Text/Meiya
"Heart Residence" is coming to an end, I have gone through several stages, the first stage, rushing to Zhang Songwen Haiqing, refreshing; the second stage, began to dislike Tong Yao's acting skills, secretly complaining:
In the last stage, when I saw half of it, I thought it was OK, so I chased it every day. These two days do not know whether it is censorship castration, the rhythm suddenly becomes faster, show me confused, go to the douban to see, more ignorant.
Because this drama is now scolded as useless, the most popular evaluation of Douban is: dog blood, three views are not correct, there is no normal person.
Of course, Tong Yao's acting skills are poor.
The drama side may have been scolded miserably, and now it does not even dare to split.
I felt offended, and in the midst of such cries my spontaneous equalization appeared to be in a very bad taste, which I could not recognize. There are definitely disadvantages, but they are not so bad, right? Next door, "Chasing the Love Family" is a mess, right?
I originally wanted to lie flat and chase a drama, but now I have to talk about it.
What is this play about? To put it simply, it is the story of The Shanghai sister-in-law Tong Yao and the daughter-in-law Haiqing of the foreign sister-in-law.
To be honest, I can understand the origin of what everyone calls "dog blood", because in a few episodes, the sandwich cake - the brother-in-law's brother, the brother-in-law's husband, fell from the corridor and hit the glass to die.
I see here is also a little frightened, you know, now some dramas are forcibly creating natural and man-made disasters, in order to make up for the innate bad character modeling.
But I patiently chased after the middle and went forward. Because on the contrary, the characters are very fully shaped, that is, the "roles are not normal" in the evaluation.
The evidence of "abnormal" is clearly seen in the barrage, and each character has been scolded for "no face" and "not bad", "sick" and "good", usually one episode at a time, which seems very divided.
Even Weibo launched a vote on who you hate the most in "Heart Residence", indicating that each flower is in each eye, and each one hates.
But that's exactly what I think the character is "normal."
One of my two recent favorite films, Turnning Red, tells one thing:
People have a dark side, there is unbearable, there is desire, the more you harvest, the evil red panda will be raised more and more violent, more and more out of control, the correct way is to face it, accept it, you can live in peace with it.
In my opinion, the characters in "Heart Residence" are all-God perspectives, there is no flat human avoidance, looking around, full of red pandas.
For example, the foreign daughter-in-law played by Haiqing, who directs the incompetent husband to ask her sister Tong Yao to borrow money, a loan is 1 million, the bullet screen said that she is good at calculation and does not work hard, but she also has her pay and forbearance, to the whole family to work hard as a nanny, by the father-in-law and grandmother sneered a word.
As the eldest sister-in-law, Tong Yao gave instructions to Haiqing, spoke extremely harshly, always looked high, and pushed and blocked the matter of borrowing money to buy a house.
But she has her considerations and cautions. She was the only one in the family who knew that Haiqing had a son before she got married, and she had to keep her brother and her father and grandmother safe.
The delicate struggle between the two women is also very interesting, in Haiqing's eyes, Tong Yao is nothing more than a delicate daughter of a Shanghai hukou, and she is not accustomed to her eyes growing on the top of her head.
So she always openly and secretly inquired about Tong Yao's marital status, hoping that Tong Yao could eat a life shred, knowing that Tong Yao and her husband Feng Shaofeng were separated, and she also had to ask the truth in front of her father-in-law, trying to let Tong Yao eat a fly.
But she was kind in her heart, remembering the grace, she obviously filmed the video of Tong Yao as a baby husband, going out to be the celebrant of the three customary weddings, and did not send out a big revenge.
You think this is the end, no, her seven aunts and eight aunts nature makes her can't help but gossip in a small range, told her own sister, let her read it and delete it, and the result is that her sister poked this thing out.
Gu Qingyu, played by Tong Yao, absolutely despised her sister-in-law and felt that she was a scheming outsider, and from the beginning she investigated Haiqing with a posture of anti-thief, but in order to protect her brother, plus Haiqing was pregnant again at that time, she swallowed this breath.
Haiqing gave her a hand-knitted scarf, and she turned her face and gave it to her part-time worker aunt.
Grandma, a neighbor who has a good relationship with Haiqing, lost something, and she immediately asked Haiqing directly: Does this matter have anything to do with you?
