In the eighth year of the Ming Dynasty, in 1473 AD, one day in early December, in a house in today's Qingcheng, Gansu, a mother in labor dreamed that the sun fell into her arms, and after that, the family ushered in the second boy given by heaven, which was the Ming Dynasty's political arena that dared to call out the emperor's relatives and even various magnates, and the important figure in the Ming Dynasty literary circle who inherited the atmosphere of the next generation - Li Mengyang.
Mengyang ancestral family is cold, originally henan Fugou people's clan, great-grandfather into the excess, with military citizenship to Qingyang. His grandfather studied business, and his father Li Zheng turned to Confucianism, thus giving his children more opportunities to study and advance. Mengyang was ten years old, followed his father who was a professor in Fengqiu Andwen Wangfu, and lived in Kaifeng, with a better learning environment. Growing up to nineteen years old, this young man with an illustrious family lineage was favored by Zuo Menglin, the father-in-law of the Zongren Mansion, for his heroic talent, and persuaded his daughter's mother, Guangwu Junjun and his grandmother, to become the husband of her sixteen-year-old daughter.
In the beginning, Li Zifei married, and Concubine Xian did not marry. A: "The professor is small and poor. "And the Concubine Zuo Clan, Yi Bin, Gu Duxi, entered Bai Qi's mother, and the County Jun's mother, and the County Jun's mother was also not married. "Fu Fei Professor Lee is evil?" Small and poor. Yi Bin said, "Li Zicai." "Actually married Lee' family."
——Li Mengyang, "Epitaph of The Deceased Wife of Feng Yiren Zuo"
<h1 toutiao-origin="h2" > Li Mengyangting, Qingcheng County, Gansu</h1>
Then happy events ensued, Mengyang first got his son Li Zhi, and then achieved the first good result in the Shaanxi Township Examination, and at the age of twenty, he entered the army in the middle of the year, and began the road to entering the shi from then on. Meritorious name first, regain the blessing of the imperial status, everything at the beginning of life is very happy, if there is no accident, such a life seems to continue. However, the accident came as expected.
Li Mengyang, who is high-spirited and upright, is destined to take an uneven road in the era of strong imperial power and gradual accumulation of shortcomings. In the fourteenth year of Koji, he was twenty-eight years old and was ordered to supervise the merchants of Sanguan Grain Andrea. Where there are interests, there are rivers and lakes. Hearing about his grandfather's business, Mengyang naturally understood the joints. Seeing that the national treasury was wasted, the eunuchs colluded with foreign relatives, asked for help, and embezzled public interests, he chose to formulate a system, strictly enforce the law, and refused to ask for trust, thus being falsely imprisoned. Mengyang's reaction to this was to "refer to Chen Li's illness and not to be indomitable", the truth came out, and he was released and reinstated. This was his first time in jail.
After his reinstatement, Li Mengyang is still resolute and dares to act. In the eighteenth year of Hongzhi, when he was thirty-two years old, the emperor issued an edict to solicit suggestions that "it is related to the interests of the military and the people, and it is feasible to cure the body." Mengyang's "Manuscript of Emperor Xiaozong of Shangxiaozong" refers to Chen's purpose of "two diseases, three harms, and six graduals", which specifically points out that The Empress's younger brother Zhang Heling, the Marquis of Shouning, "recruited rogues, recklessly profited and thieves, plundered people's land, demolished people's houses without authorization, forcibly captured people's children, opened shops, intercepted commercial goods, and occupied salt classes and ran rampant in rivers." The empress and her stepmother Lady Jin cried to the emperor, and Mengyang was imprisoned in Jinyi, but fortunately Emperor Xiaozong was protected, and he did not kill from the left and right court staffs, and was punished and released. After being released, Mengyang met Zhang Heling at night in the street market, took advantage of drunken spit and scolded, and wielded an iron whip to knock down his second teeth, and Zhang Heling, who had just been interviewed by the emperor, had to go away in silence.
