It seems that it is no longer enough to describe the trend of "Crazy", more accurately, just like the title of the play, this opening drama that landed on CCTV prime time, the popularity can be called "crazy".
Not only did the premiere rating hit a stunning data of 2.2, continuously won the first place in the national ratings, and continued to break 2 after 22 episodes, with a peak of 2.86, on the evening of January 27, the TV series "Crazy" released a poster on the official Weibo, celebrating the popularity of the show iQiyi Station breaking 11,000 and Douban 9.0 points.
However, the day after the poster was released, the rating rose again to 9.1.
The play not only has the possibility of copying last year's "The World" "Opening Year Drama King", but also surpasses all the popular anti-black dramas in recent years such as "Sweeping Black Storm" and "Punishment", reaching the ceiling of this genre's word-of-mouth popularity.
And as the series has passed two-thirds, An Xin was appointed as the deputy leader of the investigation team, and the battle between good and evil between him and Gao Qiqiang, two old opponents, also officially entered a climax. To put it another way, the series is already approaching its finale.
The success of this drama about anti-gang crime and evil eradication is of course due to the solid and wonderful script, director Xu Jizhou's unique expression and the overall high-level production of the series, but in the high-density comments of netizens, "acting" has become the most distinctive characteristic of "Crazy".
In addition to many "uncle circle" drama bones, there are also many powerful actors who were unknown in the past to shine.
In particular, I haven't watched a TV series that carefully portrays a group of villains for a long time, and the last domestic drama with this look and feel was Sun Honglei's "Conquest".
Who is the real acting "ceiling" of this show? And what makes these low-key powerhouses complete their acting frenzy?
It's time to make it clear.
No. 10: Lao Mo (played by Feng Bing)
To be honest, it stands to reason that Lao Mo with his acting skills should not only rank tenth, ranking here, not because Feng Bing is not acting well, nor because his fame is not big enough, but because there are relatively few scenes.
Of course, a small number of scenes does not mean that the character creation is unsuccessful, but it may be a moment! In fact, the character quickly hit the audience's soft underbelly.
The role of Lao Mo is too difficult to play.
Every time Gao Qiqiang wants to eat Lao Mo's fish, the audience knows that someone wants a box lunch, but such a murderous killer character makes the audience hate.
Lao Mo's character is as his name suggests, that is, he is silent and lonely in his heart, but he is extremely emotional, and he can take people's lives in order to repay his favor.
With few lines and a play, Feng Bing can only rely on his eyes, expressions, and even a lollipop to express Lao Mo's inner world.
In the play, after Lao Mo knew that he still had a daughter, he listened to An Xin's advice, actively reformed in prison, and took a bunch of certificates before he was released from prison, but when he went to find his daughter, he was driven out by his daughter's grandmother; When the construction site saw the identity of his released prisoner, he said that he would not recruit people.
When he was cornered, Xiaohu took him to meet Gao Qiqiang, who had just shown his prominence, and Gao Qiqiang excused himself to be busy with other businesses and asked Lao Mo to help, but in fact, he handed over his fish stall to Lao Mo for free. Lao Mo said that he had not done it, so he introduced the operation little by little, and after saying that the audience knew how to run a fish stall.
Feng Bing completely plays the loss and embarrassment of the character, as well as the gratitude to Gao. Since then, he has been willing to work for Gao Qiqiang, and finally Gao gave up, was blocked in the hospital by the police, and wanted to complete the task.
In order to play this role well, Feng Bing, who graduated from the Beijing Film Academy, took the initiative to go to the prison to experience the feeling of being in prison, and also went to the orphanage to feel the unique relationship between father and daughter.
In the end, he used a few scenes, through subtle facial expressions, to portray Lao Mo's inner entanglement and spiritual transformation into a woody three-point, flesh and blood.
Lao Mo is the lowest killer, but he guards the righteousness of the assassins in the Spring and Autumn Kingdoms, and his willingness to work for Gao Qiqiang is largely out of "righteousness", and he can't bear to kill An Xin, also because of "righteousness", but unfortunately his righteousness has not been used in the right way.
This is extremely embarrassing, and it also makes the role of Lao Mo unforgettable.
No. 9: Li Hongwei (played by Aruna)
This young actor can be ranked in this position, it is estimated that many people will have opinions.
