The original author | Guoxue bacteria
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Introduction: Ouyang Xiu (1 August 1007 – 22 September 1072), courtesy name YongShu, was a chinese poet who was known as Duke Wenzhong of Ouyang. A native of Luling, Jizhou (present-day Ji'an, Jiangxi Province), he was a famous writer, calligrapher, and historian of the Northern Song Dynasty, who was also politically famous, and during the three dynasties of Emperor Renzong, Emperor Yingzong, and Emperor Shenzong, he was an official to Hanlin, a privy councillor, and a counselor, and he actively participated in the political reform of the New Deal led by Fan Zhongyan. In terms of literature, Ouyang Xiu also achieved remarkable achievements, was a strong advocate and promoter of the ancient literature movement, and his literary endowment made the Chinese lexicography have a liu dark flower style innovation, in the epigraphy, poetry and flower genealogy writing are all pioneering figures, ranked among the "Eight Greats of the Tang and Song Dynasties", together with Han Yu, Liu Zongyuan and Su Shi, known as the "Four Great Articles of the Ancients". In terms of historical research, the New Book of Tang and the New Five Dynasties History compiled by him are included in the list of the twenty-four histories, and in the field of politics and culture, he can be said to be the supreme leader of the world, and has epoch-making achievements in literature, historiography and scriptural research. Ouyang Xiu's literary achievements not only have a far-reaching influence in China, but also spread to Korea, Japan and other countries, which has had an important impact on the literary creation and theoretical development of the entire East Asian cultural circle.
<h1 class = "pgc-h-center-line" >, life in Kyushu Yinghai, celebrities across Qiongyu</h1>
Qian Zhongshu once pointed out that Ouyang Xiu was "a recognized literary leader at that time." It is true that even Wang Anshi, who had political disagreements with him, did not have the slightest derogatory meaning in the tribute written in tribute to Duke Wen Zhonggong after his death, and sincerely expressed his admiration, saying that "to the heart of the admiration and to the admiration" [1]. Ye Meng praised even more: "After the celebration of the calendar, Ouyang Wenzhonggong is good at the world with articles, and the world dares not resist. "It can be said that the literary world has dominated the world for a long time." In addition to fei's name, Ouyang Xiu's influence on future generations was also extremely far-reaching. Yuan Shiye left in the "Class of Repaying Things for The Good of Government" to praise him: "The Great Confucianism of Time". Ye Sheng of the Ming Dynasty called him "Great Sage Gentleman". [2] During the Qing Dynasty, people even called Ouyang Wenzhonggong an immortal. [3] The number of modern and contemporary admirers of Ouyang cultivators is even greater. Ye Jiaying called him "a poet who knows how to appreciate nature and the beautiful things of life." Wen Zhonggong's poetry has also left an indelible mark on the blood of the Chinese people.
"Life is a lover, this hatred is not related to the wind and the moon", but there is no place for love, and life is limited and infinite. This remark tells the story of how many sorrows and joys in ancient and modern times, the self-obsession of the Chinese people, the hearts that cover each other's shame, and skillfully plucks it away, so that the light veil that covers up the ground, so that many people in ancient and modern times under the wind and moon no longer attach themselves to the ruthlessness of the grass and trees, but put the wisp of the mysterious essence to the wild goose in the boudoir.
The white hair with flowers and Flowers smiled, and the six of them urged the pats to spread frequently. Where life is like a bottle", twilight drunken clouds. This sentence has been envied by many people in later generations. Life is full of playfulness and anger, bittersweet and sweet, everyone has something to rely on, but how many people will live a life like a web, tied to themselves, burdened by fame and fortune, living in the expectations of others, but quietly cover up their own square inches of truth and hope, just to avoid being blinded and blamed by others. The authenticity of the self gradually became introverted, but the inner Daguan and Lotte gradually dissipated, and finally I did not know that the priceless qingfeng mingyue had only sold for forty thousand dollars. [4] In the end, he also became a tourist with white hair and flowers, and finally lost his true self in introspection. Fortunately, this word also awakened many dreamers.
