Text, photo/ Yangcheng Evening News all-media reporter Sun Lei Correspondent Chen Si Chen Binjie Li Ran
On March 26th, the "Symphony of Documentary and Fiction - Seminar on the Novel "Wujiang Introduction"" was held simultaneously in Kyoho and Beijing.
The seminar was sponsored by the People's Literature Publishing House, the People's Literature Magazine, the Creative And Creative Joint Department of the China Writers Association, the Propaganda Department of the CPC Guangdong Provincial Committee, the Guangdong Writers Association, the Propaganda Department of the GUANGZHOU MUNICIPAL CPC Committee, the Propaganda Department of the SHENZHEN MUNICIPAL CPC Committee, the Guangzhou Municipal Bureau of Culture, Radio, Film and Tourism, the Guangzhou Academy of Literary and Artistic Creation, the Huacheng Publishing House, and the Guangzhou Municipal Federation of Literature and Literature and Literature.
"Wujiang Yin" presents another legend of the Long March epic, a little-known secret force, which is the second bureau of the Central Revolutionary Military Commission with the "three masters of deciphering" Zeng Xisheng, Cao Xiangren and Zou Bizhao as the main force of deciphering.
Since its debut, "Wujiang Introduction" has aroused enthusiastic repercussions among the vast number of readers, and it has also been highly praised by literary and historical circles. This work "presents the epic solemnity and grandeur of the great journey" in three dimensions, and has been praised as "a new writing for the spirit of the Great Long March".
At this seminar, the participating experts made an in-depth interpretation and interpretation of the literary nature of this work from the perspective of the integration of documentary and fiction.
Experts agreed that the writer Pompeii made innovative explorations in the theme, structure, narrative, personal names and language of the novel, which made the novel text take on a high literary quality. In the handling of the relationship between documentary and fiction, it provides a lot of useful enlightenment for the creation of revolutionary historical themes.
Wu Yiqin, member of the party group and vice chairman of the China Writers Association, commented: "The Long March is a rich mine of history for us, and the literary presentation is far from enough. "Wujiang Introduction" can be said to have handed over a relatively unique literary answer sheet, which is a tribute to chinese literature and Chinese writers to the great theme of the Long March. ”
"'A symphony of documentary and fiction', this expression can capture the soul of this work." Liang Hongying, editor-in-chief of "Literature and Art Daily", said that in the first part of the book, "Sketch", Pompeii used the name "we" to tell, using the tone of witnesses to fiction; the second part, "Silhouette", told the truth through documentary and investigation, and the two parts constituted a symphony, complemented each other, and complemented each other.
He Xiangyang, director of the Creative Research Department of the China Writers Association, believes that "Wujiang Introduction" has three enlightenments: "First, the structural mind, especially the last part of the "Appendix", the real names and real names of these unsung heroes of the Second Bureau of the Central Revolutionary Military Commission at that time, although it is a page, but can feel a particularly heavy weight. The second is to be very careful in the narrative. The third is the use of metaphors, such as the word 'citation' in the title of the book, and the word 'ferry' at the end of the text, crossing the river. ”
In the view of Professor He Shaojun, vice president of the China Contemporary Literature Research Association, "Wujiang Yin" breaks the fixed concept of fiction and documentary, "The author Pompeii expanded the function of the novel, allowing us to see a new function of the novel." I understand the Wujiang Quote from this perspective, and I prefer to use the word 'reduction' to understand the purpose of Pompeii's writing. ”
Yang Qingxiang, deputy dean of the School of Letters of Chinese Min University, while analyzing the stylistic innovation of his works, also talked about the "technical significance" of "Wujiang Ying": "Our writing and imagination about the Long March is not too much, but too little, and the writing with characteristics, personality and strength is very rare, and "Wujiang Ying" provides a new perspective for contemporary literary writing on the imagination of the Long March. ”
Xu Zechen, winner of the Mao Dun Literature Prize and deputy editor-in-chief of People's Literature Magazine, believes that from "Endless Collection" to "Unicorn" to this "Wujiang Introduction", Pompeii has made a big fuss about structure, and at the same time combined the motif of pure literature with the structure and writing method of popular novels or genre novels. "The basic materials of 'Wujiang Yin' are all derived from historical documents, and Pompeii has literatureized the most solid documents, that is to say, literatureized history, fictionalized non-fictional things, and he found a way."
He Chengxuan, an 86-year-old senior information officer, a veteran of the technical investigation front who came from Yan'an, as the inheritor of the cause of the Second Bureau of the Central Military Commission, also came to the venue to congratulate the publication of "WujiangYin". He said that his system produced three writers, Mo Yan, Mai Jia, and Pompeii. The biggest feature of "Wujiang Introduction" is that it is true, so it has received a warm response in the military circles.
Zhang Jun, former director of the First Bureau of the Chengdu Military Region, said in a written statement that "Wujiang Yin" is a "warm depiction" of that historical legend. Zou Xuefang, the daughter of Zou Bizhao, one of the "Three Masters of Deciphering" of the Red Army, also came to the Beijing venue, saying that "Wujiang Yin" recreated that unforgettable hidden time, and it was unbearable to read.
Zhang Peizhong, secretary of the party group and full-time vice chairman of the Guangdong Writers Association, commented: "This is a book of exploration, innovation and uniqueness with magnificent momentum and dazzling beauty. In Zhang Peizhong's view, the uniqueness of the book is reflected in three levels: one is the uniqueness of the theme itself; the second is the uniqueness of the narrative perspective; and the third is the uniqueness of the writer's writing.
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Source | Yangcheng Evening News Yangcheng Pie
Editor-in-charge | Zhu Shaojie