But there are actually many kinds of good acting skills, some are Lao Mo so complex to find simplicity, and some are to play simple roles to the extreme.
Li Hongwei is like that.
The son of the village director of Mangcun appeared at Gao Qiqiang's dinner for the first time, and the audience felt an inexplicable arrogance. To put it simply, the biggest feature of this character is that he is beaten.
He had yellow hair, an arrogant tone, shaking his head when he spoke, and gritting his teeth fiercely, simply writing the nest of horizontal and uncultured in every movement and expression.
Aruna's performance is full of character belief, that is, uncle I am not daunted, and as soon as he opened his mouth, "Gao Lao Er" shouted out a complete domineering.
It's a pity that this role is a typical eye master and low hand, I know that I shouted at five drinks and six to gather fox friends to shout at the wine table, and when it comes to the critical moment, it will be prodded in seconds, and it is not a high opponent for half a point, and finally inexplicably received a box lunch.
Aruna gives the audience the impression that the crew grabbed a punk from the street, who is actually a graduate of the Shanghai Theater Academy.
His last out-of-the-loop role was the ignorant little coppersmith in "Donkey Gets Water".
Young and young with such face-changing acting skills, the 30-year-old Inner Mongolian guy A Ru definitely has a promising future.
No. 8: Xu Jiang (played by Jia Bing)
Comedians generally have two results in acting in a drama, one is completely out of tune, and the other is exceptionally good.
Jia Bing's performance in this play belongs to the latter.
At first, many viewers thought he was here to be funny. But as soon as Xu Jiang, played by him, appeared, he vividly showed the flying and domineering of an underworld leader, and no one in his eyes was shown.
But this black boss with a lack of roots in his head was played very terrier, even funnier than Jia Bing in the sketch.
There is a passage where he went to the mobile phone store to find Gao Qiqiang for the first time, Gao Qiqiang went to the water dispenser to pick up a glass of water, and the moment he raised his hand, Xu Jiang went over to pick it up. I never thought that Gao Qiqiang drank it himself.
Jia Bing's nowhere to place hand circled in mid-air and turned into a beard.
Another scene is that he was smashed on the head by Gao Qiqiang with a wine bottle in KTV, and he was still playing cool for a second, and as soon as the camera turned, he held his head and shouted that it hurt. There is also a classic scene where he asks his little brother to smash the TV. It's rare for me to see arrogance so funny.
But Jia Bing didn't just come to do comedy.
A scene where he witnessed his son's violent death, the character's uncontrollable collapse was played well by him.
Another scene in which the checkmate Bai Jiangbo is buried alive, the characters are no longer funny, but cold-blooded, cruel, and vicious... The moment Bai Jiangbo wanted to crawl out of the soil and was shoveled down by him, I was completely terrified.
In the end, Jia Bing played this black boss as both ruthless and terrier.
The best evaluation is still from netizens: Jia Bing don't go back to acting in unfunny sketches, it's good to act steadily.
No. 7: Gao Qisheng (played by Su Xiaoyue)
The role of Gao Qiqiang's younger brother is not easy to play.
When he first appeared at the police station to deliver dumplings to his detained brother, the whole person showed a sense of nervousness and shyness, that is, an ordinary college student.
But it is such an inconspicuous character, in the subsequent plot, various reversals, even more black and ruthless than Gao Qiqiang.
He predicted early that Tang Xiaohu's DNA data was in the hands of the police, arranged a scapegoat, and personally went to Chen Shuting, hoping to join forces with the other party to get rid of Xu Jiang.
When the Gao family became popular, this role expanded rapidly, and even the drug trading that the eldest brother dared not touch in his life dared to touch, and finally killed himself.
This is by no means summed up by a simple "Sven scum".
The eyes hidden under the spectacle lenses that struck me the most when chasing the drama, and the fierceness when looking at people obliquely, was really chilling, and the tension was full when I looked directly at Gao Qiqiang with anger.
After growing up, Gao Qisheng had respect and resentment for his eldest brother, but in the end, Gao Qisheng, who was cornered, protected his brother with his own death, and even caused the square force to suffer the biggest blow in the whole drama, obviously an unforgivable evil person, from the perspective of human nature and emotion, but performed a moving scene.
