Hello everyone, click to pay attention, away from the book famine, I am pushing the book sauce water color cold without marks.
Every time science fiction is recommended, many officials question the recommended science fiction, because where is the science fiction novel of today's science fiction that looks like the original "Three-Body Problem"? Probably from the time I ate tomatoes and wrote Devouring the Starry Sky, the rhythm of science fiction was deviated.
The kind of hardcore science fiction that "Three-Body" is probably only visible to Yuan hitomi's pen. It's as if the kind of science fiction novels that traditionally talk about star wars, alien battles, future technologies, etc., have become a thing of the past. Today's science fiction has been seriously close to fantasy, urban, games and other themes, and there is no longer the purity of the original science fiction.
In this sense, my tomato-eating new book, Cosmic Pros, in addition to placing the worldview above the interstellar background, has other settings that are more of a feature of fantasy upgrades and game competitions. After all, the "Devouring the Starry Sky" of that year was nothing more than the so-called science fiction novel of this routine. I don't know how Tomato thought about it when choosing the science fiction genre in the first place.
What about Xiao Langjun's new book? The theme positioning of "Spirit Walker" is also science fiction. However, where does this novel, which clearly has the characteristics of game copies and the fantasy upgrade routine, have the flavor of science fiction?
The novel constructs two separate and related world systems, the real world and the spirit world, the spirit world is based on the copy as the structure system, and the spirit realm walker is divided into a clear upgrade system. Such a structure and system act on the real world, so that the novel itself has the characteristics of urban power. On this basis, the confrontation between the good and evil teams and the struggles of different factions will be projected into the real world and the spirit world to varying degrees. This interaction setting also succeeds in keeping the two worlds together.
I have to say that the setting of Xiao Langjun's novel is still quite attractive. Although some plots will inevitably have mysterious novels such as monster escalation, pretending to punch the face and other routines, so that readers can predict some details in the process of watching, but the final direction of the plot is still unpredictable. From this point of view, Xiao Langjun's novel is actually more attentive than "DaFeng Da Ren Ren".
It's just such a book with obvious game characteristics and mysterious routines, how did "Spirit Walker" become a science fiction novel? Has the frontier of science fiction expanded today?
I don't know what you think about this?