Hu Zhufeng's new work "Under the Pavilion of Xizi" was published, writing the beauty of the times and life with the spirit of traditional Chinese

Recently, the well-known writer Hu Zhufeng's new collection of essays "Under the Pavilion of Xizi" was published by Hunan Literature and Art Publishing House, which is a new collection of works after the author's "Chinese Article".

According to the publisher, "Under the Pavilion of Xizi" has a total of 250,000 words, which is a prose masterpiece that inherits the traditional Chinese context, continues the traditional Chinese aesthetics, and writes the beauty of the earth, the beauty of life and the beauty of the people in the new era in elegant Chinese.

Hu Zhufeng said that the "pity" of "Under the Pavilion of The Words of Regret" is reverence, solemnity, and cherishing, and is devout in heart. "Whether it is writing about antiquities, writing about hometowns, writing about food, or writing about mountains and rivers, writing operas, after all, they are the kind, lovely, and affectionate Chinese people behind these things."

Inherit the Chinese context and write the beauty of the times

The content of the whole book is divided into five series, the first series writes about the beauty of antiquities, the second series writes about rural customs, the third series writes about the taste of the world, the fourth series writes about the mountains and rivers, and the fifth series writes about the inheritance of emblem plays. Among the antiquities are calligraphy and paintings, scrolls, ancient rings, copper seals, Yantai, old tea, etc., rural memories include buffalo, bamboo forests, peach butterflies, golden chickens, peonies, pear blossoms, etc., taste articles include lettuce, pea paste, muffin cakes, dried radish, burnt cakes, etc., mountains and rivers depict climbing the building, watching snow, watching the rain, illuminating the sun, etc., emblem plays outlined with 傩, zizi, two strings, playing eye lian, huangmei play, pendant play, peace play, etc., ink danqing, rural people's home, grass and wood insects and fish, pear garden drama, sage and philosophical interest, heaven and earth home country, all of which are handy by the author. Written into this collection.

"The overall writing of "Xizi Pavilion" is the author's vivid practice of inheriting the Chinese context and Chinese aesthetic tradition, and the chapters such as Yunshen, Su Nian, HuanXi, Diqi, Peach Butterfly Dove and Others, Wild Vegetables of the Hometown, and Xizi Pavilion exude a traditional aesthetic temperament from every word to every sentence."

According to the publisher, the beauty of the people standing above the earth and the times is written in elegant Chinese, which is where the book is full of color. Whether it is writing about antiquities, writing about hometowns, writing about food, or writing about mountains and rivers, writing operas, after all, they are the kind, lovely, and affectionate Chinese people behind these things. "Cow Memories" and "Book of sheep" write about the interdependence of people and cattle, "The Story of the Bamboo Forest" and "Wild Vegetables of the Hometown" write about the emotions of people and bamboo forests and wild vegetables, "In Longshan" and "In Malkang" write about Longshan, Malkang's mountain and countryside changes and the ups and downs of people's destinies, "A Song of Yellow Plum", "Emblem Drama", "Qingyang Cavity" and other writers write about the drama of the opera people's life outside the drama, the same name "Under the Pavilion of The Character Of Regret", writing about the people under the Pavilion of the Word Pavilion, guarding the world and the earth, in the ordinary life of their own vast and physical and mental stability. These stories are vivid and delicate, writing about the people's contentment and happiness, writing about the people's benevolence and simplicity, and writing about the people's beautiful hearts.

After the listing of "Xizi Pavilion", the first batch of readers commented: Holding "Xizi Pavilion", a stream of air gushed in, as if in dialogue with the ancients, and talked with the present people, the articles in it, or Wang Yang wanton, or still water flowing deeply, both elegant and popular appreciation, but also born into the world, directly hit people's hearts, reflecting the world.

"A valuable statement for reconstructing the aesthetic tradition of Chinese texts"

"The ancient style is admirable. There are ancient tones in the ancient style, and I prefer the ancient tones of the article, even if many people today do not play." In Hu Zhufeng's eyes, words are sacred and bright, not only to cherish the words like gold, every article in the book should have a clear and upright wind, a leisurely and self-adapting, peaceful and vast atmosphere, to learn the ancient text of the deletion of complexity and simplicity, but also to learn the aesthetic spirit and artistic quality revealed in the text, to show the author's feelings of zhengda and bright, to show the spirit of heaven and earth, and to echo the Chinese style of thousands of beings. This belief in writing constitutes the writing follow-up and value of this book.

The famous writer Han Shaogong commented: Hu Zhufeng is a valuable outlier, and his writing is a brave attempt that I have been waiting for a long time, a valuable statement to reconstruct the aesthetic tradition of Chinese articles. He is determined to inherit the local heritage, open up a new bureau of criticism, talk about ink fun, talk about rhyme, talk about wind and bone, talk about artistic conception, see wisdom in subtleties, see the heart in general, have a profound understanding of the practice and theory of Chinese literary criticism, and provide us with new perspectives and new methods.

Li Jingze, a famous writer and vice chairman of the China Writers Association, commented that Hu Zhufeng and his people have autumn spirit. At four o'clock in the sky, one time is autumn, the autumn breath is clear, it is refreshing, it is high for cangjin, and all things are nearly old. The way of the ancient articles, pay attention to the qi of heaven and earth, zhufeng when the golden year and the autumn qi alone, is for the sake of the different. This book is a tale of chasing the wind. Use words to inscribe the sound, measure the mountains and rivers in the sound, and the social fire on the other side, and have a gentle wind.

The famous writer He Liwei commented that Zhu Feng's article has something that has no past or the present, which is a wonderful reading experience. Through his writing, he can experience the attitude of the ancient literati to the article, the attitude to life, the aesthetic attitude, and the attitude of daily behavior in this era. This attitude belongs to both the ancients and the present.

Zhang Yanling, a famous critic, believes that Hu Zhufeng's prose practices his artistic ideals: writing "Chinese articles" and promoting "aesthetic traditions", has a unique atmosphere, has a unique appearance in writing, style, and aesthetics, and has a provenance for all things in the mountains and rivers, thinking about every feeling, and he quotes scriptures, feels all things, and lays out knowledge. Even his essays are as beautiful and elegant as prose poems. The common sense of miscellaneous studies on paper activates the knowledge ecology of the pen, which is interesting and vital.

Speaking of the publishing value of "Xizi Pavilion", the publisher said: "Xizi Pavilion" has made a useful exploration of returning to the beauty of the Chinese language and activating cultural vitality, and is a vivid practice of inheriting the Chinese context and Chinese aesthetics. What is valuable is that the author is a post-80s, as a young writer, Hu Zhufeng immersed in the ancient but not the ancient, pay attention to text innovation, pay attention to the vitality of writing articles, traditional themes have new era interpretation, traditional aesthetics and the current spirit of the combination, "is a valuable statement of Chinese taste Chinese writing, is a gratifying harvest of new era literature, and is also a strong proof of Chinese literature." ”