I really want to ask Xu Jizhou where he found so many unknown young acting skills, and he bloomed when he met a good role.
No. 6: Li Youtian (played by Han Tongsheng)
There are many old drama bones in the drama "Crazy", Wu Gang, Zhang Zhijian, Shi Zhaoqi, Li Jianyi, and Ni Dahong each performed steadily.
As soon as Uncle Tai, played by Ni Dahong, appeared, he had a feeling of domineering exposure. It seems to be gentle and soft-spoken, but in fact, every word can decide life and death, and Gao Qiqiang still said it with a smile at the moment when he gave up his brother, and the smiley face made you shudder.
Meng Dehai, played by Zhang Zhijian, has been promoted from An Xin's boss to district chief, and there has always been a sense of mystery. I always feel that he has a problem, and it seems that there is no problem, and behind it is the Lost Soul Array created by Zhang Zhijian's acting skills.
Wu Gang has been questioned by the audience in recent years whether he moved his face, until Xu Jizhou issued an article explaining: It was the facial puffiness caused by kidney stones, and Wu Gang postponed surgery in order to film the drama. Throwing away the facial imperfections caused by the disease and the audience's misunderstanding, such a character is simply stable for Wu Gang.
But if I had to choose the best actor among the old drama bones, I would vote for Han Tongsheng.
Because he played Li Baotian, he was too bad to be in the hearts of the people.
One of the characteristics of "Crazy" is that the underworld feels bad enough for the audience, but the two characters Zhao Lidong and Li Baotian make my blood pressure rise every time they appear.
It's very simple to play the bad guy grinning, but it can rely on some details of life to catch people, perform despicable in the bland, and make the audience want to rush into the screen to hit him, which is even harder.
Han Tongsheng obviously has a lot of pompous scenes, but he doesn't feel like acting at all, like a village bully who came out of the village next door;
When there was Zhao Lidong's support, Li Youtian was really dragged, and Gao Qiqiang was ugly in person, and the soft and rigid tone of speech, as well as the squeaky eyes, all played the four words of fox fake tiger power accurately.
The so-called wicked have their own wicked grind, without such a cunning old fox, it is difficult to imagine that in the face of the old Gao Qiqiang, who can take the village of Mang to the end with him for the sake of interests, it will not lead to a greater dramatic conflict.
But before Li Baotian was so arrogant, after being abandoned, he was instantly like a dog who lost his family, especially after his son was seriously injured, the audience could feel the worry and suppressed anger in his heart, and finally the character's fish dead net broke and went offline to be more touching.
No. 5: Tang Xiaolong (played by Lin Jiachuan)
Lin Jiachuan is Zhang Songwen's classmate, and it can once be said that he is a difficult brother and a difficult brother.
Zhang Luyi, Zhou Wei, and Che Xiao in the same class have long been on fire, leaving the two of them to go around in circles, and once the two of them carried the machine together, and he said to Zhang Songwen: Are we two unable to fire in our lives.
It's hard to imagine that this quote came from the mouth of a second-generation star, whose father Lin Heping is a well-known screenwriter and director. "Straw Hat Police" and "Aunt Duohe" he participated.
But Lin Jiachuan has only played the villain in the anti-Japanese war drama period drama for many years, until this time he played a small boss who bullied the soft and feared the hard in "Crazy".
The story begins with the middle-aged Tang Xiaolong returning to his hometown with Gao Qiqiang to have dinner with the elders, who said that they had heard that there was an underworld called "Dao Brother" in the city, and Gao and Tang quickly said that they didn't know each other.
At this time, a little brother came over rashly and shouted "Brother Dao" to Tang Xiaolong, and all the elders changed color, and Tang Xiaolong immediately scolded the little brother, "Don't you know the situation?" Then he said with a smiley face, "Just call me Xiaolong." ”
The most interesting thing about Lin Jiachuan's performance is the "sense of contrast" created for the character of Tang Xiaolong.
When he was young, Xiaolong was not so polite, and took his younger brother to bully the market in the vegetable market, collecting protection fees in the name of management fees.
Gao Qiqiang sent a big color TV hoping to keep the booth, but the bully brothers took the money and did not do anything, and there were all kinds of screams written on his body.
