This year's Spring Festival file, "Manjiang Red" is on fire.
Not only led the box office list, but also triggered a wave of tourism fever.
Tourists lined up and angrily fanned Qin Juniper kneeling statues.
However, there have also been some inappropriate excesses.
Some even carried iron plates and smashed them.
Spit on Qin Juniper is naturally no problem.
However, violent smashing is picking quarrels and provoking trouble, and cannot be equated with patriotic blood.
Obviously, many people just follow the trend to vent their anger, rather than really reading history and inheriting Yue Fei's spirit.
Unexpectedly, it was also the official blog of the movie "Manjiang Hong" who misread history.
Illiteracy jokes have been made many times on the Internet.
The word "unnecessary" is incomprehensible.
"Don't forget the shame of Jingkang", arbitrarily cut sentences.
It can be seen that even official blogs lack rigor for history.
The story of the movie "Manjiang Hong" is, after all, a joke and a performance.
While we are entertained, we should also reflect on history more seriously.
Today, Uncle Yu borrows an old drama of the same name from 31 years ago.
Let's talk about Yue Fei's allusion——
When this drama was broadcast, it coincided with the 850th anniversary of Yue Fei's death.
On Douban, the score is as high as 8.6 points.
Many netizens named it as "Yue Fei's best work on the theme"——
Playing Yue Fei is the late actor, Fan Zhiqi.
He is also the actor of Jiang Wei in the 94 version of "Romance of the Three Kingdoms".
The eyebrows are full of heroic spirit, quite a general's style.
"Revenge the shame of the snow, return my rivers and mountains"
As for the persuasion of corrupt officials, he raised a cold eyebrow.
It only takes a glare to explain the determination not to join the bandwagon.
This play is also named after Yue Fei's lyrics "Manjiang Hong".
Although there is no impassioned recitation.
But in a very poetic way, the connotation of this word is presented.
Yue Fei spoke, and the camera switched back and forth between his face and the end of the pen.
The background prints the brutal battlefield, broken rivers and mountains.
Between the words and sentences, there is a high degree of unity between personal ambition and national hatred.
After stopping writing, Yue Fei closed his eyes.
With a sigh, tears slipped down.
There is no unnecessary expression, but it is moving.
In the eyes of many people, this is the best interpretation of Yue Fei so far.
The tone of this play is also different from works of the same theme.
It did not exaggerate Yue Jiajun's achievements, but created a depressing atmosphere.
In just six episodes, it tells the most well-known history of the Chinese people -
From Yue Fei's withdrawal of the twelve gold medals to the killing of the Storm Pavilion.
In the opening sentences, he explained the most brilliant "Battle of Zhuxian Town" of Yue Jiajun.
Before the three armies, Yue Fei held a grand post-war speech to commemorate the soldiers who died in battle.
The recovery of Bianjing was just around the corner, but there was no joy on his face.
The big "Dien" character behind him foreshadows the fate of the character.
Twelve gold medals were delivered, and Yue Fei was forced to withdraw his troops.
Thirty meritorious achievements in dust and soil, merit and defeat have long been doomed.
On the way, the people wore white cloths and sent each other on foot.
The mourning is filled with fears that the homeland will be lost again.
This play does not show the torture Yue Fei suffered, nor does it deliberately express his integrity.
Rather, in the trivial details, there are several allusions.
After being wrongfully imprisoned, Yue Fei went on a hunger strike at Dali Temple.
When his wife Mrs. Li heard the news, she summoned her son Yue Lei and ordered him to send clothes and food.
One of them is a basket of oranges.
"Your dad loves oranges on weekdays."
Oranges have always been the image of the literati throughout the ages.
Qu Yuan's "Ode to Orange" expresses his ideals and personality.
The Chinese poem "Orange Pomelo Weeping Huashi", writes that he has not met his talent and is eager to be introduced.
This kind of use is in line with Yue Fei's character of serving the country faithfully and preferring to die unyielding.
At the same time, combined with the background of the times, "orange" also has a special meaning.
Tangerines are orange when born in Huainan, and orange when born in Huaibei.
Song Jin is bounded by Huaishui, and he is obsessed with recovering the Central Plains.
The portrayal of the villain Qin Hui in this play is also different.
Most Yue Fei-themed films and television often try to ugly Qin Huan.
He only focused on his "adultery", but ignored his "essence" as a prime minister.
This play is unique, shooting the complexity of Qin Hui and providing the audience with a new perspective.
A few flashbacks concisely explained the ups and downs of Qin Huishi's path.
At the end of the Northern Song Dynasty, calls for "ceding three lands" arose in the government and the public.
Qin Hui was a minority who opposed the cession of land and sought peace, and was removed from his official post for this.
His words are also recorded in the "History of Song".
"It is a matter of cutting land, contradicting the first discussion with the minister, and losing the heart of the subject."
After the shame of Jingkang, most of the country was lost, and Emperor Hui and Qin were taken into captivity.
Qin Hui also went north with the emperor and became a prisoner of Jin Bang.
At this time, his concept also gradually changed to "discuss peace".
"If you want nothing to happen in the world, the south comes from the south, and the north comes from the north."
In 1130, with the tacit consent of the Jin Bang general Tart, Qin Hui fled with his family.