The influence of drunkenness on China has been like a drizzle for thousands of years, gradually nourishing the heart of the square inch from the feeling of the outside world, and gradually gushing from the sentimentality of the wind and moon to the comfort of life.
<h1 class= "pgc-h-center-line" > two, Ling Feng flew high to Bixiao, and the Liuyi Divine Realm [5] was transmitted to the Eastern Kingdom</h1>
Due to the relatively long age and the scattering of historical texts, the specific time when Ouyang Xiu's poems were transmitted to Korea is no longer available, but judging from some existing data, the time when Ouyang Xiu's poems were transmitted to Korea should be earlier than the earliest reference to Ouyang Xiu's "Xihe Collection". [6] The date of writing of the Xihe Collection is unknown, but according to the time of the writing of the Xihe Collection, which he wrote last, "The Seventh Month of Dading Twenty-one Gengzi (July 1181)" and the sacrifice essay written by Li Renlao for it, "Thirty Youth, White Clothes Never Disappear", the writing time of the Xihe Collection is roughly around 1170. According to the records of the people of the time, in the time of Lin Chun, Su Huang was already famous in Korea, according to which, it was predate that their literary leader Ouyang Xiu, whose poetry should have been transmitted to Korea for about 1100 years.
As soon as Ouyang Xiu's poems arrived in Korea, they received widespread attention and spread rapidly, and the literati rushed to read them, and for a time "Luoyang paper is expensive". At that time, in order to express their admiration for Ouyang Xiu and their appreciation of poetry, the literati wrote poems and praised them. Park Sang-hyun (1629-1693) once wrote "Reading June 1 poems at night": "The poems are old and old, and the long chant is more than enough." Che Tianrui (1556-1615) wrote "Poetry Can Poor People Debate", saying that "those who cherish poets in the future are based on uncle Yong's words, which are the red banner of eternity." Kim Chang-hee even called his poems "the essence of historical migration". The Korean literati praised his works with "good characters from ancient times", "beautiful women of the ages", "rare treasures", "paintings in the text" and "divine realm". However, in addition to appreciation, there are also criticisms, such as Liu Mengyin, who believes that Owen is "boring and tasteless", which is annoying and difficult to read; Li Yi also criticizes Ouyang Xiu's "Lushan Gao" as "a toothless read, not a good piece". However, whether it is praise or criticism, or criticism, it shows the in-depth study of Ouyang Xiu's works by The Korean literati at that time, and also shows the far-reaching influence of Ouyang Xiu in Korea.
<h1 class= "pgc-h-center-line" > third, Hongyan Gao Xiang Ling Qianling, with a volume of poetry Qi Fusang</h1>
Ouyang Xiu's poems were transmitted to Japan as late as the Muromachi period (1392-1573), and the sinologist Hu Guan Shilian who lived in this era wrote in the article "Answering The Toto Cheng Xiang": "Song Xing saved the shortcomings of the five generations, so he also rebuked the Li language of Xi Kun and the ancient text of Han Liu. From this, it can be seen that Ouyang Xiu's poetry has become popular during this period. By the Edo period (1603-1868), it had become more common practice for Japanese scholars to study Ouyang Xiu's poetry, and Minagawa Kien and proofread and printed the first and engraved Ouyang Xiu anthology, making Ouyang Xiu's poems more popular, and everyone at the time revered Ouyang Xiu's poems as a model of Chinese articles, and the famous scholar Koga Dong'an called his poems "Dingzhu Works". The Japanese sinologist Kojiro Yoshikawa said: "His reputation for scholarly writing, as well as his political status, are increasing day by day, to the point where no one can match it. ...... Not only politically, but also culturally, he is the supreme leader of our time. ”
For the study of Ouyang Xiu, Japanese scholars attach great importance to the collation and collection of literature, and the 153 volumes of the Southern Song Dynasty "Ouyang Wenzhong Gongji" collected in the library of Tianli University in Japan are generally recognized as the same as the original form preserved in the Southern Song Dynasty, while the Southern Song Dynasty "Ouyang Wenzhong Gongji" now in Chinese mainland and Taiwan are fragments, and Japanese scholars do not blindly follow the views of Chinese scholars, and have a strong sense of academic autonomy, such as Xing Shanhong's > in the June 1st Poetry of Ouyang Xiu < In the article "Meaning in Song Dynasty Poetry", Ouyang Xiu's "Liuyi Poetry" is often despised by people because of its lack of theory and systematicness, but in fact, it is precisely because of its rebuttal nature that a new form of poetry evaluation has been opened. From this new perspective, Xingshan Hong highly praised the innovation of Ouyang Xiu's "June 1st Poetry" in asanas. Although Ouyang Xiu was born in China, domestic scholars have an innate advantage in its research, but with the wide dissemination of Ouyang Xiu in East Asia and the world, the continuous deepening of research, the continuous emergence of academic achievements in the world, the authoritative position of Chinese scholars in the study of Ouyang Xiu has gradually been shaken, therefore, the study of Ouyang Xiu's poetry by Japanese scholars also has important reference significance for China's classical poetics research, and it also provides a lesson for us to examine our own academic research.