But after seeing Gao Qiqiang catch up with the big man, he immediately becomes a little brother, his expression is extremely flattering, and he opens his mouth and closes his mouth to strengthen his brother, and the two states switch freely.
Lin Jiachuan's performance is inconspicuous, but it is not worthy of anyone when it comes to the moment of drama.
One scene is that Tang Xiaolong killed Gao Qiqiang in order to save his younger brother, but he was killed back, and he begged for mercy with the other party at the moment of the attack, leaning against the corner of the wall and tears could not stop flowing, the sense of detachment was simply like a helpless child.
The most extreme is the scene where he was released from prison, compared to Xiaohu, who talks and laughs, his kind of promise-only and cautious appearance is simply a complete substitute for the audience.
It is clear that the triad elements are re-employed, what is there to worry about, but the audience actually established empathy with the characters at that moment, because Lin Jiachuan played the restraint, anxiety, and incompatibility of returning to society, and every body movement and eye look was right.
It was not until he was enthusiastically accepted by Gao with open arms again, and cried with joy with the sentence "I'm afraid that Brother Qiang won't take me to play", and the strings that the whole person was stretched relaxed. Such a simple sentence also carries a mixture of remembrance and fawning.
The last time I watched such a wonderful prison scene was Dillon of "The True Color of Heroes 2", although the situation is different, but the performance of good actors is the same, many emotions do not need to be expressed through hysteria, not color, is the maximum apprehension.
Lin Jiachuan's plastic surgery acting skills instantly make sense of the character's arrogance and arrogance 20 years ago and his joy and anger 20 years later.
If there is no "Crazy", such a good actor may still be spinning in the anti-war drama, the play is good, he grasps it himself, this is the best ending.
No. 4: An Xin (played by Zhang Yi)
"Crazy" is like the TV series version of "Infernal Affairs", which makes the fate of a black and a white male intertwined, presenting the fate changes of the two in 20 years, and finally constituting an unfathomable sense of fate. Gao Qiqiang is one corner, and An Xin is another.
Some audience members questioned Zhang Yi's interpretation of An Xin, but I thought that in addition to the fact that the accent was indeed flawed, Zhang Yi's interpretation was accurate.
Because An Xin is actually very difficult to act.
First, the character is not flattering.
The audience hates the silly white sweet heroine the most, and An Xin in the early stage is somewhat a bit of a male version of silly white sweet.
For example, the people in the entire bureau were canceled the year-round bonus because of Anxin. At the master's funeral, he ran to the scene without wearing a police uniform, forcing Li Xiang to tell the truth.
To play such a stupid and persistent stunned youth not annoying, I dare say that if Zhang Yi is not said to play it, it is more likely that someone else will overturn.
Second, the role level is extremely complex.
Of course, Zhang Songwen's role is also difficult to play, but fortunately, the character's personality is spiraling, but An Xin is not, he is back and forth, from the early twenties with an ideal stunned youth to the forty-something pretending to be an old fritters propaganda section chief, in fact, is silently lurking, since then only for the enemy, and finally regained trust and resurrected, but the way to do things is no longer a tendon, but with considerations of reality.
It is easy for an actor to play An Xin to schizophrenia, because several character states may be presented in one episode.
For example, the appearance of the protagonist An Xin is in a swimming pool, and the two officials of the guidance group ask An Xin to swim with them in the pool, making it clear that they are honest and prevent An Xin from carrying recording equipment.
An Xin, who was called by the guidance group, also did not trust the other party, first showing the vigilance of an old fritters in the workplace, always flashing his eyes, empty words and clichés, people tested him, he was also testing whether the guidance group was really coming.
At this time, An Xin has gray hair, slightly squirrelsome, carrying a worn backpack, wanting to say and stopping, looking like an old fritters, but in fact there is something difficult to say. But as soon as the two sides met, his expression gradually became serious, and the background of the character also surfaced.
But the camera turned, returning to the young and vigorous black-haired An Xin, who was not convinced when he was admonished, and was embarrassed when he gambled with the leader but bumped into the main lord.
Zhao Lidong, secretary of the Jinghai Political and Legal Committee who faced the problem head-on, couldn't hold his breath at all, and said in person: "None of the people involved in it can escape." Zhao Lidong spoke, and he glanced his face to the side. Meng Bureau's face turned blue with anger.