She is a typical high-city Kochi woman, accustomed to the clear rules of the workplace, the desire to control the family, the ear of Haiqing, quite a mansplain of annoying, when she encounters everything, she feels that she can solve the problem by stripping away the cocoon analysis, and she can't move in front of Haiqing's face to pull her father and brother to a small room for a small meeting.
This is absolute contempt: we clearly treat you as an outsider.
But she also has another side of this big city Kochi woman: seeking truth from facts, fairness and justice. She will persuade her father that Haiqing will always marry someone, and the child must follow her mother, which cannot restrict the freedom of others.
After helping Haiqing finish the nursing home plan, she and her father praised her sister-in-law as a hard-working and smart person.
You see, this can be said in front of the sister-in-law's face, to maintain false harmony, but she does not, she can not let this foreigner kick his nose in the face, she needs to maintain the majesty and sense of distance of "Sister A", curb the greedy nature of outsiders.
Haiqing is the same, she has no education, foreigners, no work, and she has brought a sister to live at home, but she is her neck and will never bother with this outsider who could have given her many resources.
She understands very well that if she is flattered, she will completely lose her spiritual capacity in this family, and she needs to stab her head from time to time to show that she is not a good bully.
The two men exchanged guns only once, which was the accidental death of their brother/husband. The cause of this incident was that Haiqing overheard Tong Yao say bad things about her when she held a small meeting, so she ran away with her luggage, and her husband went to chase him, and only then did the tragedy occur.
This matter must be Haiqing's direct responsibility is greater, so before and after the funeral, the whole family isolated her, hated her, and cursed her.
She broke out, and she told Tong Yao that it was her provocation that killed her brother, and even stole her brother's blessing in her stomach.
Moreover, she did a lot of work, taking the neighbor who put the glass in the corridor to court, demanding an apology, but with the backbone, she only needed to pay a dollar.
She tossed it like this, the Gu family was jealous of her for three points, thinking that she was crazy enough, and she was really PUA, thinking that tong Yao also had a certain responsibility for this accident.
This is the strength of Haiqing, a "countryman" who relies on marriage to upgrade her account, she can rely on not only marriage, she has a kind of leather-and-iron cloth shirt from the bottom, and the knife and gun cannot be entered.
Historically, in China's local family relations, vertical female relations: mother-in-law, sister-in-law, concubine is the most complicated, they do not have the real clan power to distribute land and property, and can only obtain fictitious discourse rights within the limited boudoir rights.
The contradiction in this drama is essentially the struggle of the traditional compound family to "divide the family property", Tong Yao represents the interests of the patriarchy, while Haiqing hopes to obtain the interests of the small family through the rise of the offspring. The conflict of interests between the two was eventually maintained because of the Sun Dynasty - Haiqing gave birth to a single seedling for the Gu family after all.
Except for them, all the family scenes in it are immersive. For example, everyone has a particularly broken word, and the most enthusiastic comparison of the annoying relatives, "Heart Residence" is the big aunt, always showing off her son living in a big house at the big dinner, "caring" about Tong Yao's lifelong events, to introduce her to the fifty-year-old divorced child man, yin and yang weird Tong Yao in her inner level.
For example, excellent in-laws are all masters of thin mud, Tong Yao's father, Haiqing's father-in-law, always comforting the daughter-in-law first, and then turning back to the daughter and saying, I and you are surnamed Gu, can I still not stand with you?
This is the balance in the Chinese compound family, just like the original book said:
"There are few people in the family, it is also a small society, the soldiers will come to block, the water will come to cover, the wisdom and courage of the set, the people outside are actually not in the boundary, the routine is all used in the family, interesting, not interesting." 」
Emotionally, it is actually very realistic, just because it is too realistic, it seems to be a bit unbearable.
There is a detail between the two sisters-in-law that makes people laugh.
Tong Yao has a 10,000-year spare tire, played by Zhang Songwen, but Haiqing pulled Zhang Songwen to open a nursing home together. Zhang Songwen in the play is a slippery house flipper upstart, doing things confused, lost their nursing home plan, so Haiqing loudly rebuked Zhang Songwen on the phone.
Tong Yao listened to the call, walked to the kitchen, and educated Haiqing and said: He is your boss, and you and your boss can't talk like this.
See what's going on here? Good villains are also my spare tires, how can they be "used" by you and scolded by you? Do you deserve it?
