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——【Foreword·】 ——»
Wang Lei, the vivid interpreter of Li Yannian in "Meritorious", his resounding words when receiving the award were like a sharp artistic sword, hitting the depths of his heart.
The belief that "Beijing Renyi Opera is bigger than the sky" is imprinted in every time he portrays his role, and his professionalism and noble character let people see the power of real performing arts.
At that moment, it was not only the warm applause on the stage, but also the tribute of the entire industry to pure love and professionalism. In this impetuous era, Wang Lei told us with practical actions what is the truly respectable path of glory.
In addition to actors like him who respect art, there are also several actors who have been labeled as "bastards" by the audience.
——【White Deer,】 ——»
In "Love as the Camp", Zheng Shuyi's actor Bai Lu is under severe public opinion pressure.
People's Entertainment criticized by name, film and television bloggers complained about team building, and fans of the original book sighed that the drama version was smashed. As a result, Bailu was labeled as a "drama bastard", which aroused widespread attention and discussion inside and outside the industry.
In fact, whether it is Zheng Shuyi, Li Susu or Jiang Xuening, they are all endowed with peerless beauty in the original work, and they are top beauties who can fascinate people at the top and make mortals crazy at the bottom.
This kind of exaggerated image setting is common in romance novels, but it is not easy to reproduce it perfectly in stage plays or film and television productions.
Smart actors often make trade-offs according to their own conditions, and young girls like Tan Songyun and Yu Shuxin choose to play the role of a small jasper to avoid over-exaggerating the problem of appearance.
However, Bailu has clearly made another choice.
Not only did she not ask the crew to reduce the exaggerated description of the character's appearance in the original book, but accepted and cooperated with this extreme shaping throughout the process.
Including the plot setting that is admired by all the male characters in the play, and even female audiences will be "blinded" by her appearance when they see her.
Therefore, Bailu's acting skills have also been widely questioned and criticized in "Love as the Camp".
——【·Liu Tao】——»
As a first-line actress in the mainland, Liu Tao was at the peak of her career with works such as "The Good Wife" and was regarded as a "goddess" by the audience.
However, shortly after the glory, her acting career fell into a trough.
This turning point can be traced back to "Langya Bang" in 2016, when her performance began to be criticized and criticized.
Later, in the 2019 film "Armageddon" directed by Gao Xixi, she played the role of Madame Jiang, which led to a lot of scolding, and was accused of "lacking charm" and "lacking inner strength".
Since then, there have been more and more criticisms and doubts about her from the outside world, and she was finally labeled as a "drama bastard" in the field of public opinion.
What went wrong with Liu Tao along the way? The audience's dissatisfaction with her mainly stems from the fact that her acting skills have not broken through and improved for a long time.
She relies too much on some external expressions in her works, such as staring and frowning, resulting in a thin and stiff emotional expression, lacking core and thickness.
For example, in the hit dramas "County Party Committee Compound" and "Dawn of the East", her performance was expressionless and tired.
Going back to the 2017 "Ode to Joy" series, her performance also received a lot of complaints, and she was considered to have wooden lines and distorted emotions.
The reason for this situation is, on the one hand, that Liu Tao has paid too much attention to commercial operation for a long time, and frequently crosses variety shows, sketches and even the Spring Festival Gala, which makes her preparation and investment in each role insufficient.
On the other hand, she has been immersed in commercial activities such as live streaming for a long time, while neglecting the refinement and attention to her acting skills, which eventually made her performance appear aesthetic fatigue and stereotyped rigidity.
——【Jiang Shuying·】——»
The TV series "Sweeping the Black Storm" has attracted widespread attention.
The series is star-studded, with the proud performances of powerful actors such as Sun Honglei, Liu Yijun and Wang Zhifei, as well as the growth of a new generation of actors such as Zhang Yixing.
However, a character in the play has sparked heated discussions - Huang Xi, a brave female reporter played by Jiang Shuying.
Although Jiang Shuying is dressed as a reporter and seems to be righteous and awe-inspiring on the surface, the existence of this character does not seem to add much value to the plot.
Netizens generally believe that even if all Huang Xi's scenes are deleted, it will not have a substantial impact on the overall plot development.
This evaluation reflects two levels of problems: on the one hand, the character setting and the plot are not organically integrated, and on the other hand, the actors' acting skills cannot give the characters enough attraction and appeal.
Film critic Zhao Wei is even more outspoken, thinking that Jiang Shuying's performance in "Sweeping the Black Storm" is like a "wooden actor", interpreting the role of a lady into the appearance of a girl.
Although this sharp comment is a little exaggerated, it also reflects Jiang Shuying's acting skills in this drama from the side.
However, Jiang Shuying's career did not stop there.
The urban drama "Thirty Only" starring her has achieved good results, but she has once again fallen into an embarrassing situation at the award-winning level.
The play shined in the Magnolia Awards, with nursery rhymes and Mao Xiaotong nominated for Best Actress and Best Supporting Actress respectively, and even small roles like Li Zefeng were shortlisted for Best Supporting Actor.
Only the heroine Jiang Shuying found nothing, which contradicted the status of the protagonist.
In another costume drama "Qingping Le", Jiang Shuying played the restrained and dignified Queen Cao, but in the end, the award was missed by her, but the supporting actress was shortlisted for the Magnolia Award. These results undoubtedly make people question Jiang Shuying's acting ability.
However, as a diligent and studious actor, Jiang Shuying was not discouraged, but continued to work hard to find opportunities to break through herself.
She tried the role of a bold and resolute female reporter in "Anti-Black Storm", but the audience's response was mediocre, and the complaints were still endless. Jiang Shuying, who is nearly 40 years old, is aware of the crisis she is facing, and it has become a top priority to seek suitable roles that can prove herself.
It's a pity that Jiang Shuying and the pompous and contrived "Lady's Law" encountered Waterloo. This script should show the struggle of independent women in the workplace, but it has become a clichéd emotional plot.
The blunt sister-brother love plot in the play dragged down the overall quality.
In this drama, Jiang Shuying's acting skills not only did not break through, but regressed slightly, becoming a "marionette" at the mercy of the choreographer and director.
——【·Summary·】——»
We can deeply understand that in this ever-changing entertainment world, the true artistic value and the audience's expectations are always the yardstick to measure the success of actors.
So, in the face of doubts and challenges, will those stars who have once attracted much attention but fallen into the bottleneck of acting skills heed the call of their hearts, choose to return to their original intentions, and use their exquisite skills to reshape the public's good impression of them?
This is undoubtedly a difficult metamorphosis about professional honor and personal growth.
There is still a long way to go, and it will be interesting to see how their choice between light and shadow will affect their own development trajectory and the direction of the entire industry.
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