According to media reports, Shanghai Fine Arts Film Studio director and animation designer Jiao Yesong died on January 27, 2020 due to illness and ineffective treatment. Due to the special period, the family decided to postpone the release of this news after consultation.

Matsu was born in August 1929 and died at the age of 91. Half a month ago, Jiao Yesong died in Shanghai Pulmonary Hospital. Due to the extraordinary period of the epidemic at that time, the family decided not to hold a memorial service after consultation, and it would also delay the announcement of The death of Yu Nomatsu to the outside world.
Source: Kuzo Anime Archive
Throughout his life, He was quite enthusiastic about the animation business, and he worked in the Northeast Film Studio Art Science Cartoon Stock, the Northeast Film Studio Fine Art Film Group, the Shanghai Film Studio Fine Film Group, and the Shanghai Fine Arts Film Studio.
After graduating from high school, Matsu worked for a time in the store department of tohoku bookstores, when his job was to draw advertisements for some newly published books.
Everyone is very familiar with the children's enlightenment stories "Little Tadpole Finds Mother", "Little Carp Jumping Dragon Gate", "Mudi", "Little Sister of the Prairie Hero" and other works, all from the hand of Jiao Yesong. These animated stories, which were quite popular in the 1960s, are still outdated today.
After his retirement, Matsu Nobuki continued to provide a considerable amount of experience for many animation studios and students who loved animation.
Yang Suying, the wife of Jiao Yesong, is also a very famous animation artist at Shanghai Fine Arts Film Studio, and the husband and wife have worked together to create many enduring animation works, such as "Mouse Meeting", "Tiger Learning Art", "The Adventure of Petite", "Little White Pigeon" and so on.
A friend once visited Orano Matsu in 2013, but at that time, Orano Matsu's physical condition was already very bad. However, Jiao Yesong was still concerned about China's animation cause, and donated his animation manuscripts that he had kept for decades to the Shanghai Fine Arts Film Studio.
As an important participant and witness to the development history of Chinese animation and Chinese film studios, the departure of Jiao Yesong is deplorable and always worth remembering.