<h1 class= "pgc-h-arrow-right" > characteristics of Lunar New Year poems</h1>
Poets of all dynasties and dynasties have many chants in the sound of firecrackers that greet the old and welcome the new, and the poets' pens all show the charm and richness of the New Year festival, send feelings and amused, and show different personality spirits and humanistic interests. The poet depicts and plays the aspects he likes and appreciates, not only writing about the various customs of the Spring Festival, but also comparing the poet's own life, encounters, personality, etc., so that the meaning of the New Year poem is more profound and subtle.
Spring Festival poetry is a habit of ancient times and the present. At the beginning of the New Year, Vientiane is renewed, and the festive atmosphere of the Spring Festival makes people full of poetry; State affairs and personal encounters will also be triggered differently on the occasion of the festive season. The number of Lunar New Year poems is relatively large, and the theme themes and styles are also colorful. Poems often contain historical and mythological legends, social life experiences and the people's pursuit of ideals.
With keen feelings, the poet captures most of the spring scenes and the customs of the Spring Festival, as if listening to the pulse of the spring light and tracking the footsteps of customs. Whether it is a person or a thing in the poem, it seems that under the initiation of the New Year, it is full of longing, looking forward to and pursuing a better tomorrow, revealing some characteristics of ancient social life and people's spiritual outlook.
<h1 class= "pgc-h-arrow-right" > Wang Chongjian's poem "Keeping the Age"</h1>
Keeping the age is an ancient custom and tradition in our country, the so-called "one night even two years, five more divided into two years". When people change the old and the new, they have their own feelings, because the experience is different, and the experience of the renewal of the years is naturally different.
Wang Chongjian was a scholar at the end of the Ming Dynasty, and became a courtier in the Qing Dynasty, and an official to the Rebbe Shangshu. He has complex feelings about his homeland and the new dynasty, "three years of sorrow and joy before a lamp", the poem "Keeping the Age" is to write about the scene when he was in the beijing master's guard, his mood fluctuated, and he felt a thousand emotions.
"Eternally moving, a thousand doors feasting on the heavens." When Chinese New Year's Eve, people tend to go back to history and think about the evolution and evolution of cosmic society. Time is passing, dynasties are rising, poets, as ming dynasty remnants, in the official position of the Qing court, can they not think about the tide? The predecessors have been thinking for generations, but today's people only know pleasure, which implies the hidden pain of the poet's heart.
The Spring Festival of saying goodbye to the old and welcoming the new year will trigger many feelings about life, and the decaying grass and trees can "blow and grow again in the spring wind", but human life will never be repeated. So when the Spring Festival comes, the poet is first and foremost a sense of lamentation and fear in the face of eternal nature and short life.
<h1 class= "pgc-h-arrow-right" > Du Fu's poem "Du Wei Zhai Shou Nian"</h1>
Du Fu's poem "Du Wei Zhai Shou Nian" was written in the ninth year of Tianbao (750), when Du Fu was 39 years old and lived in Chang'an for three or four years, and his life became increasingly embarrassing. In order to make ends meet, the poet had to mingle with the rich and noble children who pretended to be elegant.
He was Chinese New Year's Eve, and he kept vigil in Du Wei's house. Du Wei was Du Fu's brother, and because he was related to Li Linfu, the chancellor of the dynasty, he was quite powerful. "The horses are noisy, and the torches are scattered with crows." Judging from the descriptions of "盍簪" and "Column Torch" in the poem, the pomp and circumstance of the banquet is very large.
"Who can be more restrained, drunk is a career." In order to live, he had to bow his eyebrows and bend his waist in front of the powerful, and he could only hide his painful state of mind in his intoxication, revealing his feelings of depression and unfairness.
Shi and Yin have always been a pair of major contradictions in the life path of Chinese intellectuals, and the national crisis caused by the change of Jing Kang in the Song Dynasty has given this contradiction a new meaning. Subsequently, the poetry of the Southern Song Dynasty exudes unique passion and tragedy when expressing relevant feelings. After the change of Jing Kang, it turned to the focus on the dynasty, and the poet either directly or gently revealed his anxiety and sorrow about the future of the country, or expressed his deep sorrow for the demise of the Northern Song Dynasty. Although this is related to eunuch feelings, it is not just a personal feeling of entering and exiting.
<h1 class="pgc-h-arrow-right" > Wen Tianxiang's "Except for the Night"</h1>
"Removing the Night" is a poem written in the Chinese New Year's Eve of Kublai Khan to the eighteenth year of the Yuan Dynasty, when Wen Tianxiang was imprisoned in Yanjing (present-day Beijing).
"Nothing is empty, and the years are gone."
The opening chapter begins with a vast expanse of space and a long and endless time, which is extraordinary. Qiankun is vast, the years have passed, the country and mountains are still the same, and they have changed masters, can we not be sad when we think of this?" Life is exhausted with the years, and the body is forgotten. ”
On this night Chinese New Year's Eve, the poet had a premonition that his life was coming to an end with the end of the year. He had long made up his mind to die to become a benevolent person and to die to make his mind clear, so he was so calm and calm in the face of death, and he seemed to have no nostalgia for everything in the world.
In fact, he was so attached to the mountains and rivers of his homeland, and he was so unforgettable about the anti-Yuan struggle he personally led. The "body and the world" that is no longer nostalgic refers to one's own life and refers to the world under the occupation of the Yuan Army, which more powerfully sets off the poet's loyalty.
In the journey of life, there are inevitably times of dazedness and loss, but the persistent pursuit shows the most essential state of human existence, so the poignant poetic realm can not only obtain the reader's sympathy for the lyrical protagonist, but also make the reader have an endless attachment to life.