The Whampoa Military Academy is the product of cooperation between the Kuomintang and our Party and the Soviet Union, and there were a large number of party members in the first few periods of enrollment, and the enrollment time of the first 6 periods was between 1924 and 1926, when China was in a turbulent period of warlord melee, so that the graduates of the Whampoa Military Academy had a lot of opportunities to show their talents.
The Whampoa Military Academy also has two prodigies - namely the second phase: Nie Cyan crossbow, the sixth phase of the Wuhan Branch: Zang Kejia, you should not think that the graduates of the Whampoa Military Academy have entered the military circles after graduation, and some cadets are also mixed in other fields. The poet Zang Kejia, whom we are familiar with, is a student of Wen Yiduo, and his poem "Some People" commemorating Mr. Lu Xun is a compulsory text in our primary school textbooks. In addition to the Zang Ke family, Nie Cyan crossbow of the Huangpu II period later became a famous literary artist, and Yang Hansheng of the Political Department of the Military Academy was a famous chinese contemporary playwright.
Nie Cyan crossbow, a mountain man in Beijing, Hubei. The famous poet and essayist Nie Shuyun was later called by Premier Zhou: the biggest liberal of the 20th century.
In 1924, he was admitted to the second phase of the Whampoa Military Academy. In 1925, he participated in the first crusade of kuomintang-communist cooperation and was admitted to Sun Yat-sen University in Moscow, and after two years of study, he returned to China to serve as deputy director of the Central News Agency of the Kuomintang in Nanjing, and later served as the editor of Yuhua, a supplement to the New Beijing Daily. After the September 18 Incident, he was forced to leave his post and flee to Shanghai because he participated in the anti-Japanese meeting of literary and artistic youth. He joined the "Left League" and joined the Communist Party of China in 1934. After 1951, he served as a director of the Chinese Writers Association and deputy director of the Classical Literature Research Department, deputy editor-in-chief and director of the Classical Department of the People's Literature Publishing House, a member of the Chinese Character Reform Committee, and an editorial board member of Guangming Daily. In September 1979, he was appointed as an advisor to the People's Literature Publishing House, and in November he was elected as a member of the China Federation of Literary and Art Circles, a standing director of the Chinese Writers Association, and then a member of the National Committee of the Chinese People's Political Consultative Conference. He died in Beijing in 1986.
Since 1937, he has worked as a newspaper editor in Hankou, Guilin, Chongqing and other places, and has published many articles. He retreated to Hong Kong in 1948 and published a novella in the sixth issue of the monthly magazine in the same year. After liberation, he successively served as a member of the Cultural and Educational Committee of the Central and Southern District and the chief writer of Hong Kong. Deputy Editor-in-Chief of the People's Literature Publishing House and Director of the Classical Department. In 1958, he was mistakenly classified as a rightist and sent to the Northern Wilderness for labor, and in 1958, among the large army that developed the Northern Wilderness, there were demobilized officers and soldiers, as well as about 1364 "rightists" in various departments of state organs. The youngest was Dai Juying, a 17-year-old typist in the first machine department, and the oldest was the 54-year-old poet Nie Cyan, born in 1903. During the Cultural Revolution, he was sentenced to life imprisonment for "the crime of current counter-revolution" and imprisoned in Shanxi. Ten years later, in 1976, he was "released leniently.") He was rehabilitated in 1979. He is straightforward, cheerful and humorous, and his writing is as good as his people. His essays laughed and scolded, whipped into it, and deeply understood Lu Xun's penmanship. Outstanding achievements in essay creation, very influential battle essays. In essay writing, fine lines are arbitrary, the pen is smooth, repeatedly refuted, vivid, and always present a playful style in eloquence. In his later years, he still did not stop writing, there were 220 poems, and in his later years he wrote some literary criticism articles... Hugo said: The biggest thing in the world is that the ocean is bigger than the ocean, the sky is bigger, and the sky is bigger than the sky. I think that the Nie Cyan Crossbow, who "wants to go into the air with a heavenly horse", has such a broad mind.
The fierce spirit of Nie Cyan crossbow became more and more prominent in his old age. He has an extraordinary sensitivity and anger towards decay, filth, and vulgarity. I have eaten "chalk rice", served "news bowls", resisted guns, fought battles, ran through alarms, evaded pursuit, and sat in prison. Poverty and unemployment, the separation of wives and children, migration and exile, I have tasted all kinds of tastes. Nie Cyan's life has had great ups and downs, many disasters and many difficulties. His whole life was to keep the original intention and walk with innocence. Just as Feng Xuefeng commented, his life was "innocent like a child".
