The traditional art of Chinese painting has a strong national aesthetic interest, and is the most typical and far-reaching symbolic language in Chinese history and culture. And a carefully curated exhibition, that is, an emotional habitat of urban life and spiritual world, pacing here, the fragrance of ink, in the bustling, you can enjoy a moment of clarity. Undertaking the content of the previous issue, this issue will continue to share the second part of the exhibits of "Tiggo You'an - 2022 Chinese New Year Exhibition" exhibited by the National Museum.
Shi Feng Xiang Chun
In the aesthetics of Chinese landscape culture, on the one hand, pen and ink is the basic language for constructing situations and artistic conceptions, on the other hand, pen and ink itself has its own unique aesthetics and meanings. His handwriting can be one of thousands of lines, which constitutes the artistic conception of the wild and desolate mountains and forests, or it can be a gentle loop, a plain and natural independent line, and an independent expression of the artist's heart.
- Shi Feng
Shifeng - When the spring rain is sunny, the mountain light is smoky. Gauke's poetic intent
Stone peak - four sides of the layer of springs, three thousand feet of green flying. Weng Fanggang's poetic intent
The xiangchun landscape paintings have been inherited from generation to generation and have become the thickest accumulation in the Chinese's feelings. Through the thick and light laying out of colors, the painter looks for the basic laws of the operation of things in the natural world, and explores the beauty of the halo and lines in it, and combines this beauty with the feelings in the painter's heart, reaching the ideal realm of man and heaven. The auspicious meaning contained in these paintings is also the eternal theme in the thinking of the Chinese nation.
Shi Feng - Song Yin Wan
Shi Feng, a native of Shandong. He is now a professional painter of the National Museum of China Calligraphy and Painting Academy, a national first-class artist, a director of the China Artists Association, a researcher of the Chinese Academy of Painting of the China Academy of Arts, a founding director of the Chinese Painting Society, a researcher of the Calligraphy and Painting Institute of the Central Museum of Culture and History, a director of the China Friendship Promotion Association, and an expert of the National Art Fund Review Committee.
His representative works include the Ink Landscape Series, such as "Rain Over Autumn Light Reflecting Cuiwei" (2011), Green Landscape Series, such as "Ande in the Picture" (2021), "Kelu Qingshan Clouds Endless" (2021), "Huang Yue Xiaoyun" (2021) and so on.
Stone peak - the mound in the chest
Chinese landscape painting has its own independence, it uses its own unique way of understanding to represent things in nature and reflect various scenes in life. The towering peaks in the paintings are often simple and powerful, full of a sense of weight. Complex convexities, condensed curved paths, complete forms like an imaged meditative world. Although the scenery in the painting stems from the observation of nature, on the whole, everything in the painting is the ideal that transcends reality. In landscape painting, the feelings that Chinese placed far beyond time and space, and are expressed through the figurative objects in the paintings, sometimes clear, sometimes ethereal, thousands of artistic conceptions, only in square inches.
Teacher Shi Feng's works are deeply felt by the wind and rain of the times in ancient times. Wind and rain can sweep away the decay and destroy the delicate, and the majestic green mountains and beautiful waters, instead of breaking and drying up, have become more and more brilliant and beautiful in the baptism of ancient and modern times- the ink is intended, and the wind and rain are at length.
Shi Feng - An Zhi Qing flow, even with the front mountain communication. Wang Weishi's intentions
Zhao Jianjun Qingjing
As the most solemn traditional festival of the Chinese nation and the deepest cultural resonance of the sons and daughters of China, the Spring Festival carries historical folklore and also embodies the feelings of home and country, which is not only a ritual for entering the new and changing the past, but also a belonging of emotional habitat. As the beginning of the New Year, the "Spring Festival" not only heralds the restart of the season and the return of etiquette, but also contains respect for the ancestors and the expectation of reunion, which is the biggest "sense of ceremony" inherited by the Chinese heart.
Zhao Jianjun - Chun Xi Tu
Zhao Jianjun - Di Yun
Art is the artist's contemplation and contemplation of all things in nature, and it is the fruit of wisdom in the process of obtaining spiritual pleasure. The artist regards the "objectified" nature as a friend and confidant of human beings, and grasps the beauty of nature with the beauty of human nature. In the secret realm of the next world, life blooms, carefree children, unrestrained reverie, in the pure world, spring glow and flute rhyme, the sound of the tiger roar and call out thousands of blessings.
Zhao Jianjun - Clean World
Zhao Jianjun - Xiyuan Tiger Howling Map
Zhao Jianjun, a native of Xinxian County, Liaocheng, Shandong, graduated from the Art Department of Shandong Normal University. He is a member of the China Artists Association, a distinguished professor of the Academy of Painting of Chinese Min University, and is currently working at the Research and Creation Center of Calligraphy and Painting Art of the National Museum of China.
Zhao Jianjun's works have a sense of condensation that washes away the lead, and the calm and quiet in the paintings is far-reaching, and there is a sense of being far away from the hustle and bustle. The so-called "foreign teacher creation, the source of the heart", the gentle trickle of the mountain stream, is not only reflected in the relaxed brush and ink blending, but also in the painter's artistic characteristics of "object image" and "heart image".
Zhao Jianjun - Fushoutu
Xiong Guangqin Jingfang
One of the great functions of art is to soothe people's hearts and settle people's souls. As a painter, in fact, it is composed of two parts: first of all, he is a craftsman, that is, a person engaged in metaphysical labor; at the same time, he is a poet - a poet with a poetic heart, a thinker, a cultural person, that is, a metaphysical person.
——Xiong Guangqin
Xiong Guangqin - one of the Purple Qiao condensation smoke
Xiong Guangqin - Purple Qiao Condensed Smoke No. 2
The word "flowers and birds" in Chinese painting represents a vivid world of colors, where feathers and leaves, beautiful flowers and leaves, sound around the ears, branches into the heart, in between there is a kind of nobility or tranquility, suspended in the painting, waiting for people to pick. Although the flower and bird paintings of many contemporary painters inherit the ancient meaning, they are not attached to the ancient meaning, they often from the pen and ink, in the soothing rhythm slowly release a kind of self-confidence that echoes the times, in the quiet, natural fragrance.
Xiong Guangqin graduated from the Central American Academy of Chinese Painting and the Chinese Painting Department of the China Academy of Art, with a master's degree in flower and bird painting. He is now a full-time painter at the National Museum of China, a first-class artist, a member of the China Artists Association, and a distinguished professor of the School of Painting of Chinese Min University.
Xiong Guangqin - Purple Qiao Condensed Smoke No. 3
Xiong Guangqin is like a bud that blooms quietly on a traditional branch, she follows the rhythm of her life, and pursues more personality symbolism and spirituality in her description of natural objects. Her pen is loose and rhythmic, and the elegant pictures not only have a strong national style, but also have a little quiet and beautiful modern meaning in the simplicity.
Xiong Guangqin - Purple Qiao Condensed Smoke No. 4
The breath of spring lies in recording, but also in creation, which is just like the root of painting stands in pen and ink, and it is more in the heart. So far, all the Chinese painting exhibits in this exhibition have been shared, and in the next issue, we will present more cultural relics, utensils, calligraphy and other exhibits to understand the whole picture of the exhibition in more detail.
Tiggo You'an - 2022 National Expo New Year Exhibition, we will meet again in the next issue.
Eye Art Chronicles Part 911 is an artistic gift dedicated to life. If you need to reprint, please obtain authorization first, and please indicate the source after reprinting
Text Writing: Eye Edge Art Zhi