Bo Yu, the number of the trumpet has a mingtang. Professor of the School of Painting of Chinese Min University, national first-class artist, member of the China Artists Association, professor of Rongbaozhai Painting Institute, director of Bo yan art museum.
The first artist in China to be approved by a national financial institution and approved a pledge loan for his works.
His paintings have participated in many national art exhibitions. In November 2019, he held a large-scale exhibition of his paintings in the Forbidden City in Beijing, and was also the fifth artist in China to hold an exhibition in the Forbidden City, which caused a sensation in the national art and collection circles. It has been identified by the academic community as the most contemporary Chinese freehand flower and bird painting figure. He has held more than 50 solo exhibitions at home and abroad, and published many personal works.
Located in Songzhuang, Beijing, Bo Yan Art Museum is a private art museum with exhibition halls, studios, seminar rooms and multi-functional halls of more than 5,000 square meters.
Freehand flower and bird painting advocates poetic pleasure, interest is naturally inseparable from the description of imagery, the most important thing is the painter's emotional transfer, the scene blends, the material and I forget, the reflection is also the literati's living realm, simple, simple, natural, and rich in exquisite imagination space, is the eternal hometown of the literati's spiritual world! The freehand sketches are even more condensed with the inner feelings reflected in the spiritual world of the literati and inkers!
Bo Yu's flower and bird sketches pay attention to theory, the view is moving, the painter attaches importance to observing the shape and appearance of flowers and birds in the natural state and life habits, his sketches do not seek fine work, the pen and ink image pursues vivid and wild fun, the painting style is rich and elegant, and it is easy to be elegant and elegant. The painting technique is meticulously cleaned up with large brushstrokes and ink, and the image art is exaggerated and real, vivid and vivid, full of fun and wild interest. That is, there is Wu Changshuo's golden stone taste, there is also Qi Baishi's childlike natural interest, the grandeur of Qingteng, the spirit show of Baiyang, the eight wonders, the changeability of Shi Tao, and the gathering of all the leaders!
Bo Yu's flowers and birds are simple and simple, combined with work and writing, exhaustive of natural objects, rigorous and realistic, condensed spirit, often a selfless spiritual world in which things and I forget both and are free and unrestrained.
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