Ming Xiaozong
When Emperor Wuzong ascended the throne, the eunuch Liu Jin and other "Eight Tigers" controlled the imperial government, and Li Mengyang encouraged Hubu Shangshu Hanwen to secretly ask Liu Jin to be summoned and drafted on his behalf. Before the matter was resolved, Han Wen and other distant people, Li Mengyang was also degraded and asked to retire early. So li Mengyang, who was four years old at the time Chinese New Year's Eve, returned to Kaifeng. The following year, Liu Jin, who was still resentful of the aftermath, made up his mind again, arrested Mengyang and sent him to Beijing, and he was imprisoned in Jinyi for the second time. He was later rescued and released by Kang Hai and others. Until the sixth year of Zhengde, Liu Jinfu, the thirty-eight-year-old Li Mengyang Fang fu official, served as the deputy envoy of Jiangxi Tixue, in charge of Jiangxi Xuezheng. However, in the third year of his reinstatement, Mengyang took charge of things with pride, and was convicted of patrolling Yushi Jiang Wanshi and his colleagues, and was framed again, and was placed in the prison of Guangxin in the Punishment Department. Mengyang felt the encounter in prison, and composed "Guangxin Prison Before", "Guangxin Prison Afterword", and "Fear of Questioning". This time, Mengyang was released the following year through the efforts of his eldest brother Meng He and his brother-in-law Zuo Guoyu, assisted by his friend He Jingming and his division commander Yang Yiqing. After being released from prison, Mengyang returned to Kaifeng with his wife, and the disaster of imprisonment seemed to be far away, and in the sixteenth year of Zhengde, Li Mengyang was falsely accused of befriending the rebellious King Chenhao of Ning and was imprisoned for the fifth time. Fortunately, the Punishment Department Shangshu Lin Jun was relieved, and only then did he deal with it by cutting off his life. After being imprisoned five times and returning to prison, Mengyang never entered the army again, concentrating on literary creation, "governing the garden pool, recruiting guests, and shooting less at the Sun Zhongxia hunting Fantai and Jinqiujian".
Mengyang was born with a majestic talent and an uneven temperament, unwilling to float and sink with the world, and it is inevitable that there will be great ups and downs in the official field. However, it was also this non-traditional talent that made him and his fans agitated, breaking through the literary barriers of the Taige Pavilion and achieving the "first seven sons" leader "Empty Tongzi" in the famous Zhenhai.
[Ming] Wang Chen's "Distant View of Jiangge", collected by the Palace Museum
The mainstream of poetry creation in the early Ming Dynasty was the "chaotic and beautiful" Taige style and the eight strands of the eight strands of the four flat and eight stable texts. The "first seven sons" broke through the shackles of the TaiGe body, especially led by Li Mengyang. He believes that the creation of poetry should be emotional and heartfelt, and the works of literati and students are more emotional, "true poetry is in the folk", so they should learn from the folk, learn from the ancients, and pursue "gegu, tone, qishu, sentence hun, sound circle, thinking rush, and emotion to develop". Mengyang, with his ability to strengthen his talents, strong roots, and the courage to reflect and improve his creation, claimed to be a writer of the Tang Dynasty, Li Du's songs, poems of the Six Dynasties, works of Jin and Wei, fusao, ancient songs and poems of qincao, and four words of elegance, and continued to study the works of the earlier era. The text of Mengyang also breaks through the rules, is full of agile temperament, and is the precursor of the teasing spiritual sect.
On September 15 of the first year of Jiajing, Mr. Meishan died in the mansion. The plum smelled it, and walked around the tree,...... The trumpet is on the side of the coffin. Plums returned, and Fugan and Fu'an also spent several days, when they said to themselves: "Meishan, Meishan!" ”...... In the autumn of the sixteenth year of Zhengde, Mei shanzi came. Li Zi saw that his body was thick and thick, and he shook his hand with joy: "Meishan fat evil? Mei Shan smiled, "I can heal." "More able?" "The flow of those who can form the family." "More able?" "Noh poetry." Li Zi was overjoyed, and punched his back: "Ru Wu under Amon evil? Don't count the years but can poetry, can heal, can shape the flow of people. "Plum has a distinguished guest, invite Meishan." Guest luxury wine, Meishan also luxury wine. Deep cup, poor sunset moon. Meishan was drunk, singing every time he went to bed, and his voice was melodious and intense. Already, laugh, guest. Guests also laughed, sang and sang, drunk. Li Zi punched him back again: "Jiubei Ru, Ru Neng wine, and good song and evil?" ”
- "Mr. Meishan's Epitaph"
Mengyang is deeply affectionate, and he is actually a person who has entered the world quite deeply. Treating social injustice, such as bone fish in the throat does not spit unhappy, in life, but there is also a dull side, a gentle and lovely side. Li Kaixian's "Biography of Li Kun" records:
Books are available, that is, celebrities are recruited as poetry clubs. Neighbors who are unable to write poetry will insist on inviting them to come and give poems to the sub-topics, that is, there will be a family boy who will report: "The master mother will be in the museum." The next day, the crowd congratulated each other: "The night will be a good man!" The neighbor should say, "You can't follow the crowd into poetry, and talking about this is an escape." "His arrogance is not humane, so much so.
