On April 29, "Fission - The Global Wave of Digital Art" landed in Halls 6 and 7 of Guibo, and the exhibition will last until August 31. During the four-month exhibition, we will experience a "fission" related to modern digital art and the metacosm in the museum of "old things".
"Fission : The Global wave of digital art" landed in Guibo
This is an international exhibition held in a national first-class museum – this time, Guibo is playing a bit "big".
"This is not only the first time for the Guizhou Provincial Museum, but also the first international digital art exhibition held in Guizhou." Li Fei, director of the Guizhou Provincial Museum and curator of the exhibition, told reporters that the exhibition brings together 54 works by 44 artists, starting from the concept and method of global digital art, and integrating academic, public and international digital art exhibitions.
In the "Antiquities Rebirth" unit, the cultural relics excavated in Guizhou are explained
Global, international, first-time, digital art, exhibition. When these words are combined and practiced into the exhibition, what does Guibo want to convey to the audience?
"We hope that by continuing to build a borderless museum, the audience can see the power of museums." Li Fei revealed that the theme of The 2022 International Museum Day is "The Power of Museums", and this digital art exhibition is also bringing together the strength of all parties around the world while releasing the power of museums.
The artist's "Ring" based on the theme of "Journey to the Creek and Mountains"
This is an exhibition held at the museum, without artifacts – this time, Guibo is playing a little "strange".
In terms of area, the 2200-square-meter exhibition hall is the largest temporary exhibition in the history of Guibo; from the perspective of the exhibited items, this is an exhibition without cultural relics and emphasizes the sense of audiovisual impact.
"Spring Feast" recreates natural objects with virtual images
For museum docents who are good at telling historical relics, from figurative cultural relics to abstract digital art, from physical objects to virtual explanations, this exhibition explanation is not only an attempt, but also a breakthrough.
"In the 60-minute lecture, we guide the audience to feel the 'fission' from technology, archaeology, ancient art, and digital art." Guibo docent Song Man introduced that the exhibition is divided into four units: "antiquities rebirth, post-life intention, synthetic human world, and algorithmic images", which have cross-border collisions of art, archaeology and digital, as well as the fusion of artists and cultural scholars, "This is a casual experience carried out in the museum and brought by the borderless." ”
Digital artwork created against the backdrop of Song ha Mang Waterfall "Light Reborn in 2019 - Song Han Mang Waterfall"
"From the Paleolithic age, the New Age, to the Bronze Age, the Iron Age, the Steam Engine Age, and to today's digital technology era, the speed of human progress is getting faster and faster, and the cycle of era change is getting shorter and shorter, and museums whose responsibility is to record and preserve historical memories should pay close attention to the current social upheavals." In this regard, Xu Tianjin, a professor at the School of Archaeology and Archaeology of Peking University, believes that when major museums in China use digital technology and digital art as auxiliary means for various exhibitions, Guibo holds a special digital art exhibition, which is a bold attempt to walk in front of national museums.
Create an immersive digital art immersion exhibition – this time, Guibo is playing a bit of a "tide".
Interdisciplinary, interdisciplinary, and cross-media new media art project Sakya
Among the 54 digital artworks in this exhibition, there are not only painting installations, digital art animation, concept photography, but also interactive experiences such as video installations and power devices, allowing the audience to experience the interactive experience of digital and history, cultural relics, ruins, ancient art, biology and the universe.
Digital technology is an important means of enhancing the accessibility of museums, and digital innovation will also make museums more accessible and engaged. As a paid exhibition, is the public willing to integrate the museum into the metacosm and "pay" for digital art? In this regard, Jiang Zhao, deputy director of guibo cultural and creative department and director of cultural and creative work of this exhibition, believes that this is not only a major attempt to build a "digital trend museum in the new era", but also reshapes the mode and form of the cultural tourism industry.
On the day of the launch, the international forum "The Wave and Practice of Globalization of Digital Art" was conducted in an online + offline manner
"The museum will no longer be just a place to collect and display cultural relics, it will be integrated into public life. Digital art represents the future, and digital art will also become a cultural relic and a major carrier of the era of interpretation. Jiang Zhao said.
How will you see and understand a metacosmic "fission"? In the next 4 months, if you go to the Guizhou Provincial Museum, you may wish to go to "Fission - The Wave of Globalization of Digital Art" to get a look at the "fission" power of digital art!
Reporter: Ying Teng
First Instance: Guo Qiulei
Second instance: Tian Yulin
Third Trial: Zhang Chao