On the evening of July 20, the TV series "Beacon Fire Resistance" premiered on the CCTV TV drama channel for three episodes. The drama has been broadcast on the terrestrial channel, and this time the Central Eight has been broadcast, which is the first time it has been on the star. "Beacon Fire Resistance" is starred by Li Jinming, Zhang Su and others. From the current plot content of several episodes, "Beacon Fire Resistance" has a strong taste of the Republic of China idol drama, and lacks more realism.
The original name of the drama was "Beacon War", and after it was broadcast on the star, it was renamed "Beacon Fire Resistance". Because the content of the plot appears in the content of the Anti-Japanese Military and Political University, it is also appropriate to have this name change. However, according to the current content of several episodes, it seems inappropriate to include the film and television drama works in "Beacon Fire And Resistance" that truly reflect the content of the Anti-Japanese Military and Political University. Because the taste of this TV series is too strong, and the serious, historical dimension of the narrative content, it seems too thin.
The play began with a "gongzi brother" from Beiping. Why is it said that the male protagonist's identity at the beginning is a brother? Because of his father, he can talk to the police chief of Peiping, and he can even mention his relatives, climb his family, and so on. Therefore, the origin of the male protagonist, although it cannot be said to be between the rich and the noble, but at least it is also in Beiping City, some prestige. Otherwise, after the son was arrested as a suspected "party", he could not have been released so smoothly.
As the story gradually unfolds, the first thing the audience sees is not the story of Kang Da, but the story of a "gongzi brother" of Beiping, in a specific period of time, and the story of three "big misses". Let's illustrate this. The beginning of "Beacon Fire Resistance" is immediately a variety of "love" bridges between the male protagonist and the daughter of the police chief. This thousand gold is in a hurry to marry the male protagonist. The male protagonist was not moved. The young master's drama is the same as the works of the "Mandarin Duck Butterfly Sect" a hundred years ago.
When the male protagonist was hunted down by the police personnel, he hid in the girls' school and became acquainted with another female protagonist. Even on the follow-up train, the two met again, resulting in an "ambiguous" story. It is worth noting that this female protagonist, because of hiding the male protagonist, was investigated by the school authorities, in order not to affect her poor housemates, she took the initiative to withdraw from school. Obviously, this heroine is also a big lady with a good family.
However, this is not all the big ladies. In a later plot, the male protagonist "fled" on the way, unexpectedly met the female reporter of Qinjin Daily, helped the female reporter complete the interview shooting task, and was hunted down together. Just when the audience felt that the heroine played by Li Jinming should be an ordinary young woman, the plot suddenly told the audience that this heroine is also a deep background, and no one dares to provoke on the street. It turned out that she was the daughter of the general.
In the two episodes of the plot, three misses of qianjin appear, and they all appear in the way of appreciating the male protagonist. This kind of narrative template can really be said to be the Mandarin Duck Butterfly Sect a hundred years ago. The current plot is a love story between the young master and Miss Qianjin. According to the character profile of "Beacon Fire Resistance", the director of the Beiping City Police Station, Qianjin, because the male protagonist does not love himself, so because she loves and hates, she actually became a spy of the Blue Jacket Society and began to oppose the male protagonist. Such a plot is really too old.
With the love story of the young master and the misses of Qianjin, it brings in a content of resistance to the big, giving people a feeling of being the master. This kind of routine narrative is even worse than that of Aunt Qiong Yao, who is safe and stable in the "deep rain and mist of love". "Love Is Deep and Rainy" is also born out of the rotten love narrative of the Mandarin Duck Butterfly Sect, but the advantage of Qiong Yao is that her story is limited to the dimension of Miss Young Master, and does not make more imagination expansion.
The debatable thing about "Beacon Fire And Resistance" is that behind the main content of the young master's drama, a background of anti-big is added, but the real anti-big content is presented is relatively limited. With the growth of the audience's aesthetic ability, everyone will not accept the narrative template of "love envelops everything" more and more. "Beacon Fire Resistance" wants to use this old love template to wrap the content of Resistance, but only stays on thinking about it, and the degree of realization is insufficient.
For the audience, everyone needs a sincere and direct narrative attitude. For example, "Ah! "Cradle" tells the story of Yan'an setting up its own kindergarten. The narrative angle of this work is direct and effective, and there is no so-called love drama to fool around. Like the drama "Beacon Fire Resistance", the biggest and debatable place is the love story of Miss Young Master, which is too much, too chaotic, and dilutes the real theme of Resistance. This older script narrative strategy should still be a little less. (Text/Ma Qingyun)