People's Network commented on "Crazy", the words are beautiful, and the voice of the majority of the audience is spoken!

Gao opened crazy, Douban rose to 9.0 points, "Crazy" has undoubtedly become the hottest drama at the beginning of 2023.

Anti-black themes, popular genres, all-round strength, and high-energy plots eventually created the success of "Crazy".

People's Daily Comment praised "Crazy Speed", which can be described as a word for words, saying the voice of the vast audience, and even calling out that domestic film and television dramas need more "Crazy" to emerge.

Yes, the more dramas like "Crazy", the better, and for bad dog blood dramas, there is naturally no market, and for the audience, you can also feast your eyes without having to suffer any more.

People's Daily commentators bluntly said that "Crazy" is a realistic work with breadth, depth and strength.

Breadth, depth, intensity, three degrees in one, let it set off a boom in the whole people to watch dramas.

From the perspective of breadth, the time span is large, the group portrait is wide, and there are many topics.

The stories of 2000, 2006 and 2021, spanning more than 20 years, are like a chronicle of anti-gang crime and evil. In such a time span, it depicts government officials, police, businessmen, villagers, drug dealers, unemployed vagrants, ex-prisoners and many other living beings, and many social topics such as protection fees, land requisition and demolition, illegal business, drug trafficking and drug use, and online loans, can be described as directly hitting reality.

Although the time span is large, from the character modeling to the entire scene, props, etc., are quite suitable for the era style of different time periods, especially the entire makeup styling of the two protagonists, each time period is different, not only corresponding to the era, but also corresponding to their respective growth experiences and identity characteristics, and finally the era texture presented by the play is indeed first-class.

From the depth point of view, the character shaping is three-dimensional and rich and full.

As the two protagonists, An Xin and Gao Qiqiang's shaping of good and evil can be described as successful, although this design is routine, but under the interpretation of two powerful actors, it gives the two characters a more brilliant personality charm, this charm is constantly upgraded with the development of the plot, it can be said that the two powerful actors accurately and comprehensively grasp the characteristics of the characters, and only then dedicate the emperor-level performance and truly integrate with the characters.

In particular, Gao Qiqiang, played by Zhang Songwen, slipped from a low-level fishmonger who only promised to an underworld boss who was entrenched, and he was like a fish in water in the power and money network, and he really played this character, and every stage can be described as natural, without a trace of performance. So much so that netizens said, "It is recommended to check Zhang Songwen, it's not like acting." This is not a joke, but the audience is really conquered by Zhang Songwen's performance, free to retract, the reality of life, not face, conceptualization, flattening, but three-dimensional interpretation and shaping, only then deeply rooted in the hearts of the people.

People's Online Review directly said that Gao Qiqiang, played by Zhang Songwen, has become another flesh-and-blood and unforgettable villain in anti-black dramas after Guo Xiaopeng ("Black Ice") and Nie Mingyu ("Black Hole").

Obviously, Gao Qiqiang, played by Zhang Songwen, has become another screen classic villain.

And for An Xin, played by Zhang Yi, as a pure idealist, after being tortured by reality, he has changed from an angular boy with a clear sense of heart to a smooth and cautious middle-aged man with white hair, and he endures alone and waits for the clouds to see the day. Zhang Yi also played steadily as always.

The relationship between An Xin and Gao Qiqiang is also constantly changing, and in the long river of more than 20 years, the relationship between the two has become more delicate and cautious.

Of course, there are group portraits like Li Xiang, Xu Jiang, Gao Qisheng, Lao Mo, Uncle Tai, Chen Shuting and so on are also impressive.

Starting from the logic of human nature, the play depicts the changes of the characters with a large number of credible details and events, which is natural and smooth, and the depth of the characters is truly displayed, rather than floating on the surface and suspended.

From the perspective of strength, we should directly attack reality, dig deep into the root causes of the formation of criminal and evil forces, and then reflect on the structural and institutional problems existing in social development.

An Xin and Gao Qiqiang spanned more than 20 years of confrontation and competition, comprehensively restored and showed the root of their contradictions, revealed the reasons for the formation of underworld and evil forces, and let the audience see not only the problems of individuals, but also the entire society.

An Xin represents a modern legal society, and Gao Qiqiang represents a traditional humanistic society. Their respective evolutions are the result of the continuous collision and development of the two societies. Therefore, their conflict confrontation is not a simple confrontation between police and bandits, but a conflict between the spirit of jurisprudence and the tradition of human feelings in the process of modernization.

Gao Qiqiang's path is obviously different from Xu Jiang, Bai Jiangbo and the like, and this is also created by the evolution and development of the times, so the growth of individuals reflects the reality of the times, and this is also a deeper analysis of the drama's reality strength.

With breadth, depth and strength, the three-in-one "Crazy" respects reality and respects the audience, so it has been welcomed and recognized by the public.

Finally, People's Network commented that the hit of "Crazy" once again confirmed that true realism should have both realistic fur and real flesh and bones, both the description of the picture and the pursuit of the root. In the future, domestic film and television dramas need more "Crazy" to emerge.

Yes, only if there is more "Crazy", then there will be fewer bad dramas, which can not only improve the audience's aesthetics, but also feed back to real society, of course, national dramas will become more and more powerful.