In the "Venus Show" hosted by herself, Venus has complained about many people, because Venus has a wide range of influence, and the people she has complained about are basically unable to eat and walk.
For example, Venus has complained about Mr. Number, Miss Number, etc., so that many young actors lie guns for no reason.
In one episode, Venus spat on one of her peers.
At that time, Venus had just returned from Europe, and its popularity was naturally needless to say in the circle.
A director asked her to help choreograph a dance, and Venus spent a lot of effort to help choreograph the dance moves, design the costumes, and help select 8 young dancers.
During the last rehearsal, Venus looked over and found that her choreographed movements and costumes had been changed.
The movements of the 8 young girls, either covering their faces or turning their backs to the audience, were originally group dances, but the cameras were all close-ups of the face of the lead dancer, and the group dance became a solo dance.
According to the key point of Venus's spit, some netizens pulled out the lead dancer of Venus's spit, zhou Jie, who is known as the "Oriental Dancer". The dance choreographed by Venus was Zhou Jie's "Spring Rhyme" on the spring evening of 1995.
The name of the choreographer, also because Venus did not want to sign it, became "this life".
If it were not for Venus's spit and netizens' "deep pickpocketing" skills, many netizens may not know that Zhou Jie was once a dancer with Yang Liping.
Born in 1961 in a modest family on the outskirts of Shanghai, Zhou Jie was an active member of the school after a talent for dancing since she was a child.
In the literary and artistic activities in the school, Zhou Jie was always the first to sign up.
In that era, Zhou Jie's performance was out of line, and many people thought that dance would teach bad children, especially Zhou Jie's family composition was not good.
At a young age, she did not suffer from the white eyes and saliva of the people around her, and several times when she walked on the road, Zhou Jie was scolded as a little goblin.
At the age of 12, the Shanghai Song and Dance Theater came to the school to recruit students, Zhou Jie stood out among the students with solid dance skills and beautiful dance moves, and the staff who came to enroll immediately decided to admit Zhou Jie.
But this time, Zhou Jie was dragged back by her family, and later the Shanghai Song and Dance Theater was unwilling to give up such a good seedling, Zhou Jie herself was also trying to overcome the difficulties, and finally was admitted to the Song and Dance Theater.
In the late 1970s, the Shanghai Song and Dance Theater dared to be the first in the world, and in 1977 resumed the performance of the national dance drama "Little Knife Club", setting a record of more than 40 consecutive performances.
At the same time as the great success of "The Little Knife Society", the Shanghai Song and Dance Theater actively invited foreign dance troupes to perform in Shanghai, and the performances of these foreign troupes greatly broadened the horizons of Shanghai dancers.
Zhou Jie was the lucky one of that era.
After entering the Shanghai Song and Dance Troupe, Zhou Jie received more professional training, and she firmly grasped the hard-won opportunity.
On stage, she is graceful, and offstage, she practices over and over again in front of the mirror, striving to achieve the best in each movement.
Soon, Zhou Jie picked up the girder in the regiment.
"Banping Mountain", "Fengming Qishan", "Knife Club", "Mulan Fragrance" and other large-scale national dance dramas, Zhou Jie has played an important role in it. On the one hand, this has trained her dancing skills, on the other hand, it has also made her quickly famous.
Audiences who like song and dance dramas have remembered the actor on the stage with the softest posture and the most delicate face.
We often say that acting and directing are good, which means that after the actor is good enough in acting, he will naturally develop in the higher direction of the director.
Similarly, dancers will have the opportunity to come to the door after they shine on the stage. Zhou Jie also had a chance to extend her tentacles to the big screen.
This opportunity is inseparable from Hong Kong director Li Hanxiang.
In the history of Hong Kong's wind and moon films, Li Hanxiang is an unburiable one.
In the 1970s and 1980s, Most of Hong Kong's Wind Moon films were shoddily made, purely selling erotic lenses.
After Li Hanxiang joined Shaw, he successively directed several acclaimed and popular wind and moon films.
Different from the shoddily made Fengyue films of that period, the Fengyue films directed by Li Hanxiang are not only more well-made, but also combine eroticism with the culture of the city in terms of plot, which is happy but not obscene, and for a time led the trend of Hong Kong Fengyue films.
In 1980, Li Hanxiang decided to shoot "Hanging curtains and listening to the government", and after more than two years of preparation, all the work was ready.
The main actors in the film are actors that we are still familiar with today, among which Liu Xiaoqing plays Cixi, Liang Jiahui plays XianFeng, and Zhang Tielin plays Prince Gong.
But there is also an important role in the play, Li Fei, Li Hanxiang has not been settled for a long time.
Li Hanxiang has relatively high requirements for the setting of the character of Li Fei, not only to have excellent dance skills, but also to have outstanding appearance.
Dozens of actresses were interviewed, but none of them satisfied Li Hanxiang.
At this time, Chen Ye, a Shanghai actor who plays Ci'an in the film (now living in the United States), recommended his hometown Zhou Jie to Li Hanxiang.
Zhou Jie came to the crew, only a short dance, Li Hanxiang made a decision on the spot, and Zhou Jie, who had no acting experience, was Li Fei.
Unlike Liu Xiaoqing's flying and fierce Cixi, Li Fei, who was favored by XianFeng, Hua Rong Wanna, had a graceful style.
A play that was installed in the altar by Cixi after being made into an adult, and The resentful eyes of Concubine Li became the childhood shadow of many viewers.
At the 3rd Hong Kong Film Awards, "Curtain Curtain" became the biggest winner, Leung Ka Fai won the Academy Award for Best Actor and Best Newcomer, Song Hong won the Academy Award for Best Art Direction, Li Hanxiang was nominated for Best Director and Best Screenwriter........