The German sinologist Tao Dewen pointed out: "Ouyang Xiu stood out among the literati of his contemporaries with his many talents... Its brilliance always surpasses the stars." It is true that Ouyang Wenzhong Gongshi, who "takes loyalty to the king, filial piety, honesty as an official, and establishes himself by learning", is a model of ancient and modern literati, and Ouyang Xiu's multiple identities, diverse talents and many meritorious deeds have also created a rising trend of Ouyang Xiu's research in the world, although overseas scholars' research on Ouyang Xiu is now mostly concentrated on the literary level, but with the gradual frequency of cultural exchanges, the continuous deepening of research directions, and the continuous expansion of the field of research, the world will eventually recognize and restore a true, three-dimensional June 1st resident, The lovely white-haired drunk man whom we admire.
bibliography:
Wang Lina. Ouyang Xiu's poetry abroad[J].Journal of Hebei Normal University (Philosophy and Social Sciences Edition), 2003(03):65-72.
Li Zhen. On the Study of Ouyang Xiu in overseas Sinology[D].East China Normal University,2012.
[3] Qiu Meiqiong.Research on Ouyang Xiu's Poetry by Japanese Scholars Since the 20th Century[J], Journal of Gannan Normal University, 2010,31(01):65-68.
WANG Bing. Ouyang Xiu's Research on European and American Sinology from a Literary Perspective[J].International Sinology, 2019(01):53-60+203.
Chen Shangjun. Ouyang Xiu's Writings Examination[J]. Fudan Journal:Social Science Edition, 1985(3):157-172.
Ouyang Xiu. The Biography of a LayMan[A].Beijing:China Bookstore,1986.]
Written by Ye Mengde. Lu Mingxin Proofreading Notes. Annotations on Shi Lin's Poetry[M].Beijing:People's Literature Publishing House,2012.]
Song. WANG Anshi. Sacrifice Ouyang Wenzhong official documents
[2] Ming. YE Sheng. Shui Dong Diary
[3] Qing. ZHOU Lianggong. Book Shadow
Song. Ye Mengde. Poetry of the Stone Forest. South of Gu suzhou xue, the water is counted, there is a small mountain next to it, high and low twists and turns, gai qian clan when the Guangling king did. Since the mountain of soil is built up, because of its land and water, the present-day Ruiguang Temple is its house, and this is also its garden. During the celebration of the calendar, Su Zimei was abolished and lived in forty thousand. Beside the water as a pavilion, known as canglang, Ouyang Wenzhong's public poem so-called "Qingfeng Mingyue is priceless, but unfortunately only sold for 40,000 dollars" also.
Li Zhonghui. However, after the Qin and Han Dynasties, there was a divine realm, but Chang Li got two or three of them, and several books such as Liuzi Houshanshui Zhuji and Li Yuzhi were also quite fluid. Song Liujia, Liuyi and Changsu have the most divine realm.
Lin Chun. "West River Collection". Near ancient yo-yo Ouyang Yong uncle, Shang Guwen to rank the sons, to the order of Han Yu. Uncle Yong tried the text, and he was deposed for the sinister, so that the style of writing was pure and reasonable, and the dismissed were unyielding.
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