Meng Haoran regarded political ideals as important as his hometown, but Xie Lingyun did not. Although Xie Lingyun was in the landscape, his meaning was not between the landscape and the water. What he really wanted was to be reused by the "suffragette", but in the face of political turmoil, the social reality of everyone's self-danger made his sense of distress overwhelm the desire to seek the happiness of life. However, he was not willing to be plain and lonely, although he was swimming in the landscape in his hometown, his heart did not enjoy the joy of the landscape.
Shortly after Xie Lingyun's first retreat, he issued a "lonely tour is not emotional, who is the reward?" Sigh. Escaping from the mountains and forests was not his ultimate ideal, but political ideals were his unswerving pursuit, which was even more evident in the poems he wrote when he lived in seclusion in his hometown of Shining for the second time. "When retreating to normal times, Anzhi nest is difficult. The wind and rain are not at stake, who will and xuan? "Although it is comfortable and beautiful to travel the landscape, the ambition to show the birds is even more urgent. The poem says that his life is lonely and miserable, he needs the support and understanding of his friends, in fact, what he needs more is Bole.
Xie Lingyun wanted to use the landscape to forget his worries, but he did not completely forget his worries; Meng Haoran borrowed the landscape to enjoy Tao, but he obtained the real pleasure of landscape.
Meng Haoran was able to finally obtain this leisurely self-sufficiency, and although Qiushi failed, he did not give up his ambition to help. "The emperor has been emperor for thirty years, and the book and sword have not been accomplished." There are regrets and unwillingness in this. Meng Haoran failed to soberly realize the crisis of the times under the cover of the Sheng Tang weather, and his desire to dedicate "Ganquan" has always been haunting his heart. Wang Wei advised him to be relieved, hoping that he would "drunkenly sing and drink wine and laugh at the books of the ancients." Meng Haoran could not truly accept it, so he had the actions of "empty Luoyang City" and "Landscape Searching for Wu Yue". This was also the main reason why he followed Xie Lingyun, but the difference was that Meng Haoran hid in the mountains and forests with the heart of seeking pleasure in the mountains and rivers.
Although he was lonely in the face of the disillusionment of political ideals, he has always taken as his criterion a resolute posture of not colluding with power and adultery. Even if the desire was extremely urgent, it did not exchange Du Fu Wang Wei for a corner of the officialdom with a humble attitude and a word of introspection, but the landscape gave him infinite happiness. He returns the landscape with positive insight, returns the frustrated career, and also returns the lonely self.
Meng Haoran's optimistic attitude is commendable and lamentable, such as the poem "Crossing Zhejiang to Ask the People in the Boat": "Always lead to the end of the sky, where the green mountains are yuezhong." At this moment, the poet's loss and sorrow have long dissipated, leaving only curiosity about Wu Yue Qingshan and the joy of the newcomer.
In the "Jing Qili Tan", it is written: "For the pleasure of many mountains and rivers, I frequently do rafting trips. In the "Year and Night Club Lecheng Zhang Shaofu House", there is: "Guests are happy everywhere, and they don't see the year." The travel of mountains and rivers and the feasting and singing among friends not only made Meng Haoran feel the precious happiness, but also allowed him to find the motivation to continue to adhere to the ideal. From "The end of the homeland, good friends are at the end of the dynasty." He saw his positivity, from "and on the things in the cup, on the names of the world." He saw his optimism.