Chen Zizhuang is a famous landscape painter, and his works are very distinctive, even if it is impossible to describe his style in professional words, there is a distinct intuitive impression. For painters, characteristics are very important, otherwise they cannot stand in the painting world. With characteristics, there is style, and you can realize your own artistic propositions. Chen Zizhuang read books and painted, brushed and inked vertically, studied painting theory, observed the landscape of Shuzhong, and stepped into the realm of plain innocence and happiness.
For painters of the Shifa tradition, it is so difficult to be able to go to Chen Zizhuang. Forget the knowledge learned, and then get nutrients from daily sketching, break and stand up, and extract an artistic language full of personality. The shape is simple and heavy, the pen and ink are simple and more casual, and the picture is operated by the Pingyuan method in the traditional composition, which is very rich in regional characteristics. By depicting the landscape of his hometown and establishing his personal style, he has an inexhaustible source of creation, helping him to be invincible on the road of artistic creation.
Chen Zizhuang is a native of Yongchuan, Chongqing, and his life was difficult and unknown during his lifetime. It was not until the late 1980s, when the art museum held the "Exhibition of Chen Zizhuang's Remains", that people knew that the works of famous artists in Shuzhong were so wonderful. Unfortunately, his legacy is limited, making it impossible to fully understand his achievements.
This style of simplicity and clumsiness has been traced in the works of the ancients. The works of the Bada Shanren in the late Ming and early Qing dynasties can be seen in this kind of playfulness. In modern times, the freehand techniques of the famous Artists of the Hai School have allowed him to see the natural beauty contained in the simplicity. Seemingly unremarkable, the more tasteful the more tasteful, thanks to the use of pen casual, in one go. Chen Zizhuang is far away in Shuzhong, he has always remained sober in his creation, he knows what kind of style is the rare style in the painting world, and he also knows what style can impress more people.
Jane, not just simple, but simply means far away. Chen Zizhuang's landscape paintings look very relaxed, without the momentum of the sword, without the majesty that overwhelms people, only the satisfaction of nourishing the heart. Because it is vivid, it looks intimate. Because it is concise, it looks more powerful.
Clumsy, not only rustic, but also has a wonderful meaning. He uses traditional techniques to express new ideas, borrowing from the past to open up the present, as well as the past and the present. Chen Zizhuang's works seem inconspicuous, and after reading a few paintings, you will find that there is no sense of similarity. Whether it is shape, pen and ink, or even color, each painting is an independent individual. Without repeating it, he can walk alone in the painting world with this alone. Don't repeat it, because he found the secret of simplicity and clumsiness, doing it casually, without rules.
Some people commented on Chen Zizhuang's landscape paintings, "intended to be outside the painting." Meaning is the aura, aura, and artistic conception pursued by the painter, and the meaning is not impossible to capture. Chen Zizhuang uses his works to tell the world how to express "intention".
Some people also use the word "rebellious" to evaluate his paintings. Chen Zizhuang attaches great importance to subjective feelings, and he paints the objective world that he understands. This sentence is a bit awkward, in other words, everyone is familiar with the idea that he used Shi Tao's concept particularly thoroughly, and he used his method to paint natural landscapes.
After chen zizhuang's works were appreciated, there was a different feeling. The art world especially needs this kind of difference and style diversification in order to promote the development of art. Similarity and repetition are obstacles in creation, and only by stepping out of the comfort zone can we have a bigger stage.