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The scenes in the photo carry historical memories of different eras and take us back to those turbulent years. This set of photographs shows a variety of very different life scenes and characters, from the back garden of officials during the Qing Dynasty, to the 3,000 gold in the early 20th century, to the victorious return of Nanjing in 1945, each picture vividly records different fragments of Chinese history.
First, we travel back to Beijing in 1930, where a Dutch ambassador captured a group of girls assiduously practicing Peking Opera performances. These girls, although gentle in appearance, their eyes reveal dedication and enthusiasm for acting. Among them, the woman in the front row has a noble posture and seems to be about to become the protagonist in the performance. The two women in the back row seemed to show firm determination in their gazes. The picture captured at this moment shows the charm of Peking Opera performances and the talent of these girls.
Next, we travel back in time to the Qing Dynasty, where the back garden of an official appears before our eyes. Six women sat there, one of whom was supposed to be the official wife, the others were concubines. The photograph reflects the society of the time, with officials raising multiple wives and large families. However, it also raises questions about whether they still have enough energy to deal with official business. In the photo, the women look wealthy, enjoying rich diet and living conditions.
Again, we go back to the end of the Qing Dynasty, when the picture of a brothel comes into view. The woman on the right is the bustard of the brothel, while on the left is the famous courtesan Yang Cuixi. Yang Cuixi came from a poor background, but became popular for his sociability, excellent voice and friendship with powerful people. Her love story is also embarrassing and was given to Prince Qing's son Zaizhen. This legendary experience shows the style of an era, the dispute between the powerful and the famous, and Yang Cuixi's desire for prosperity and wealth.
Now, let's turn to a more heroic scene and come to the side of the battle hero in the Battle of Laoshan, Ma Shengyun. He and his comrades stood in the smoke of war and resolutely defended the territory of the motherland. Ma Shengyun was not only awarded the honor of the fourth company of heroes, but also the title of first-class meritorious hero. This photograph records his heroic scene of protecting his comrades with his body, showing the selfless spirit of Chinese soldiers.
Another photograph, which takes us back to the Tohoku region in 1886, shows the life of the landowner's family. The three women, wearing floral cotton jackets, exude an atmosphere of abundance. Their round faces and plump physiques show that their living conditions are quite good. In Shanghai in 1900, the three thousand gold held each other's hands, showing a relationship like sisters. This photo is full of elegance and opulence, showing the style of a rich lady.
Then, we came to the Shandong area and dined with two foreigners and two Qing dynasty men. This photograph highlights the history of early missionary-Chinese exchanges. Although the style of foreigners is different from that of Chinese men, they share friendship at this moment, and may even be an opportunity for scientific and technological exchange. This cultural exchange not only enriches China's social landscape, but also brings advanced technology.
Fast forward to 1983, when a woman faced trial from the bench. Her eyes were full of fear, and behind her stood numerous male criminals. This scene reflects Chinese society's adherence to morality and law. The woman was eventually sentenced, a staunch condemnation of bad behavior in Chinese culture.
Next, in 1970, three murderers were taken to the streets for public display, and they were about to be shot. The three men looked ordinary, but they committed felonies. In the photo, they face social condemnation and legal sanctions. Harm to others for whatever reason, will be punishable by law.
Finally, we go back to Shanghai in 1932, where a man was tortured by an officer of the 19th Route Army. The man was accused of assisting the Japanese in spying on military intelligence. In the photo, a child looks at him, full of contempt. This scene showed the tenacity and determination of the Chinese army in the War of Resistance Against Japan.
This series of photographs documents fragments of different periods in China's history, reflecting the social, cultural and moral diversity of society. Whether it is the inheritance of traditional culture or the heroic course of the War of Resistance, every scene is worthy of our deep consideration and memory.
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