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When the light blue and broken red on the high branches become more and more conspicuous, the colors in the lower parts of the field are also quietly smearing the picture scroll of spring.
If there is a place where the spring is the most exciting, I think everyone will recommend the countryside first;
And if there is any color in the countryside that is the most exciting, I think everyone will never forget the golden color of cauliflower.
When it comes to spring, you must read ancient poems that belong to spring.
In this issue, Poetry Lane specially brings you a small poem describing the pastoral spring.
Although this poem is not well known to people, it is written beautifully and vividly, with a bit of Tang poetry, which makes people can't help but praise after reading.
Tian family
Yuan Huang Geng
Flowing water, small bridges, river road scenes, sparse fences, low houses, and wild people's houses.
田园空阔无桃李，一段春光属菜花。
Huang Geng, the word Xingfu, a native of Tiantai Mountain, was a poet in the late Song Dynasty and early Yuan Dynasty in the mainland.
Because of the frustration of officialdom, Huang Geng casually wandered in the mountains, rivers, lakes and seas, and turned what he saw in his eyes and what he felt in his heart into poetry.
Although Huang Geng is a bit "inconspicuous" for us today, his poems make people have to look at him with admiration.
Huang Geng's poems are smooth and natural, full of aura between the lines, perhaps this is the best gift from nature to him.
This poem "Tian Family" is a work written by Huang Geng in the spring, which mainly describes what the author saw and heard in the Tian family.
At the beginning of the poem, a beautiful picture is copied: Flowing water bridge river road scene: Walking on the road by the river, you can see the stream flowing slowly, and the small bridge is lying leisurely.
When I first read this sentence, I couldn't help but pull my mind back to the beautiful Jiangnan, and clearly felt the unique warmth and softness of the flavor.
"Flowing Water Bridge", two ordinary objects, we have seen a lot in ancient poems, but because of their own typicality, so we always never get tired of looking at them.
The author chooses these two objects to include in the poem, not only to exert a visual effect, but also to subtly receive an auditory effect.
The word "Jianglu" expands the space of the whole picture in an instant, so that what the reader's eyes see can be extended, which can be said to make the poem more atmospheric beauty in the freshness and softness.
Cheng Ju moved the camera and wrote about the scenery related to people's houses: sparse hedges and low houses, sparse fences, low houses, this is the dwelling of mountain savages.
In fact, the combination of the first sentence and the accompanying sentence is equivalent to a perfect presentation of the picture of Ma Zhiyuan's "small bridge and flowing water".
It's just that in comparison, Huang Geng's pictures are more fresh and simple, and more idyllic and pastoral.
The "sparse fence low house" not only reflects the relatively simple living conditions, but also reflects the tranquility and seclusion of the environment.
Therefore, this kind of picture often brings us an endless sense of intimacy, making us forget the hustle and bustle of the world, as if we have found a spiritual home.
The last two lines of the poem are brilliant: the countryside is empty without peaches and plums, and a section of spring is a cauliflower; the whole countryside is relatively empty, there are no peach blossoms and plum trees, only a large area of cauliflower shows the spring to the extreme.
In fact, whether a poem is well written or not does not depend on whether its rhetoric is gorgeous, nor on whether its content is very innovative, but whether it writes the beauty of artistic conception and whether it contains that intriguing artistic atmosphere.
The first two sentences of Huang Geng's poem are very beautiful, and the last two sentences are more distinctive.
The author uses "nothing" to highlight "existence", he first empties the pastoral picture, and then deliberately adds the main object "cauliflower" to make it the protagonist of the picture, so that the color of the cauliflower spreads throughout the picture, and the spring halo is dyed to the most intense degree.
Spring is not necessarily exclusive to peach blossoms and plum blossoms, it also belongs to the ordinary cauliflower in this countryside.
In fact, the last two sentences of the poem also contain a certain philosophical meaning: no matter what kind of life, there will be its own spring, we do not need to compare with others, we are the best scenery, and we will meet the pair of eyes that are good at discovering beauty.
As far as the eye can see, everything is golden, and as far as the eye can see, it is spring.
The poem ends in an endless golden light, bringing a special spring to the reader's eyes and leaving it outside the verses.
Cauliflower has its own spring breeze, a piece of golden yellow is bright, ladies and gentlemen, I don't know how you think Huang Geng's poem is written? And tell me your feelings in the comment area.
Get in touch with poetry, explore the great beauty, and carry out reading and writing to the end, welcome everyone to pay attention to No. 1 Poetry Lane, we look forward to meeting you here every wonderful issue!