the exhibition of the Tsinghua Art Museum can be seen here, and the museums of other universities are really enviable. Finally, I would like to wish Tsinghua a happy 110th birthday.
●"Mizuki Zhan Qinghua- Nature in Chinese Painting"
Exhibition period: April 20-October 20, 2021
●"Everything Is Photographed: Chinese Bronze Mirror Culture and Art"
Exhibition period: April 22-August 22, 2021
Venue: Art Museum of Tsinghua University
Tickets: 20 yuan