In the early years of watching the TV series "The Great Dye Factory", Chen Shouting confronted foreign insults with a private enterprise, and Japanese businessmen evaluated him, saying that the country was too weak and the individual was too strong, and his tragedy was doomed; this also reminded people of Wang Xifeng in "Dream of the Red Chamber", she was also a strong person in the last days, so her tragedy was also doomed.
Roughly similar to them, there is also the Southern Song Dynasty's Xin Abandoned Disease.
(Portrait of Xin Abandoned Disease in the Memorial)
Xin Zhiyi was also a strong man, he was both intelligent and courageous, all-rounder of literature and martial arts, such a literary and military wizard, but the Gestapo who could rule the country and the martial arts had caught up with the Southern Song Dynasty, an era in which the emperor was meticulous and stealing, dimwitted, and the ministers had to get by and carelessly.
As a result, the ambitious Xin Abandoned Disease was abandoned by the imperial court for a long time, and his life was a life of entanglement and helplessness, so in the "Jiaxuan Words" that are always known for their heroic and unrestrained, we can often read his indignant and depressed emotions, but there are also some words, which are "distressing laughter" and "humor in resentment", such as this "Xijiang Yue Shuxing":
(Word Intent)
Drunk and laughing, he will worry about the work. Recently, I have begun to realize that the books of the ancients are all useless. Last night Matsube got drunk and asked Matsu, "How drunk am I?" Only suspected that the loose movement was going to help, he pushed the loose with his hand: "Go! ”。
"Xi Jiang Yue" is a small order, very short, but the three words of the whole word use the word "drunk", and this "drunk" is all expressed in a relaxed tone, which seems to be light and witty, but in fact, this "drunk" is the drunkenness of the lyricist's "sorrow", not the lyricist's greed, but his need to use drunkenness to forget the reality of the sorrow.
(Feng Zikai modern version of the word intent)
Drunk and laughing, he will worry about the work. Let me live in the drunk, live in the moment, indulge in the laughter of the moment, where there is "sad" work! This tone seems to be relaxed, and behind the ease, in essence, is to express most of his daily situations, is full of "sad" state. Only with the help of drunkenness can "sorrow" be temporarily forgotten! But the lyricist said the opposite: It is good to be drunk, and there is no time to worry. In essence, the more relaxed his words are, the more he expresses the heaviness of his daily melancholy.
Recently, I have begun to realize that the books of the ancients are all useless. Like the previous one, this one is obviously "drunken", but it is not nonsense. Mencius said, "It is better to believe in books than to have no books." This means that reading books should not be stuck to books or superstitious books, because the words in ancient books are also inconsistent with the facts, so they cannot be fully believed. But the writer here turns out a new meaning, in fact, saying that the "most reasonable sayings" in those books often do not work and do not work in the current real situation, so it is better to believe them than not to believe. Such "positive words and counter-talk" is actually his lament of dissatisfaction with the actual situation!
(Ask Song: "How drunk am I")
Last night Matsube got drunk and asked Matsu, "How drunk am I?" Only suspected that the loose movement was going to help, he pushed the loose with his hand: "Go! ”。 At the lower gate, the lyricist recalled a dramatic scene: Last night, I was drunk by the pine tree, actually thought that the pine tree was a person, and talked to the pine tree, asking the pine tree: "How am I drunk?" Seeing the pine branches shaking, he even thought that the pine tree wanted to help himself up, so he pushed the pine tree away with his hand and shouted at the pine tree: "Go! "The lyricist in this scene is cute, and the pine tree is also endowed with human emotions and thinking, which seems to be vivid."
(Push loose with your hand: Go!) ）
This song is titled "Rejuvenation", but in fact it is to express his dissatisfaction with the real society and his own situation through "drunkenness", because only in "drunkenness" can he "greedily" laugh, in reality, he cannot show a smile, just because laughter is rare, "borrowing wine to pour sorrow" shows more realistic pain and suffocation, so the intention of the whole word is to express the sadness and indignation that Huai Cai does not meet and the ambition is difficult to reward, and also shows the character of Geng Jie and Kuangda of the lyricist.
Mr. Hu Yunyi, a modern lexicographer, said in the "Selected Words of Song":
The author said that the ancient people's books were "worthless in their letters", which did not mean that the ancients were thin and denied the meaning of all ancient books, but that they were indignant in response to the fact that there was no right and wrong in politics at that time and the ancients' most reasonable sayings were abandoned. The words are written as drunk and frantic, which are both expressions of dissatisfaction with political reality.
The lyricist was drunk and crazy, and his main theme was to stab the world with literature, and at that time, he had no other choice, but because of this, his witty personality and wonderful writing left us with a naughty and witty lyric, allowing us to see a more real, more three-dimensional, more plump Xin Ren disease.
([Love Tang Song Ci] No. 75, the picture comes from the Internet, the copyright belongs to the original copyright owner)