Returned to the Southern Song government and began to plan for "peace".
"I remember those days, and the world has not forgotten."
As a prisoner who fled back from Jinbang, Qin Huan's identity naturally attracted suspicion.
In the play, the interrogation of the king of Qian County revealed Qin Hui's situation.
"Qin Xiang, you fled back from Jinbang, and your reputation is not very good throughout the imperial court."
Although Zhao Shu is a comatose monarch, he is not at the mercy of others.
When the battle situation is considerable, it will swing between war and peace.
In the face of Qin Huan's urging, he was furious.
"Why do you always speak for the golden people, what is your relationship?"
The so-called companion is like a companion tiger, and Qin Huan's road to the throne is like walking on thin ice.
Sandwiched between the golden man and the Song Court, you must be cautious.
Killing Yue Fei became a means for him to protect himself.
"I'm not doing it."
Such a depiction is not a whitewash for Qin Juniper.
Most people in the world attribute the weakness of the Southern Song Dynasty to discussion, but confuse cause and effect.
Behind Qin Hui was the incomparably corrupt officialdom of the Southern Song Dynasty.
In Mrs. Zhang's mansion, he privately spent a huge amount of money to build a hedonistic palace.
All the powerful ministers gathered together and sang night and night.
During the banquet, it is naturally indispensable to pull gangs and factions.
The so-called "peace plan" is just a bargaining chip for a few people to make profits.
In the Dali Temple, the officials who interrogated Yue Fei all talked about the great righteousness of the family and the country.
In fact, they never thought about it, and they were stuck with a rigid system.
After executing Yue Fei, one of Qin Huan's shots was quite meaningful.
Light and shadow split in two, seemingly looking into the light, but in fact still deep in darkness.
It was not so much that the three words "unwarranted" killed Yue Fei, but rather the entire era.
In the context of peace negotiations, Yue Fei's dream of the Northern Expedition could not be realized.
Only by exposing the darkness of the times can we highlight the brilliance of heroes.
"Peace is an established national policy."
How to write the footnote of history is the proposition of this play.
For thousands of years, Yue Fei has been a cultural symbol of layers.
The times have given him different meanings and missions.
Both the commoners and the ruling class have strong subjective emotions about their narratives.
After the new China, the evaluation of Yue Fei also changed.
Especially during the ten-year special period, Yue Fei was once regarded as the "representative of the landlord class" and "the executioner of suppressing the peasant uprising".
In 1966, under the call of "Breaking the Four Olds", the Yue Wang Temple in Hangzhou was destroyed by radicals.
Not only the statues and other cultural relics in the temple were smashed, but the tombs of Yue Fei's father and son were also dug up.
It was not until the mid-80s that the Yue Wang Temple was restored.
The plaque inscribed by Marshal Ye Jianying "Heart Zhao Tianri" enabled Yue Fei to be rehabilitated.
The 92nd edition of "Manjiang Red" was created in this context.
The chief director, Yan Gong, mourned Yue Fei's frame, and reflected on the turbulent times when there was no distinction between good and evil.
The pursuit of the truth of subjective feelings is his attitude towards art.
As the name of his autobiography suggests, "True as Poetry."
In his view, the core of poetry is truth.
The preciousness comes from the poet's true feelings and true feelings about life.
Making movies is also inseparable from "truth".
As early as 1937, he participated in the performance of the left-wing experimental theater troupe.
Using drama as a weapon, he devoted himself to the national liberation movement to resist Japan and save the country.
In 1948, he and Zhao Ming directed a movie of the same name based on the comic "Sanmao Wanderings".
The film truly reflects the situation of the characters at the bottom, and it is still out of date today.
After the founding of New China, the literary and art circles ushered in a short period of bloom.
Yan Gong also successively shot "Flowers of the Motherland" (1955) and "Footsteps of Youth" (1957) and other films of praise.
The short period of flowers bloomed abruptly with the arrival of the special period.
Until the time he directed "Manjiang Hong", Yan Gong was 78 years old.
He brings reflection into his creation, returning to the authenticity of history.
Together with other creators, they carefully study the material and refine it.
On the basis of solid historical materials, more zeitgeist ideas are brought to the screen.
The superstitious plots rendered by the feudal literati were abandoned, and bridges made up by later generations, such as "Niu Gao Qi Death Finish Yan Wushu", were not recorded.
Full of blood, condensed in Yue Fei's eight-character masterpiece.
At the same time, it is also a torture and reflection on the times.
"Akiaki Tennichi,Akiaki Tennichi"
As a master of the image of loyal monarchs serving the country, Yue Fei's story is suffocating to the world.
Therefore, in folk novels, there are fabricated bridges such as "Qiqi Death Laughing Dead Niu Gao", which makes readers applaud.
There are also kneeling statues of Qin Hui and Zhang Jun in front of Yue Wang Temple for tourists to spit out.
Although it is popular with the public, it deviates from the true meaning of history.
Looking back at the 1992 version of "Manjiang Hong", it seems to add another aspect of history.
Fully expose the crimes of the ruling class of the Southern Song Dynasty and the decay of the country.
What is extracted from the original words of "Manjiang Red" is a "shame" word.
When future generations mourn, we should learn from it.
"No one wants to keep this history."
End of full text.