A glimpse of Go, the law is used in the use of soldiers, and the three-foot game is a battle field.
Chen Jushi is a soldier, the two enemies are equal, the clumsy are useless, and the weak die first.
There is a neutralization of the Xi, please say its side, first according to the four Dao Xi, baojiao next to the side.
The edges are covered, often looking at each other, away from the horse's head, and the geese are walking continuously.
Hovering in the center, the pavilion is flapping and soaring left and right.
The road is narrow and the enemy is crowded, and there is no far-reaching journey, and there are many chess pieces, such as gathering flocks of sheep.
Luo Yi protected himself, successively greeted, attacked the wide attack, and staggered to the inner room.
The good is the time, the stool is strong, the disgust is the food, and the wall is broken. Badger twilight otter?
Forced to play chess and Yue Xi, quite abandoned its disguise, has been dangerously mouthed, chiseled clear pit. (Note: Yue is Tianyuan)
Poor in the middle of the painting, like a rat into the bag. Collect the dead, and do not welcome each other,
When food is not eaten, it suffers from it. Victory or defeat is like words.
At first, slow and urgent, up and down, white and black are chaotic, Yu Ruge.
The clutter is staggered, and the more phased it is. Compliance is not stubborn, it is abrupt,
Deeply greedy, killing dead soldiers, frenzied to save each other, successively did not.
Up and down away from the cover, on all sides of the isolation, around the rare scattered, choked on the opposite.
Han Xin was a soldier, difficult to pass, trapped in the ground, and set up a power to see.
Luring the enemy to go first, often in one room, damage the chess commission to eat the, and leave three generals and seven.
Chi Chasing Shuang asks questions, turns to serve each other, and is full of morality, and the chess pieces are intertwined.
Spreading even the cabinet, such as the fire is not extinguished, the support is scattered, and the left and right overflow.
Immersion is sluggish, and the enemy is afraid. Forced to hesitate, self-defeating.
Counting the merits and eliminating the evil, the time is different, the matter remains to become angry, and the chess pieces are eager to get sick.
The camp is embarrassed and tired, there is no order to deceive, and the deep thinking is far-sighted, and the victory is inevitable.
"Go Fu" is the earliest discourse specifically on Go. The use of Go as a gift was one of the favorite themes of the Han Dynasty and subsequent generations of literati. Fu Jia believes that chess can be recreational and alleviate anxiety, and is a very noble moral cultivation activity. Ma Rong is not only a generation of Great Confucians, but also a generation of talents in the chess world. Therefore, he was able to put forward systematic insights into the tactics of advance and retreat, attack and defense of Go, and wrote this endowment, which has special historical value in the history of the development of Go.
This gift shows the thrill of attack and defense, as if in the present sense. Fuzhong shows that when fighting, it is like an eagle spreading its wings, moving forward, and sometimes the sheep enter the tiger's mouth, and the danger is fraught with danger. In terms of rhetorical techniques, Ma Rongyi uses figurative methods, such as "poor in the middle of the yin like a rat into the bag"; the second uses the method of stacking, such as "away from the horse's head and even the goose line". In terms of content performance, Ma Rong described in detail the brilliant scenes of offensive and defensive strategies, such as "attacking and hitting the weak and staggering inner room." The advantage is strong when it is timely, and it is tired of eating and destroying the wall. Forced to abandon his disguise, he has made a dangerous mouth to chisel the pit. Poor people paint like rats into the bag, collect dead pawns without making friends, and suffer from them when they do not eat. "The words are filled with the military spirit that sweeps everything, and the beauty of the extremely specific situation." In addition to the characteristics of form and content, Ma Rong's "Fu of Go" has the same profound philosophical thought as his "Flute Fu", and he integrates the cautious and enterprising spirit of Confucianism into the thinking of the soldiers, so that the two are combined, so that this distinctive concept of Fuxue is greatly related to the metaphysical trend that flourished in the later Wei and Jin dynasties.
Hou Wailu, in his Outline of the History of Chinese Thought, argues: "History calls Ma Rong, the master of classics at the end of the Han Dynasty, 'the master of impermanence'... It opened the precedent of Wei and Jin metaphysics that synthesized names, laws, Confucianism, and Taoism. "Confucian thought has always been a philosophical connotation often expressed in the works of Han Fu writers, so Ma Rong, who was the first to open the Wei and Jin metaphysics, his ideological tendencies will naturally appear in the endowments he made, and on this basis, "Weiqi Fu" naturally has a more unique ideological charm.
In short, Ma Rong's cifu creation not only has the inheritance of the previous cifu creation, that is, the whole text of "Weiqi Fu" adopts the form of riot style, using the word "兮" before and after the symmetrical four-word sentence, such as ""A slight look at the Go Xi method in the use of soldiers, the three-foot game is the battle field. Chen Jushishi's two enemies are equal, and the clumsy and weak die first", and among the forty-six sentences, there are only two exceptions: "Tired of eating and destroying the wall" and "Receiving the dead and the pawns without making each other welcome"; moreover, it is also different from others in the theme, form, content, and ideological connotation of the creation technique of the endowment, forming a unique "endowment view", which has the important significance of "inheriting from the top to the bottom" in the process of the evolution of the endowment.
The Jin Dynasty Cao Shu 's "Order of The Endowment of Go": "Xi Ban gu made the theory of "Yi Zhi", Ma Rong had the endowment of Go, the military and politics were based, and the soldiers thought it was a metaphor, the reason why Gai Xuanni called it beautiful, and the reason why the gentleman was worried. It's good, it's good, it's good. ”
Ethereal unanimous friends goodnight!