Liu Xiaoqing, Zhou Jie, Chen Ye and other actresses, although they did not win awards, their outstanding performance in the film, the audience has firmly remembered.
In particular, Zhou Jie's light and graceful dance posture in the film has attracted the attention of TVB's board chairman Run Run Shaw.
Some people say that Zhou Jie and Run Run Shaw's second wife, Fang Yihua, are somewhat similar.
Whether it was out of the promotion of a junior, or a little bit of red-faced confidant, in the next few years, Run Run Shaw paid special attention to Zhou Jie.
Zhou Jie's dance troupe performed in Hong Kong, there was no publicity in the early stage, the ticket situation was very bad, Zhou Jie made a call for help to Run Run Shaw, and the next day all the reporters in the city came.
Zhou Jie even felt cold and unwell, and after Run Run Shaw learned the news, half an hour of piping hot chicken soup was delivered.
This year-old friendship is envious of others.
But that's all, and it's hard to have rumors of a further relationship between the two.
In 1987, Run Run Shaw's wife Huang Meizhen died of illness, and 10 years later, the 90-year-old Shaw married 62-year-old Fang Yihua, and nearly half a century of romantic love finally had a happy ending.
In 1992, the film "Yang Guifei" directed by Chen Jialin began filming, and Zhou Jie played Yang Guifei.
In "Tang Ming Emperor", Yang Guifei, played by Lin Fangbing, has been recognized by the audience.
In order to play this role well, Lin Fangbing did not hesitate to gain 30 pounds, and the story behind this section made the audience recognize that Yang Guifei was not Lin Fangbing.
Therefore, before "Yang Guifei" began filming, Zhou Jie's pressure was already great.
Zhou Jie's advantage is in the dance, the director is also very careful, in the film for Zhou Jie added several solo dances, especially "noble concubine out of the bath" and "neon dress feather dance", the dance posture is graceful and charming, Yang Guifei's extravagant image came out at once.
Zhou Jie's performance surprised everyone.
In the 16th Hundred Flowers Awards for Popular Films, "Yang Guifei" won the Best Feature Film Award.
Zhou Jie is even more famous, and has been on the stage of the Spring Festival Gala for two consecutive years.
One of the performances for one year was Venus's "Spring Rhyme".
Zhou Jie once said: Without dance, my life will become lifeless, the enjoyment of art, the enjoyment of dance is to eat better, dress a little better can not replace.
Her love for dance made Zhou Jie not continue to work in film and television, and she opened an amateur dance school in the United States and built a bridge for Sino-US cultural exchanges.
Zhou Jie runs a dance school in the United States, and there is a small story.
When Hong Kong returned to The Motherland, Zhou Jie celebrated with local Chinese in Houston, and a Chinese child held a small handkerchief and asked Zhou Jie to teach her to dance.
Zhou Jie understood that in the eyes of many American children, Chinese dance is a twisted song and a lion dance, and at that moment, she had the idea of changing this concept.
It just so happened that a friend also had the idea of running a dance school, and the two hit it off, and the Zhou Jie Dance School in Houston was born, which mainly teaches oriental dance art.
Five years later, Zhou Jie returned to her hometown of Shanghai, opened a sister school, introduced Western dance art to China, and held summer camps every year to let American children come to China, let Chinese children go to the United States, and promote exchanges between Chinese and American children.
In 2015, Jie Zhou received the Lifetime Achievement Award from the University of Houston in recognition of her outstanding contributions to arts education in the United States and China.
The cause has achieved such great success, but Zhou Jie's roots have always been in Shanghai.
Born in Fengxian, Shanghai, Zhou Jie has always had a special affection for her hometown.
In Shanghai Fengxian, no one knows about the Fengpu Bridge, and the preparation of the Fengpu Bridge, Zhou Jie originally contributed a lot.
At that time, the Fengpu Bridge was still on paper, and the huge amount of bridge construction funds became a stone in the hearts of the leaders.
At that time, zhou jie became famous with "Yang Guifei", and the hometown leaders found Zhou Jie, hoping that she could help call for the preparation of the Fengpu Bridge, and it was best to help pull in funds.
Zhou Jie listened to it as a good deed for his hometown, and without saying a word, he went everywhere to lobby.
In those two years, she gave up almost all her work and pulled in sponsorship, and soon the first money was in place.
Later, because of the problems in the funding of the sponsoring enterprises, the construction of the bridge had to be temporarily shelved, and the masses who did not know the truth ran over and scolded Zhou Jie........
In 1995, the Fengpu Bridge was finally opened to traffic, and Zhou Jie felt that her grievances were worth it.
Zhou Jie's life is enviable, but she is still alone when she is over 60 years old, which makes people feel sorry.
People don't know what happened to the marriage that lasted only one year at the age of 24 that made Zhou Jie firm in her belief in not getting married.
In 2019, Liu Xiaoqing posted a photo of his former friends gathering in the United States, 92-year-old Lu Yan is in good spirits, Chen Ye is also outstanding in temperament, among the four people, Zhou Jie's temperament is the most gentle, and time seems to be particularly tolerant of her.
It is my dream to start an art school, and I would like to pass on all my experiences and feelings to every student who loves art........
Zhou Jie's love for dance has led her to this day.
Although today's Zhou Jie is not as great as Yang Liping in terms of dance artistic achievements, she has been engaged in her favorite career all her life, which is beyond the reach of many people.
A dream when she was 5 years old made Zhou Jie pursue it all her life, but who can say that it was not this dream that made Zhou Jie?