[Ming] Shen Zhou's "Wei Yuan Ya Ji Tu", Liaoning Provincial Museum collection.
Mengyang often starts from his own emotions and thoughts, and deals with his own intentions, although he is quite clear about things, he is sometimes obscure at the time and clear after the fact. It is the "Epitaph of the Deceased Wife of the Fengyi Man Zuo Clan" written by his deceased wife Zuo Shi:
Li Zi cried and said, "When the wife dies, she gives it and then knows my wife." Man said, "What?" "Li Ziyue: In the past, if you were an official, you didn't ask about family affairs, and now you don't ask about things. Stay in the bin wine and food, call the guest to, now not to the end, that is, to the point, the Buddha called the end. Where the instrument was not seen, the utensils used were discarded and now discarded, but they were broken. To the acid sauce salt soy sauce Fu fu also, now do not continue the old. Chickens, ducks, sheep and sheep eat when they eat, and when they eat now, they are thin. The wife is inside, there is no giggle, the door, give out, that is, the night Fu Shu Ye, the door is now in, the inside is hip hop. The past does not know the dirt, and the present is not dead, and it is not dirty. Sewing and cutting thorns, wives do not fake hands, do not attack skillfully, salty foot master, now no foot master, but also fake hands people. In the past, there were ancient and modern sorrows, and it was difficult for friends to speak, and it was said that the wife was said, and now there is no one to speak. Therefore, it is said: "When the wife dies, she gives it and then knows my wife." ”
It can be seen that Mengyang's intention of fist to his deceased wife can be regarded as a remembrance, but at that time, it was already confused.
Mengyang poetry and Taige literati creation are very different, depressed in the middle, full of fresh breath, has been sought after by fans, there are many engravings handed down through the generations, the most common is the "Four Libraries Complete Book" book, but the collection is not complete. Today, Mr. Hao Runhua, a professor at Northwest University, has extensively collected 69 addendum poems and 9 texts in addition to the 66 volumes of the original, and has carefully proofread them, and has compiled important commentaries, songs, and letters, as well as biographies, epitaphs, and prefaces written by the people of the time and his descendants, and has become the most complete compilation of Li Mengyang's collection so far.
Pin Li Mengyang collected poems, and guan Ming Dynasty scholars traveled with style.
Li Mengyang Collected School Notes (Basic Series of Classical Chinese Literature) (all five volumes)
[Ming] Li Mengyang wrote Hao Runhua school notes
Traditional vertical
32 open paperback
978-7-101-13667-8
RMB260.00
Synopsis
Li Mengyang was a literary leader in the middle of the Ming Dynasty, wrote early literary names, made friends with a wide range of literary friends, and played an important role in the development of Ming Dynasty literature. The "Li Mengyang Collection of School Notes" collects all his poetic works, is proofread, proofed, and evaluated, adopts full-style punctuation, and takes the "Empty Tong subset" engraved by Deng Yunxiao and Pan Zhiheng in the 30th year of the Ming Dynasty as the base, and adds sixty-nine poems and nine texts. Each poem is followed by a collation survey, a note, and a collection of reviews. Another preface is a preface to a review of Li Mengyang's literary creation and theory, and a detailed examination of the compilation, circulation and edition of Li Mengyang's collection. At the end of the book, there are biographical materials about life, prefaces and editions of the inscriptions, and even letters and poems of singing and rewarding.
About the Author
Mr. Hao Runhua, a finisher, is a professor at the School of Literature of Northwest University and a doctoral supervisor of Chinese classical philology. He is also the vice president of the Chinese Historical Documents Research Association, the vice president of the Du Fu Research Association, and the vice president of the Hanyu Research Association. He has published ancient book collation works such as "Commentary on Li Yi's Poetry Collection", "Notes on the Chronicles of Han Changli's Poetry Collection", "Compilation of Dynastic and Wild Poetry", "Five Hundred Notes on Han Changli Collection", as well as research works such as "Treatise on the Study of Ancient Documents", "Treatise on the Life and Works of Li Mengyang", "Method of Mutual Verification of Qian Zhu Du's Poetry and Poetic History", etc.
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(Co-ordinator: Lu Quan; Editor: Si Qi)