Looking at the interview of the chapter, including the previous generations of "movie coffee", to be a film actor, in fact, you don't need to have more so-called ideological insights and creative talents, and the actor is the flesh material for the director to be in the mirror

Looking at the interview of the chapter, including the generations of "movie coffee" before and after, being a film actor actually does not need to have more so-called ideological insights and creative talents, actors are flesh materials, for the director to knead and flatten into the shape needed for the story in the lens, you can make people pinch very easily or very beautifully, you are a good actor, on the contrary, actors who have too strong a personal understanding often cannot enter the film industry.

The director wants a blank piece of paper that can carry his paintings, the thoughts and opinions are the director's, the actor only needs to present it, not need or even preferably not have it himself

This may also be why movies into TV series are often unsatisfactory, the rhythm difference is too big, the film director will cut the details frame by frame to design the character arc, the script changed yesterday when the TV series director flew the page will be filmed today, there is no time to teach you what expression and what emotions to do here, the arc light has to be pondered by the actors themselves, purely according to the script to go 100% by experienced opponent actors pressed and beaten

Movie actors pay attention to the highlights of the clips, and TV series actors pay attention to long-term shaping, which is almost the same feeling