More famous is the poet Zang Kejia, who is a student of Wen Yiduo, and the titan of poetry can be called one of the founders of the new Chinese realist poetry of the "Century Poet". With a heart that yearns for light and revolution, after graduating from Wuhan Branch, he participated with the army in the battle against Yang Sen and Xia Douyin. It is the classroom of his life, the melting pot of his experience and quenching, and the great test of life and death.
Zang Kejia, a famous poet, a loyal patriot, is an indomitable and eternal warrior in the midst of a hundred years of history! He is a member of the China Democratic League, a deputy to the Second and Third National People's Congresses, a member of the Fifth, Sixth, Seventh and Eighth National Committee of the Chinese People's Political Consultative Conference, a member of the Seventh and Eighth Standing Committees, a member of the First and Second Councils of the Chinese Writers Association, a third council member and adviser, an advisor to the Fourth Term, an honorary vice chairman of the Fifth and Sixth Sessions, a member of the Third and Fourth Sessions of the China Federation of Literary and Art Circles, and an honorary member of the Sixth and Seventh Sessions. He has successively served as the secretary of the Secretariat of the Chinese Writers Association and the vice chairman of the China Writers Association. President of the Chinese Poetry Society, Honorary President of the Chinese Mao Zedong Poetry Research Association, Honorary President of the Chinese Writing Society, Editor-in-Chief of Poetry Journal. His creative career spanned more than 80 years, leaving behind nearly 6.3 million words of works. His major works include "Branding", "The Black Hand of Evil", "Canal", "Chaos Collection", "From the Army", "Huai Shang Yin", "Sui Zao Xing" and other poems commemorating Mr. Lu Xun, "Some People" are required texts for our primary school textbooks. Some of his works that "have feelings in the heart and feelings in the pen", such as "The Poet's Endowment - Rereading the < AfangGong Endowment >" have been broadcast on the Central People's Radio...
In 1929, he began publishing new poems. Deeply influenced by the "May Fourth" new cultural movement, he was anti-imperialist and anti-feudal, and sided with the toiling masses. His poems are simple, bright, and smooth, and the content is mostly "mourning the many hardships of the people's livelihood", expressing the hardships and hardships of the dark semi-colonial old Chinese peasants and reflecting the living emotions of the common people. Zang Kejia's poems are subtle and deep, the poetic style is simple and condensed, and it is full of concern for the suffering and perseverance of farmers. Wen Yiduo once said, "There is not a single poem of the Ke family that does not have an extremely real meaning of life." At that time, there was the title of "peasant poet" and the title of "earth poet".
Comrade Zang Kejia's works have won many awards and have been translated into many languages, which have had a wide impact at home and abroad. In April 1988, he won the Honorary Award for Editing the First Literary Journal of the China Writers Association, and in August 1990, the "Appreciation of Mao Zedong's Poetry" edited by him won the National Book "Golden Key" Award and the First Prize of the Fifth China Book Award. In October 1991, he was awarded a special government allowance by the State Council. In January 2000, he won the first "Xiamen New Cup Chinese Poet Award" Lifetime Achievement Award, and in November of the same year, in December of the same year, he won the "Soul of Chinese Contemporary Poetry" gold medal issued by the 7th International Poets PEN Association of the Present World. In December 2003, "The Complete Works of Zang Kejia" was nominated for the 6th National Book Award. Throughout his life, he was given the title of a cultural figure.
At 20:35 on February 5, 2004, Zang Kejia died in Beijing at the age of 99 due to ineffective medical treatment. At the memorial service of Zang Ke's family, someone sent a pair of letters, "A generation of articles spread the mighty spirit, a hundred years of wind and rain cast a poetic soul." Poetry has been written through the ages, and it is known bitterly. The eldest daughter, Zang Xiaoping, recalled: "The spirit of the times! Masses! "How can it not be deeply shocked and moved by the father, who is seriously ill and sometimes has a vague consciousness, but what he has never forgotten is still the faith and love that he has struggled for all his life? The prosperity and development of the Chinese nation and the prosperity and well-being of the Chinese people are precisely the goal of my father's battle and the yearning of my life; it is also the indestructible concern in his heart! This lifelong spirit and pursuit of "eternal warrior", and this is precisely the true portrayal of Zang Lao's life.
Although some of the cadets of the Whampoa Military Academy played a disgraceful role in the later warlord scuffle and Chiang Kai-shek's dictatorship, this did not obliterate the great contribution made by the Whampoa Military Academy to China's efforts to resist foreign humiliation and seek national independence. The Whampoa Military Academy is an extension of the Yunnan Army Lecture Hall and the Baoding Military Academy. Three military academies, three legends of the times. The students who were surprised by the storm used their enthusiasm and youth to witness and compose that tragic but exciting history! (Yao Laogeng)