The bullet screen also did not understand Zhang Songwen's begging tail that had no bottom line for Tong Yao, and felt that there was such a spare tire? Tricks come and go, there is no end to the money, is it not good to find a little girl?
Zhang Songwen's breakthrough set up this time is no longer a corrupt official, an honest person, and a good father, because his likability makes this role high-energy and cute in addition to the occasional grease.
It is precisely because of his personal deduction that he diluted the traces of inferior roots on this upstart.
In fact, no matter how rich, the upstart always has the inferiority of the bottom in his heart, and the way he peels off this last layer of dirt is to marry a city person/highly educated/particularly beautiful wife to complete the absolute class leap of the next generation.
Therefore, of course, he can do anything for Bai Fumei, until the purpose is achieved, and then the original form will be revealed.
Tong Yao is kind to his "zhong wuyan", and really treats him as a friend, and corrects him in the low period, and the attitude of Bai Fumei to Zhang Songwen in reality will be like Tong Yao's father, with a black face and instinctive drive away.
Even if he throws money, he will be blinded by Gao Fumei because of the lingering garlic smell on his body.
Zhang Songwen, an upstart with no culture and light and money, in the eyes of the city Bai Fumei, the marriage and love ranking is lower than that of the rural highly educated phoenix men.
Is coffee expensive? It is not expensive, and the taste of red wine has no absolute relationship with the price.
Some people also say that Tong Yao's flash marriage flash has no clue, very bloody, but I really understand it very much.
The place where this matter dog blood is that the husband played by Feng Shaofeng is Tong Yao's first love, but because the college entrance examination did not do well, he became a tour guide with a secondary school education and owed a bunch of debts, but Tong Yao, who earned millions of dollars a year, was to reunite with him.
I think Kochi's strong independent woman has a paranoid fetish for emotions, and this paranoia comes from her confident judgment. She wanted a marriage that she had complete control over, embedded in a person she thought was the right fit in her imagination, and it didn't really matter who that person was.
After getting married, Feng Shaofeng began to feel inferior and died, and Tong Yao secretly gave his mother half a million yuan to see a doctor, and he would rather be painted by usury than return it to Tong Yao first. In the end, he chose to ask his boss to borrow on the condition that he would steal the trade secrets of Tong Yao's company.
Of course, in the end, he did not steal, but the matter of quid pro quo was still exposed, causing Tong Yao to lose his job.
Everyone asked bitterly: Is this man stupid?
He is not stupid at all, sometimes marriage is the bright moon shining in the ditch, each pregnant with its own ghost fetus.
Feng Shaofeng knew very well that what he got from the newlywed Yan Erli was bound to become the downwind in the long years, and this downwind may not be deliberately done by Tong Yao, but he himself would unconsciously lean over, and the people around him would not help but laugh.
If he wants to change this situation of eating soft food, he can only free up his wife's resources and become his own wealth and chips, marriage is essentially not much different from the workplace, who has the ability to do things.
He and Haiqing have a very poignant dialogue with each other, one of them is a daughter-in-law from abroad, the other is a son-in-law of the tangtang, they can only become themselves by their own efforts, otherwise they will always be the daughters-in-law and son-in-law of other people's families.
In a way, he wasn't wrong.
The people here have their own positions and desires, each has their own sufferings and sacrifices, each has its own goodness and ferocity——
Because she was despised under the fence, Haiqing's younger sister, who wanted to win the Shanghainese qualification by means of trickery and hue after blackening, was loyal to her sister to her brother and her mother's family;
Abandoning his ex-girlfriend, marrying the daughter of the bureau chief, looking at the face, his father-in-law was implicated in the fall of his horse, and Tong Yao's cousin, who has been infinitely depraved, has also had compassion for his wife;
Because he could not go to shanghai to go to the countryside, and because he gave his son the wrong medicine and caused the college entrance examination to be smashed, Feng Shaofeng's mother, who had a lifelong bipolar disorder, tortured her son in every way, and would also cry and shout, I hurt you for a lifetime!
Dog blood is life itself, a class up and down a household register, an invisible blood stain between the names on the housebook, and a failure to become the weak and the strong, even if they live under the same roof.
The heart has a dwelling, it is so difficult, the world is full of changes, it is so bitter.
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