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壮族三月三,打起腰鼓唱起歌咧~

author:Luo Zhuang release
壮族三月三,打起腰鼓唱起歌咧~

"Sozoku March 3"

Are Guangxi friends ready to sing a song?

In the Lingnan region of ancient times

People sing and dance with this instrument

Today, let's get to know the Yongfu kiln blue glaze painted flower cavity waist drum

壮族三月三,打起腰鼓唱起歌咧~

01

Beat the waist drum and sing

This "small waist" is not simple

Speaking of waist drums

You might think of this scene

壮族三月三,打起腰鼓唱起歌咧~

Historically, waist drums are not limited to such shapes

A thin waist drum produced by a local porcelain kiln in Guangxi in the Song Dynasty

It was quite popular at the time

壮族三月三,打起腰鼓唱起歌咧~

This porcelain blue glaze painted flower cavity waist drum

Unearthed in Guangxi Guilin Yongfu kiln Tianling kiln

The length of the drum is 46.7 cm

The porcelain of the waist drum is gray tire

The drum body is glazed

One end is approximately spherical

The other end is flared

Has a slender "small waist"

壮族三月三,打起腰鼓唱起歌咧~

Take a closer look at the drum body

It is depicted with an abstract chī pattern and a dragonfly brown pattern

The "mantle" is a legendary dragon without horns

It was often used as a decoration on ancient crafts

02

The waist drum commonly used by the folk in Guangxi

How to play?

Zhuang, Yao and other ethnic minorities in Guangxi

At harvest and festival times

There is a custom of beating waist drums

It was also widely used in the past

Occasions related to sacrifices, such as Nu opera, Nu dance, and Shigong opera

Therefore, Guilin people are multi-energy, Fangjing family has this drum, good luck and evil things are all together, and all night long.

"Guilin County Chronicles" describes the universality of the waist drum in Guilin, Guangxi

and its important use in sacrificial activities

Until today

Porcelain waist drums are still used in Vinh Phuc's folk activities

In the performance of "Yongfu Yin Flute Music".

One of the instruments that plays the role of the main voice of the pillar is the waist drum

壮族三月三,打起腰鼓唱起歌咧~

First, cover one end of the ball with sheepskin

Then strangle the "little man's waist"

Control the intervals with the degree of tightness

It is usually set at the G or D tone

Acts as a metronome during playing

Tap on one end of the ball

The horn can transmit the sound far away

壮族三月三,打起腰鼓唱起歌咧~

But the waist drum in the performance of "Yongfu Yin Flute Music".

It is not a spherical end opening, but a short cylindrical opening

It can also be seen from this that the waist drum unearthed from the Yongfu kiln and Tianling kiln

The influence on the later waist drum system

03

It was transmitted to the Central Plains along the Silk Road

The Song Dynasty built a kiln to specialize in firing waist drums

The porcelain waist drum was first seen in the Sui Dynasty and flourished in the Tang Dynasty

Continued to the Song and Yuan dynasties

This type of waist drum originated in the Western Regions

During the Western Han Dynasty, it spread to the Central Plains along with the Silk Road

During the Sui and Tang dynasties, with the prosperity of music and dance, it was popular in the Central Plains

When playing Western music and dance such as Qiū Cí and Shule

You will use the waist drum

壮族三月三,打起腰鼓唱起歌咧~

△ Porcelain waist drum after restoration

The Song Dynasty waist drum was also widely used in folk music

Fan Chengda of the Southern Song Dynasty recorded in "Guihai Yu Hengzhi".

Flower cavity waist drum, out of Guizhitian Township. Its soil is particularly suitable for drum cavity, and the villagers specialize in kiln burning, and the oil painting safflower pattern is decorated.

To this day, there is still the custom of using waist drums in many areas of Guangxi

壮族三月三,打起腰鼓唱起歌咧~

△ Schematic diagram of the geographical location of Yongfu kiln Tianling kiln

Judging by the current archaeological excavations

Yongfu kiln Tianling kiln, Tengxian Zhonghe kiln, Rongxian Chengguan kiln in Guangxi Song Dynasty, etc

All of them are made of porcelain waist drums

Among them, Yongfu kiln Tianling kiln has the largest number

There is also a kiln that specializes in firing waist drums

壮族三月三,打起腰鼓唱起歌咧~

△ Yongfu kiln Tianling No. 1 kiln real picture

The yield is so large

Could it be that at that time, "everyone had one hand and one drum"?

In fact, it is not only used by local people

The products of Guangxi Song Dynasty porcelain kilns will also be exported to foreign countries in large quantities

The Song Dynasty was a period of vigorous development of the porcelain industry in the mainland

At that time, Guangxi mainly burned the porcelain kiln of waist drums

All of them are distributed along the ancient waterway transportation arteries

It shows that the products of these kilns will also be sold to other places through waterways

The waist drum is constantly inherited and innovated among the ethnic minorities who can sing and dance

It has witnessed the integration of Central Plains culture and Lingnan culture

Across geography and time and space

Let us hear the remnants of a thousand years ago

Source: CCTV News

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