Text/Feng Haitao Painting/Lu Jianmin
I don't know if you have noticed that the word "tide" has become smaller and smaller, and whether you have also found that you have almost forgotten the popularity of "tide". Even the "trend art" some time ago was also short-lived. Why is that? Is it our thinking, our passions, our young people who have lost their sense of freshness and their rebellious behavior? This is clearly not. So, what is the reason why the "tide" is no longer trendy? Who will make progress is the improvement of the overall cultivation of our people, and it is the young people of the new era who have crossed the understanding that unbridled freedom is freedom formed from closed to open. It truly achieves freedom from the heart, rather than being kidnapped by the freedom set by artificially, and thinks that the aesthetic understanding formed by rebellion is what it pursues. Some freedoms outside the framework of civilization have been regarded as freedom. In this case, the so-called "tide" has become a joke.
Works by Lu Jianmin
The trend formed by the typhoon in Hong Kong, the Japanese style, and the Korean style, and caused by the reform and opening up, there have been a lot of strange costumes, and all kinds of non-aesthetic shapes, under the blessing of this various winds, generations of young people, the "tide" as a symbol of youth. Even under the concept of so-called "contemporary art", there are many so-called artists who paint paintings that have nothing to do with beauty, as long as they take the paint and mix it, splash it on the oil canvas to become a work of art, and decompose and distort people, it becomes a classic contemporary art. Slightly better, using some scientific means, after some design, to form a kind of picture that has not been seen before, this is regarded as contemporary art. In this aesthetic and artistic atmosphere, the post-80s, post-90s, and post-00s generations have all shifted in their aesthetic understanding.
Works by Lu Jianmin
Of course, it is true that the post-50s, post-60s and post-70s generations produce these various styles and so-called contemporary art. It can be said that this person who instilled the word "tide" in us has harmed us for six or seven generations. Of course, it is also inseparable from the help of those who think they have found freedom and found a new door to art. The influence of "tide" has influenced our six or seven generations as a whole, and under the indoctrination of this ideology for decades, our managers and cultural workers have also regarded "tide" as an art form and culture. Therefore, a term "national tide" was proposed, and we wanted to use "tide" to drive our culture and improve the cultural self-confidence of the people. However, when they propagated the concept of "national dynasty", they did not think deeply that the "tide" has passed the test of time, and can no longer paralyze and ignore us. This is also the reason why the "national dynasty wind" passed by in a flash and failed to form any social phenomenon.
Works by Lu Jianmin
As for those pseudo-artists who borrow trendy art, play with concepts, and want to cut a wave of leeks, they also shouted a slogan. It can be said that it was a thunderclap, and there was no raindrops. The decline of the "tide" is doomed, it is only a matter of time. Because culture is culture, adding a fast food to culture, or any modifier, is not culture, so it can't do cultural things. It's hot and hot, as long as this wind ends, I want to add a prefix suffix to the culture, unless the world pattern is reshuffled and instilled by the power, otherwise, the self-confidence of the culture cannot be shaken!
Works by Lu Jianmin
Works by Lu Jianmin
Works by Lu Jianmin