An Xin during this period had a silly stubbornness, stubbornly and so cute. Frustrated and aggrieved, he showed clear eyes like a puppy.
Starting again 20 years later, not only the shape has changed, but the caution in the eyes also shows the maturity of the character after the baptism of years.
Behind this is An Xin's twenty-year ordeal, comrades have died, lovers and others have been discriminated against, how deep his inner pain is, how dry his hair is, but the character's heart is still hot.
It's a pity that Zhang Yi's interpretation is smooth, and it is still difficult for the audience to understand this character, which is not the most brilliant Zhang Yi, but to say that this is a rollover, then the standard of overturning is too high.
No. 3: Chen Shuting (played by Gao Ye)
Gao Ye has always been listed by the audience as an actress who is not yet popular, from "Chang'an Twelve Hours" to "Crime Hunting Guide", she has congratulated Gao Guang more than once for her acting skills, but no role has yet fully exerted her strength.
Until Chen Shuting.
The character appeared when Bai Jiangbo was killed, An Xin Li Xiang found her in order to ask for clues, Gao Ye came down the stairs at home, the sunlight hit her body, forming a halo, she went downstairs dressed in red, and suddenly had a feeling of style.
But this is obviously not a vase, in the face of police questioning she dripped, until she saw her son who came to make trouble, she immediately straightened her face, pointed at her son and scolded angrily, An Xin Li Xiang was suppressed by her aura.
This scene has already laid the entire role, unconsciously there is a sense of charm, in addition to sexy, but also a little domineering, domineering is really smart. The man was unconsciously attracted to her, and felt that this woman was secretly scheming and unfathomable.
It was she who introduced Uncle Tai to Gao Qiqiang and them, thus opening another door for Gao Qiqiang and also taking him into the abyss, after which she became the eldest brother's woman, dressed in black with an aura.
Because the main line of the story is the double male protagonist, the portrayal of Chen Shuting is a match or not, but Gao Ye's excellent acting skills perfectly fill the gaps in the characters, and it will not make people feel too hard.
This femme fatale has only been soft twice in the whole drama, once when he found that the child was kidnapped by Li Qing, the whole person was visibly panicked, ran up and panicked, and the panic in his eyes was obvious.
Another time was when the character went to Hong Kong with his children before he went offline, suddenly called Gao Qiqiang, and said with tears in his eyes, "Never go back to Jinghai, you don't need to look for me." ”
Tears are a little helpless, a little determined, and there are feelings for Gao Qiqiang, the emotions are very complicated, but every emotional audience can feel it.
In the end, the director didn't even film how Chen Shuting went offline, and stayed as a suspense, but Gao Ye's performance was deeply rooted in the hearts of the people.
Gao Ye is a precious Tsing Yi of internal entertainment, and few people can show their "sexiness" so generously, and her performance is vivid and natural, and her rivalry with top actors is not left behind.
The addition of this drama to her is far greater than that of the heroine, and the female acting school of internal entertainment can no longer bypass Gao Ye's name.
No. 2: Li Xiang (played by Li Jian)
At the beginning of the series, I didn't pay more attention to Li Jian, but I didn't expect that the more he acted, the more I completely entered the play.
In the play, An Xin has two contrast groups, one black and one white, which are him and Lao Gao.
One light and one dark, it is him and Li Xiang.
Two small policemen, two anti-black roads, An Xin is dead to the end on the surface, but Li Xiang chose the seemingly safer and more obscure but actually more dangerous "curve sweeping black" road.
Li Xiang, played by Li Jian, has not put his heart on his face from beginning to end, he looks lively on the surface, understands flexibility, and the workplace is much smoother than Anxin, but in fact, it is difficult to figure it out. The plot progresses step by step to understand Li Xiang's layout for many years.
He is the most stoic character in the whole play. He is like a big brother to An Xin, so An Xin insisted on it for so many years, he was suppressed and did not collapse, and the master died without collapse, but Li Xiang went offline, and he collapsed in an instant.
Li Jian's most desperate tears were three times.
The first time was An Xin asked him to borrow a gun, he said he couldn't borrow it, and then while recounting the past when An Xin blocked a grenade for him, he slapped his police card on the table with tears and said, "Even if I take off this police uniform, people and guns, I will go with you." ”
A scene that shows the love of the characters.
