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Hua Yuhan | wen
After the film and television, "The Wind Rises in Longxi" is very different from the original novel.
Not only are the characters different from the plot design, but even in terms of culture, they also give the "Thirty-Six Plans" such a high-level connotation of martial arts.
However, the author is more or less dissatisfied with such cultural packaging.
Although the easy-to-understand "Thirty-Six Plans" is accompanied by Sun Ling's general summary, the main points and doubts in each episode can be known by most viewers.
But in this way, it loses the essence of the spy drama: to explore puzzles and puzzles.
Of course, just as the Three Kingdoms are the packaging box of "The Wind Rises longxi", "Thirty-six Plans" is just a "gimmick".
Originally a "Thirty-Six Counts" setting per episode, it suddenly accelerated in episode 18.
On the surface, it seems to be to cooperate with the performance of the "serial plan", but in fact, it may be to make up for the gimmick of "Thirty-Six Plans".
In this way, such as "killing people with a knife", "soldiers are not tired of cheating", "drawing salaries from the bottom of the pot", they began to line up to appear together.
Compared with such a hasty appearance, The Great General Guo Huai on the Cao Wei side showed an ancient rhyme and slow walking.
Compared with Sun Ling's easy-to-understand "Thirty-Six Plans", Guo Huai seems to prefer Sun Tzu's "Art of War" in the Spring and Autumn Period.
When he talked to Guo Gang about the "Qingping Plan" and Chen Gong, he once said to Guo Gang: "Soldiers are impermanent, and water is impermanent. ”
These two sentences come from the last paragraph of the "Virtual Reality Chapter" in "Sun Tzu's Art of War", and the original text is as follows:
"The image of the soldier is water, the shape of water, avoiding the high and falling, the shape of the soldier, avoiding the real and striking the virtual." Water flows according to the ground, and soldiers win because of the enemy. Therefore, soldiers are impermanent, and water is impermanent. He who can win by the change of the enemy is called a god. Therefore, the five elements are impermanent, the four hours are impermanent, the days are short and long, and the months are dead and alive. ”
We must not underestimate Guo Huai's seemingly unintentional words, coupled with what he said later, "The most difficult to break through is the human heart, and the most powerful weapon is also the human heart." "Let's take a look.
Guo Huai in "The Wind Rises in Longxi" is no less than Guo Huai in "Romance of the Three Kingdoms".
His proficiency in the art of war is definitely not comparable to that of Sun Ling,000 who commented on the Thirty-Six Plans at the end.
From the perspective of the art of war and actual combat, the meaning of the two sentences alone, "The impermanence of soldiers, the impermanence of water", is actually very thin.
But if you look at and read the context together, it will be different.
And this is also one of the reasons why Guo Huai would preach: "The most difficult to break through is the human heart, and the most powerful weapon is also the human heart."
Just as the so-called "water is controlled by the ground, and the soldiers are victorious by the enemy", both are the same reason.
That is to say, everything should not be forced or hard, but should be judged and adjusted to the ups and downs of the terrain and the movement of the enemy.
Leaving aside whether Chen Gong is really anti-water, and whether Feng Bingzhen is higher than Guo Huaiqi, let alone talk about it.
In terms of Guo Huai's understanding of the "virtual reality" alone, he almost perfectly confirmed the conclusion that "those who can win due to the change of the enemy are called gods".
After discovering that Chen Gong was a spy of the Shu Han Dynasty, Guo Huai showed Chen Gong all the information exchanges between himself and Feng Yi for many years.
Not only did he not move chen gong with a hint of punishment or a little inducement, but only in the form of "water, avoiding heights and moving down, soldiers in the form of soldiers, avoiding the real and striking the virtual".
He encouraged Chen Gong to be used by Guo Huai, and also planted a firm belief in his heart that "Feng Bing must die".
It can be said that after Guo Huai issued the second instruction to Chen Gong, Chen Gong's behavior almost completely confirmed the content of these last few words:
"The five elements are impermanent, the four hours are impermanent, the days are short and long, and the moon is dead and alive"
Originally thought that the five elements of Xiangke were fixed and unchanging, who could have predicted that Gao Tangbing, the "Candle Dragon", would be replaced by the "White Emperor"?
And such a result not only breaks the inherent law of the five elements, but also shows the deepest meaning of "the moon has life and death".
Gao Tangbing, who eventually died of death, was like the "shengba" when the moon turned from obscurity to light.
Chen Gong, who has become the next generation of "candle dragons", is more like the "death bully" when the moon turns from light to obscurity.
It can be said that the "virtual reality" in "Sun Tzu's Art of War" almost completely interprets the lives of those wandering lords and managers of various divisions in "The Wind Rises in Longxi".
Every step of their action and plan is confirmed by this false reality.
And such an interpretation and confirmation, compared with the easy-to-understand "Thirty-Six Plans", does it have a more powerful attraction?
Just like Guo Huai said, "The most difficult thing to break is the human heart, and the most powerful weapon is also the human heart."
This sentence seems to be a sentence that everyone understands and understands.
It seems simple and clear, but it has more and deeper meaning interpretations.
And the interpretation and understanding of these only words is really much more interesting than listening to Sun Ling summarize the plot.
Perhaps it would be more interesting and more meaningful to let Guo Huai replace Sun Ling and interpret or quote a passage of "Sun Tzu's Art of War" at the end of each episode.
As the "four impermanences" refer to, even if Sun Ling is good and the backstage is hard, there should be a four-season alternation, right?
I don't know if Sun Ling is just an in-law under the protection of Feng Bing? Or does it have a deeper identity?
Past wonderful: Is the adaptation of "The Wind Rises longxi" the original intention of Ma Boyong? Only 36 of the 24 counts remain!
(Remember to pay attention to "Hua YuHan" after reading "Oh!) Image from the web! ）