Although Korean actress Shin Hye-sun did not make a big hit, she relied on her acting skills and patience to go from the dragon set and supporting roles all the way to the position of the protagonist, and now she even provoked the protagonist of the movie. Let's take a look at her upcoming starring movie "Innocence".
■Polarized one-line critique: Grab and drag
■ Biased one-sentence comment: Grab the neck and lead away.
Actor Shin Hye-sun's power was stronger than expected. Enough to fill the screen tightly. It's not a unique film, but it's dragged away as if the viewer is caught. You can find the COVID-19 theater in the movie "Innocence" (director Park Sang-hyun), which will be a short-lived part of the drought.
Actor Shin Hye-sun's energy was stronger than expected. Enough to hold up the entire screen. Although it is not a unique film, the audience seems to be taken away by her neck collar. You can confirm this from the ganlin-movie "Innocence" (director Park Sang-hyun) after the long drought of the theater due to the new crown epidemic.
"Innocence" is a courtroom where Jeong-in (Shin Hye-sun), a lawyer who seeks to reveal the innocence of his mom, "HuaJa" (Bae Jong-ok), who was driven to the suspect in the murders at his dad's funeral home, and who lost his memory, digs into the ugly rooms that "Chu Jun-ho" (He Jun-ho) and the villagers tried to hide.
"Innocence" is a legal and political film about the innocence of Huazi (Bae Zongyu), the mother who was regarded as a murder suspect in the murder in order to regain his memory, and the lawyers "Jing Ren" (Shin Hye Sun) and Mayor Cho (Heo Joon-ho) who "track down the ugly truth that the people in the village want to hide" in order to regain their memory.
This work is not as fresh as it sounds "Huck" when viewed only by the content itself. Rather, it uses the same legal devices as it is: the fight between many evils and minority justices, the secrets behind the surface, and the humanism that blooms in them.
In terms of content alone, this work does not have enough fresh personality to make people "He". Instead, it employs the struggle between the majority of evil and the righteousness of the minority, the secrets hidden behind the surface, in which the apparatus of the humanitarianism and other legal and political dramas blooms.
However, the reversal card was Shin Hye-sun. Even if the screen is not highly recognized, it offsets the sense of the genre cliché with more acting power than expected. While knowing how to reverse the results, "Jung-in" continues to stimulate curiosity about how to find evidence and reverse drama in court.
However, the reversal trump card is Shin Hye Sun. Although her popularity in movies is not high, she offsets the visual sense of the stale theme with her acting skills that exceed expectations. Although it is known that the final result will be subverted, in the play, jingren is how to find evidence, and whether there will be a reversal drama in court has always stimulated the curiosity of the audience.
It is an unexpected "discovery" of Hong Kyung-do who breathed together. Jeong-in's brother, "Essence," who suffers autism, brings both decomposing laughter and immersion. With a fresh face and stable acting power, he asked, 'Who's that actor?' it makes you wonder.
Hong Qing, who works with her, also gives people unexpected surprises. He played Jing-in's younger brother Jing-so, who suffered from autism, which brought laughter to people and also increased the audience's entry into the play. Fresh faces and acting skills recognized by the audience make the audience start to wonder: "Who is that actor?" ”。
Bae Jong-ok's presence is relatively weak. He is recognized as an acting veteran, but he does not have a quarrel in the drama, which makes him laugh a little. The urban image is strong, or it even feels like I'm "dressed up" as an elderly person with older dementia.
Relatively speaking, Pei Zongyu's sense of existence is relatively weak. Although she is an old drama bone whose acting skills are recognized, somehow, the dialect performance in the play is not very good, and it is a bit shaky. Is it because the image of urban women left behind is too strong, and even the image of the elderly demented old man played by people makes people feel that they are "dressed up".
The production and development are not quirky, but there is no place to splash. However, the reminiscence scene is 2% regrettable that the megaphone's intention to explain was to "understand it even if I didn't put it in." In addition, there may be a division of opinions of those who view the title and ending. Opened on the 10th.
Although there is nothing new about the direction and the plot unfolding, there is nothing discordant and it is still passable. However, in the recollection of the picture, the director's intention to explain is always shown, but "even if it is not deliberately explained, it is enough to make people understand", leaving a 2% regret. And for the title and ending, those who have seen it may disagree. The film will be released on the 10th.
■Sweet potato index: 1
■Heart congestion index: 1 pcs
■Sleep index: 0
■ Hypnotic index: 1 pcs
Key vocabulary
꽉 : (adverb) firm, tight, dead, fierce, hard, desperate
기발하다 : (adjective) novel, novel, peculiar, wonderful
자폐 : (noun) Autism
추악하다 : (adjective) ugly
콘텐츠 : (noun) Cultural information, content
Emphasis on grammar
1. - Crab
Qualified: Used after a verb or adjective.
General idea: Indicates movement.
He kept me waiting outside.
He asked me to wait outside.
Art enriches our lives.
Art makes our lives colorful.
2. - I'll do it
morphology:
It is formed by combining "-(으)ᄅ 터이다" and "-ᄂ데".
Tip: 터, a dependent noun, often used in conjunction with -(으)ᄅ, used after a predicate to indicate an intention.
significance:
Indicates speculation about what will happen or what is not seen later, with suggestions or in the following sentences
doubt. Verbs, adjective stems, "-이다/아니다", "있다/없다", tense
After the end of the word "-았/었/였". It can also be used as a closing sentence and placed at the end of a sentence.
I'll be there a little bit.
It's a while away, why do you always call?