The second tear was to meet the tragic death of Master Cao Chuang.
He followed this scene, and suddenly saw the figure of the master, first happy, then felt wrong, and finally thought carefully and couldn't believe it.
When he heard the gunshots rushing into the ruins and saw that the master had fallen to the ground, his first reaction was shock, then sad tears, and then the master said let him use his death to receive the merit, he was shocked and burned, and his entire facial muscles were trembling.
These three emotions are completed in this instant. Finally, he called "master", and the tears after this foreshadowing welled up, but it was the end of emotional relief.
The third tear was the most meaningful, and it also doomed Li Xiang's tragic end.
He knelt in front of his master's tombstone full of guilt, telling his inner sorrow and entanglement, although his body and expression were not large, but every tear trembled people's hearts.
An Xin has been persuading him: to tell a lie, you need 10,000 lies to complete. Let him speak up and get a good night's sleep.
But he chose to carry these lies and continue to live until the day when he could not carry it.
When he finally tossed a coin and walked out of the cemetery, he was already doomed to the end of Episode 27 of bloody death, and the shock to the audience was self-evident.
The last time Li Jian shined was Sun Chenghai in Xu Jizhou's hit drama "Indelible Fan" more than ten years ago.
His performance is more restrained and adductive, and he can often depict more evocative space, but he needs to meet the right characters to play to the fullest, but fortunately, "Crazy" gave him the opportunity.
Good food is not afraid of being late.
No. 1: Gao Qiqiang (played by Zhang Songwen)
There is no suspense, it must be Zhang Songwen.
Years ago, Zhang Songwen was still poor, and once he and Monday went to a crew interview.
Someone commented: "You are the first student in Nortel's professional class, but judging by your image, you are so short that you are not suitable for being an actor." He doesn't look good, he's still a dwarf, and he can't be the protagonist. If you want to be an actor, you must be prepared to run for a lifetime or be a supporting role for a lifetime! ”
In order to save money, he had to choose to live outside the suburbs. The house is the most suitable and shabby bungalow, ride a small motorcycle every day, and buy vegetables after 7 o'clock in the evening, because the dishes at that time are not fresh and sold at discounts.
Perhaps Zhang Songwen himself could not have imagined that the lonely experience of that year achieved the role of Gao Qiqiang many years later.
The interesting part of "Crazy" is that it tries to unfold the twenty-year life of Gao Qiqiang, an underworld boss, and tells his process from white to black.; The second is the complexity of the relationship between An Xin and Gao Qiqiang.
From a humble little person to a triad boss who calls for wind and rain, Zhang Songwen's performance is not from pretending to be pitiful to pretending to be a big guy, but delicately progressing layer by layer into the inner fission of the characters.
Compared with the emotional interpretation of the fanfare, what is more difficult is to establish the audience's "faith" in the actors and characters in the thin and long narrative and small daily life.
So far, Gao Qiqiang has undergone four stages of psychological transformation:
In the initial stage, the character retains the simplicity of the lowest people.
Since the death of both parents when he was a child, Gao Qiqiang took a pension of 500 yuan and got up early to sell fish in the dark for his younger siblings to study.
In order to make a stall, he spent money to buy a TV and gave it to the Tang Xiaohu brothers, but he was beaten when it didn't work. Because he couldn't bear to fight back, he could only spend Chinese New Year's Eve night at the police station.
This scene can only be performed well by people who have lived at the bottom, Zhang Songwen riding a small motorcycle to send TV feels that it has come out, the kind of emotional transformation from trying to please to being humiliated and counterattacked, the big star who is high up is almost meaningful, but Zhang Songwen plays life.
The highlight of this scene is that An Xin couldn't stand it in the interrogation room, made an exception to bring him dumplings sent by home, and when he saw the lunch box handed over by An Xin, he instantly burst into tears, and his voice became choked, gulping dumplings, toasting thanks, and tears couldn't stop flowing.
One of the two had tragic tears, and the other was full of innocent smiles.
How warm this moment is for the first time, how embarrassing the break between the two will be in the future.
The second stage was because An Xin made a righteous move, and the neighbors, including the Little Tiger brothers, mistakenly thought that Gao Qiqiang had a backstage.
