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The geese and ducks do not know the end of spring, scrambling to take advantage of the peach blossoms with the flowing water, and the three ancient poems wish that the spring light will not be disappointed, and the four seasons will be unharmed

The light and shadow are gone, and the years are hurried, taking us into a prosperous scene and sending away a lonely place.

Falling red dots, light melancholy cuts, the long river of years, flowing with ancient memories.

Clouds and smoke soak the willows, drizzle wets the fallen flowers, and the cloister of the seasons sways with the afterglow of spring.

The past is not sad, the rest of life does not hurt the spring, in the ancient poems to say goodbye to spring.

The geese and ducks do not know the end of spring, scrambling to take advantage of the peach blossoms with the flowing water, and the three ancient poems wish that the spring light will not be disappointed, and the four seasons will be unharmed

1. Tang Dynasty Qian Qi's "Late Spring Returns to the Old Mountain Caotang"

Taniguchi spring remnant yellow birds are rare, Xinyi flowers fly as many apricot blossoms as possible.

First pity under the window of the bamboo mountain, do not change the yin to wait for me to return.

The poet Qian Qi was one of the "Ten Talents of the Great Calendar", along with another poet, Lang Shiyuan, who was praised by the people of the time as "before there was Shen Song, and after there was Qian Lang".

However, Qian Qi himself was quite dismissive of this, and even once said that "Lang Shiyuan and Yu were also called".

Although it is a bit arrogant, judging from the works that have been handed down, Qian Qi is indeed better than Lang Shiyuan.

The theme of his poems is mostly landscape and pastoral, gifts and socialization, fluent language, gentle rhythm, elegant style, this song "Late Spring Return to the Old Mountain Caotang" can well reflect his poetic style.

The first two sentences of the poem are pointed out, the yellow birds are rare, the Xinyi flowers are exhausted, the apricot blossoms are flying, and a few strokes are outlined, which depicts the scene of the withered and empty remnant spring as if it were in the present.

The last two sentences turn sharply, and the picture cuts to the window, only to see the lush and lush bamboo, a vibrant scene, which is in stark contrast to Taniguchi.

Judging from the whole poem, it is not carved, it is integrated into the scene, and the words and lines vaguely reveal the poet's noble sentiments that are not flowing in the world, which is intended to be outside the words, implicit but not revealed, and people cannot enjoy it endlessly.

The wind rises and falls, and in the scenery of the season, there is an immortal feeling.

There is beauty in front of the eyes, poetry in the distance, the cycle of seasons, and endless life.

The geese and ducks do not know the end of spring, scrambling to take advantage of the peach blossoms with the flowing water, and the three ancient poems wish that the spring light will not be disappointed, and the four seasons will be unharmed

2. Song Dynasty Chao Chongzhi's "Spring Day Two Songs, Part II"

Yin Yin Creek meandered green, and light rain turned over the shallow sand.

The geese and ducks do not know the end of spring, and compete with the flowing water to take advantage of the peach blossoms.

The author of this poem, Chao Chongzhi, may not be familiar to everyone, but the more famous one is his cousin Chao Shuzhi, who is collectively known as the "Four Bachelors of Sumen" with Qin Guan Huang Tingjian and others.

In fact, not only Chao Zhizhi, but also Chao Zhizhi and Chao Yongzhi, including Chao Chongzhi himself are famous literary scholars, and the Chao clan was also a famous family at that time.

Chao Chongzhi studied under Chen Shidao in his early years and was one of the representative poets of the Jiangxi School of Poetry, and the Southern Song Dynasty poet Liu Kezhuang greatly admired him, once praising him for "having a broad degree of intention, a generous strength, and a wash of the poet's poor, hungry and bitter state."

This poem "Spring Day Two Songs , The Second Song" is his masterpiece, through the superposition of several images, the scene of late spring is depicted beautifully and flexibly, which is intoxicating to read.

The first sentence of the poem points out the location of the environment- the meandering stream, the green grass, which suddenly absorbs the reader into a vibrant atmosphere.

Then the second sentence depicts a GIF of the rain hitting duckweed, which is full of picture sense.

Immediately after that, the next two sentences introduced a shot of peach blossoms floating in the air, and geese and ducks playing in the water.

The whole poem ends here, but the beautiful picture, and the faint spring sorrow between the lines, are endlessly evocative.

The song meets the years, it is the sorrow of the old and the old; the falling flowers meet the flowing water, which is the poetry of a lifetime.

Carry a ray of sunshine, twist a wisp of flower fragrance, lean on the flow of the year, in the cycle of seasons, waiting for a peach blossom-burning reunion.

The geese and ducks do not know the end of spring, scrambling to take advantage of the peach blossoms with the flowing water, and the three ancient poems wish that the spring light will not be disappointed, and the four seasons will be unharmed

3. Ming Dynasty Gao Qi's "Spring Twilight West Garden"

The green pond is full of clear waves, and the spring colors are passing through the rain.

I know that people have run out of flowers, and there are many butterflies today.

Gao Qi was a famous poet in the early years of the Ming Dynasty, and the Qing dynasty Ji Yun once praised him as "a genius Gao Yi, who is really above the poets of the Ming dynasty".

He lived in seclusion in the mountains for a long time, leaving many pastoral works, either depicting peasant life or praising pastoral scenery.

This poem "Spring Twilight West Garden" is a representative of this, depicting a fresh and bright picture of twilight spring and expressing the poet's love for pastoral life.

The first sentence of the poem also describes the place and environment, the pond full of spring water, reflecting the clear sky, surrounded by herbs, a picture of vitality.

The second sentence that follows points out the seasonal characteristics of the rainy twilight spring.

The third sentence depicts the scene of falling flowers and withering, which is also in line with the seasonal characteristics of late spring.

In the last sentence, the poet did not follow the falling flowers to express the sad spring sorrows, but opened a stroke and introduced a shot of butterflies flying.

The whole poem begins and turns, round and smooth, a reflection of the mood of spring, optimistic and free, and the poet's love for natural landscapes can be seen here.

The geese and ducks do not know the end of spring, scrambling to take advantage of the peach blossoms with the flowing water, and the three ancient poems wish that the spring light will not be disappointed, and the four seasons will be unharmed

A dream is prosperous, a night is spent, a sleeve of fresh wind, listen to a pool of rain, save a period of time.

In the flowers of Shan Shan, quietly observe the flow of years; in the vast greenery, sniff the time.

In the corridor of the seasons, a piece of paper is flowing by.

Those scorching flowers, the spring water, one by one, and one by one, the curtain fell.

The flow of years into poetry, time into the painting, on the scroll, there is a shadow of a falling flower, a curtain of smoke and rain mist, but also a river of grass greenery.

"The geese and ducks do not know the end of spring, and strive to take advantage of the peach blossoms with the flowing water", three ancient poems, may the spring light not fail, and the four seasons are unharmed.

-END-

Author: Relief poems

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