<h1 class="pgc-h-arrow-right" data-track="6" > preface</h1>
Wang Fuzhi (7 October 1619 – 18 February 1692), courtesy name Jiang Zhai (江翟), was known as "Mr. Chuanshan", and together with Gu Yanwu, Huang Zongxi, and Tang Zhen, he was known as the "Four Great Enlightenment Thinkers of the Late Ming and Early Qing Dynasties".
At the same time, Wang Fuzhi is also a famous poet, with more than a thousand poems passed down. "Jiang Zhai Poetry" is Wang Fuzhi's poetic work. In it, it talks about the practice of love and scenery in poetry.
<h1 class="pgc-h-arrow-right" data-track="57" >, near-body middle binary, one scene</h1>
A paragraph about the situation, read it separately. First of all, Wang Fuzhi said:
Near the body in the middle of the two, one love and one scene, one law also.
Generally speaking, the two couplets in the middle of the five laws and seven laws are preferably one love and one scene, or one scene and one love. Many people who interpret the transition and the change of the situation as "turning".
Lao Jie finds a poem example, such as this one in Du Fu's "Eight Songs of Autumn Xing", the jaw joint writes the scene, and the neck joint writes the love:
Qianjia Mountain Guo Jing Chaohui, Ri Ri Jiang Lou sits cuiwei.
The fishermen of Xinsu are still general, and the swallows fly in the early autumn. scenery
Kuang Heng's anti-neglect merit is thin, and Liu Xiang's heart is violated. feeling
Classmates and teenagers are not cheap, and the five lings are light and fat.
<h1 class="pgc-h-arrow-right" data-track="59" > two, middle diptych, only love language or only jing language</h1>
However, not all verses are arranged in this way. So the king said later:
[Yunxia out of the sea, Mei Liu crossed the river in spring.] Lady's breath promotes yellow birds, and the clear light turns green. 〕[Yunfei North Que light yin scattered, rain rest South Mountain accumulation of green.] The royal willow has already fought for the plum letter, and the forest flower does not wait for the wind to bloom. What is love?
Yunxia out of the sea, four sentences from Du Zhenyan's Five Laws "And Jinling Lu Cheng Early Spring Travels", Yunfei Beique Light Yin Scattered, these four sentences sheng Tang A minority poet Li Xi's seven laws "Fenghe Sacred System from Penglai to XingqingGe Dao to stay in the spring rain in the spring hope should be made."
Obviously, the four sentences of the jaw joint and the neck joint in the middle are all written scenes. There are also four sentences in the middle that are all written in love, and Wang Fuzhi continues:
If the four sentences are all affectionate and there is no scenery, there are innumerable, and it is illegal to say that it is illegal.
The middle four sentences are all love, there is no scenery, there are too many, is it not in line with the law of the law of poetry?
Lao Jie also found a poetry example, such as Li Shangyin's "Chip Pen Yi" in the middle of the diptych does not write the scene, but wrote 4 allusions:
The ape bird hesitates to fear the simple book, and the wind and clouds are often protected by the reserve. The general waved his pen and finally saw the king walking in the car.
The wind music has talent and will not be disappointed in the end, and Guan Zhang has no desire for life. He passed through the temple in his old age, and Father Liang chanted into hatred.
The middle diptych makes a statement through four allusions, and the discussion is also a love story:
The general waved his pen and finally saw the king walking in the car. Pure argument
The wind music has talent and will not be disappointed in the end, and Guan Zhang has no desire for life. Pure argument
<h1 class="pgc-h-arrow-right" data-track="60" > three, scenario blending</h1>
Many of the poems, his love words and scenery words, are not so clearly distinguished. Wang Fuzhi explained:
Husband scenery is born of affection, love is born of scenery, the beginning is not separated, only the intention is appropriate. If you cut off two bridges, you will not be able to do so, and the scenery will not be the scene.
And for example, "September anvil urges wooden leaves", in the two sentences, the scene is opposed; [the lone cloud of the stone peeps at the hue] four sentences, the scene double collection: where to analyze it?
In September, the cold anvil urged the wooden leaves, and the ten-year conquest recalled Liaoyang. From the Lefu poem "Alone And Not Seen" created by Shen Qi in the form of the Seven Laws:
Lu family young woman Yu Jintang, Haiyan amphibian tortoiseshell beam.
In September, the cold anvil urged the wooden leaves, and the ten-year conquest recalled Liaoyang.
White Wolf River North Yinshu broken, Danfeng City South Autumn Night Long.
Who said that he was sad and alone, and even taught the bright moon to shine yellow.
Wang Fuzhi said that in these two sentences, the scene is opposite. In fact, the two sentences of the neck link are also the scenes of the fusion: the white wolf Hebei yinshu is broken, and the danfeng city south autumn night is long.
Pieces of stone lone cloud peeping hue, from Sheng Tang · Li Ji's "Titled Gong shan chi":
Yuangong was hidden in Lushan Cen and Kaishi lived in seclusion in the forest.
The lone peak of the stone peeks into the hue, and the clear pond Haoyue illuminates the Zen heart.
The conductor is as good as the ceiling falls, and the spring grass in the idle room is deep.
In addition, the worldly dust is not stained, but the rest of the mysterious degree must be found.
Wang Fuzhi said that the jaw and neck joints of this poem are four sentences: the scene is double closed. This kind of poetry has both scenery and love language.
<h1 class="pgc-h-arrow-right" data-track="91" >4</h1>
Wang Fuzhi also gave an example:
The ugly people mark the ugly character, which is called [Wu Chu Dongnan] four sentences, the upper scene and the lower love, for the law poetry constitutional, ignoring Duling Jiuyuan laughed. Foolishness is incomprehensible, and what is the cure?
Du Fu's Five Laws of Dengyue YangLou:
In the past, I smelled the water in the cave court, and now I go to Yueyang Tower.
Wu Chu was southeast of Qiankun, and Qiankun was floating day and night.
Relatives and friends have no words, and old and sick have a lonely boat.
Rong Ma Guanshan north, with Xuan Xuan si stream.
It is generally believed that the jaw joint writes the scene, the neck joint writes the love, and this poem can be used as a "constitutional code" of one scene and one love, that is, an iconic work. Wang Fuzhi believes that it is ridiculous for pedantic people to regard this poem as a "constitutional code".
The reason why I say this is because these four sentences cannot be so simple as to separate feelings and scenes. For example, there is also a jingyu in the neck link: lonely boat. A word represents a letter, but also a jing language, not just a love language.
<h1 class="pgc-h-arrow-right" data-track="108" > concluding remarks</h1>
Wang Fuzhi said in another passage in the "Poetry of Jiang Zhai":
Love and scenery are called two, but they are inseparable. God is a poet, and the magic is boundless. The clever one has a scene in the scene, a scene in the scene. Lovers in the scene, such as [Chang'an A Piece of Moon], are naturally lonely and reminiscent of the distant feelings; [Shadow Jing Qianguanli], naturally is the love of Xida's presence.
Wang Guowei also said in "Human Words": All scenery is love language.
When we write poems, we pay attention to the time when writing scenes, and we can give the scenery a special emotional color according to the theme, and it is better to blend the scenes. It is not necessary to strictly distinguish between the jaw joint and the neck link, one can be the main scene, and the other joint scene is the main one.
Beginners can mechanically write one scene at a time, and when they do more, they will naturally have experience.
@Old Street Taste
Tang poems these 8 kinds of poetic diseases, 5 kinds of chapters, confrontation, logic, embellishment, etc., and 3 kinds of incomprehension