In the face of the request of the neighbors, he had to bite the bullet and pretend to take the "police background" as a peace. Zhang Songwen performed the vanity of the characters at this stage, and also the nervousness of shaking his hands behind his back.
The third stage is to accidentally electrocute the son of the black boss, from hiding in the bed and praying helplessly, to simply and completely blackening.
That scene of splitting money with the Tang brothers was another highlight paragraph, Gao Qiqiang's head was slightly crooked, and he stuffed the banknote into the hands of the Tang brothers, and the momentum of the eldest brother came out in an instant.
After the two brothers left, the camera returned to Gao Qiqiang again, and Gao Qiqiang on the rooftop looked at the endless long night while crying.
He knew that from this moment on, he had truly fallen into the abyss and would never look back.
Without the body movements of opening and closing, only silent tears, Zhang Songwen completely performed the moment of human depravity.
With the bgm that is as sad as a cold night, it makes people's scalps numb.
The final stage was after defecting to Uncle Tai.
Gao Qiqiang is becoming more and more calm and sophisticated, and his eyes are weighty in every movement, but he has the domineering air of strategizing thousands of miles away, which makes people shudder. I can't help but believe that this quiet, kind-eyed middle-aged uncle is the real black boss.
In addition to the good role change, Zhang Songwen and Zhang Yi's rivalry is also a must, from true love to strangeness, every time the performance makes the audience feel the same way.
In the two recent rivalry scenes, one was when An Xin, who was a traffic policeman, suddenly collapsed, and Gao Qiqiang in the car looked coldly at his former friend and current opponent, and left coldly.
The other scene is to find An Xinyan in the middle of the night, chatting like two ordinary middle-aged uncles at first, smiling like two children,
Later, there was a tension between you and me, and the tension suddenly overflowed the screen.
The high-level performance is restraint, in this scene, the two masters are not triggered, with very few limbs and expressions to outline the layer, but perform seemingly opposites but actually cut emotions.
Zhang Songwen's embarrassed eyes let the audience understand why Gao Qiqiang got rid of so many people for so many years, but he didn't move An Xin, because he always remembered the box of leek-stuffed dumplings in the detention center's interrogation room Chinese New Year's Eve night that year, his most embarrassing moment. And the little policeman who sat across from him and smiled silly.
The confrontation between Gao Qiqiang and An Xin in "Crazy" is a confrontation between "human feelings" and "rule of law". Gao Qi is strongly motivated by "love"; An Xin, however, "does not tolerate mercy."
Zhang Songwen's wonderful performance added too many points to Gao Qiqiang's character image, and the audience sympathized not with the black boss, but with the degradation of kind human nature.
The highest evaluation of his performance was that netizens said to let the police check the actor well.
The funniest evaluation is that your circle owes Zhang Songwen a movie star. Zhang Songwen's reply was also sober: Chinese movies will never give me awards, because I am acting in a TV series.
Written at the end:
The success of "Crazy" is the product of the right time and place, and this wave of good actors was seen and caught up.
Part of the reason behind this is the cold winter of the film and television industry in recent years. The capital bubble is squeezed, the platform tightens the wallet, will abandon the traffic route, invite a group of cheap and high-quality powerful actors to act, but the result makes the acting quality of the series hard enough that you can't believe it: Are these cheap actors so good at acting?
Without the big stars who are not very good at acting and have a bunch of things outside the play, the main creator can also focus on digging deep into character shaping and consolidating the story.
Bright and plump characters stand up, and dramatic tension naturally grows.
The result is that the three generations of old, middle-aged and young drama bones, any one has something to watch, one game is another, never fooled, and together crochet a vivid and tense group portrait of characters.
Optimistic performances are a kind of enjoyment, because they will not let the audience play, nor will they embarrass the audience, and more importantly, we can see the core of the entire work from the characters they portray, and understand the emotions and meaning of the entire play.
We do not deny the existence of black, but there must be light when there is darkness.
Sweeping away evil is manifested in the form of shining the sword against criminal and evil forces, but the real core is "sweeping" and "eliminating".
Only by essentially cleansing people's hearts can we avoid the "breeding" of another high-spirited villain.
And the essence of the success of "Crazy" is just to return to the root of a good show: wonderful characters and good stories.