Thank you for your support!
Text: Fleshy peaches
Edit|Fleshy peach
Recently, Feng Gong and a group of students went to the grave of their beloved Master Ma Ji to perform a worship ceremony to express their deep respect and remembrance to the late teacher.
Although this act has a positive starting point and aims to inherit the traditional virtue of respecting teachers, it has unexpectedly caused widespread controversy in all walks of life.
This has also led to a re-examination and rethinking of the status and significance of traditional etiquette in today's modern society.
During this worship event, Feng Gong and his classmates chose to bow three times to show their respect for Master Ma Ji.
However, this relatively simple form of worship has not been recognized by everyone.
Some people questioned the fact that kneeling is an indispensable part of the traditional worship ritual and a way to show the highest respect for the ancestors.
To them, just bowing three times seemed too simplistic and lacked enough sincerity and solemnity.
There are also concerns about the environmental condition of the cemetery.
They pointed out that the environment of the tomb of Master Ma Ji seems to be somewhat shabby, which does not seem to be commensurate with the artistic achievements and social influence of the master during his lifetime, which to a certain extent affects the overall public perception of the worship activities.
Some believe that cemeteries, as places to commemorate their ancestors, should maintain a certain level of dignity and decency to reflect the society's respect for the sages.
This discussion on the way of worship and the environment of the cemetery is not only a question of the individual behavior of Feng Gong and others, but also an in-depth reflection on how traditional etiquette can adapt and develop in modern society.
With the continuous development of society and cultural integration, people's perceptions and behaviors of traditional etiquette are also constantly changing.
On the one hand, there are those who insist on the importance of traditional etiquette as an important part of cultural inheritance, and on the other hand, there are those who advocate that etiquette should keep pace with the times, focusing more on inner respect than external form.
Although the worship behavior of Feng Gong and others has caused some controversy, it also provides us with an opportunity to reflect on and discuss the status of traditional culture in modern society.
How to adapt to the development of modern society while respecting tradition is a question worthy of our deep thought.
In response to some people's doubts about Feng Gong and others' grave-sweeping behavior, there is no shortage of powerful voices in society to respond and justify.
These counter-arguments suggest that each person's way of expressing respect and remembrance is diverse, and should not be confined to a single form or ritual.
They believe that the way of expressing respect is an expression of personal freedom, and should not be bound by fixed forms, let alone the tradition of the form as the only criterion for evaluating the sincerity of a person's feelings.
In this controversy, the behavior of Feng Gong and several other people in the cross talk industry is actually a reflection of their deep nostalgia and high respect for their late predecessor Ma Ji.
Through the act of sweeping the tomb, they showed the world their respect and memory for their master, and this emotional outpouring was sincere and profound.
They believe that this act itself is a kind of commemoration and reverence for Ma Ji, and should not be over-interpreted or criticized.
At the same time, it is pointed out that Ma Ji, as a legend in the cross talk industry, is famous for his unique sense of humor and sharp social observation, and is deeply loved and respected by the audience.
Even after his death many years ago, Ma Ji's artistic achievements and the laughter he brought to him still leave an indelible mark on people's hearts.
Therefore, his apprentice Feng Gong, as a leader on the cross talk stage, inherited Ma Ji's artistic bloodline and won the recognition and love of the audience with his outstanding acting talent.
As Ma Ji's fourth apprentice, Feng Gong's admiration and gratitude for his master were fully expressed through the traditional and affectionate way of sweeping the tomb.
This is not only a reward for the teacher's kindness, but also a kind of respect for the inheritance of cross talk art.
Therefore, the tomb sweeping behavior of Feng Gong and others should be viewed from the perspective of more tolerance and understanding, and should not be overly demanding on formal perfection.
What they are doing is to pay tribute to Ma Ji and the art of cross talk, and they are also showing respect for traditional culture and passing it on.
This controversy has provoked deep reflection on the role of traditional etiquette in modern society.
With the rapid change of society, people have developed diverse views on the way to express respect and respect.
On the one hand, traditional etiquette is seen as a respect for history and adherence to cultural inheritance, but on the other hand, sincere intentions and personal expressions are also considered to be important manifestations of respect for others.
Therefore, how to find a balance between traditional etiquette and sincerity has become the focus of public discussion.
In this context, the worship of Feng Gong and other artists at the Maji cemetery is not only a remembrance of a master of cross talk, but also a re-examination of the value of traditional etiquette in contemporary society.
This event transformed the cemetery into a place of collective memory and remembrance, and reflected the attention paid to the collision and fusion of tradition and modernity.
Feng Gong and other new generation artists are shouldering the important task of inheriting and carrying forward the unique art form of cross talk.
They not only need to inherit the artistic spirit of their predecessors, but also need to find the right balance at the intersection of tradition and modernity, so that the art form of cross talk can continue to flourish in modern society.
As a new generation of cross talk artists, Feng Gong and his peers face great responsibilities and challenges.
Not only do they have the responsibility to pass on the art and craftsmanship of their ancestors, but they also have to find the right balance between tradition and modernity.
In modern society, people's aesthetic concepts and entertainment methods have undergone great changes, therefore, artists such as Feng Gong need to constantly innovate and adapt to maintain the charm and attractiveness of cross talk art.
Through this controversy over worship behavior, people have become more deeply aware of Ma Ji's status and influence in the cross talk world.
As an outstanding comedian and creator, Ma Ji's works and performance style are deeply loved by the audience.
Feng Gong, as Ma Ji's junior and peer, while inheriting Ma Ji's artistic spirit, he is also trying to inject new vitality and creativity into the art of cross talk.
As a skilled cross talk actor, Feng Gong has won the favor and love of many audiences with his unique interpretation and sense of humor.
Every time he stepped on stage, the audience laughed, and his performance resonated with many topics.
Feng Gong is not only a comedian who can make the audience laugh, but also provides a new and meaningful perspective on many events in society through his superb acting skills.
His identity is not limited to an artist who makes people laugh, Feng Gong is also an artist with deep thinking and a strong sense of social responsibility.
With the passage of time, we have every reason to expect that cross talk, a unique form of Chinese culture and art, can be more widely inherited and carried forward.
The artists will continue to explore and practice, promote the art of cross talk to burst out with new vitality in the integration of tradition and modernity, and show the unique charm of Chinese culture to the world, which has received wide attention and appreciation from the international community.