Shenpin | superior work: the poetry of "Light Ink Exploring Flowers" and the work, the wind god is faint and far away

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Divine | The best work: the poetry of "Light Ink Exploring Flowers" is sung and written, and the wind god is faint and far away

Wang Wenzhi's letter "To the Xiaoya Shuzha" and so on.

Wang Wenzhi's calligraphy is rooted in the Second King and is stable, with a correct font and a smooth line. The content of this book is that friends appreciate each other, poetry is sung and sung, confidants encourage each other, and their calligraphy is casual and elegant, the rhythm is bright, and the wind god is far away, which is a superior work.

【Interpretation】

Vinjiton head

Elder The drunken bamboo brother is too moist and not caught, which is a big hate. Zi Song Visit, Wind And Manners, Ya called his poetry, the ancient proverb "How can a talented man be unmotivated", and it is said to be Yah! After the farewell, he prayed to the handwritten book three times, until he saw the book of Song Gao's ben, and then suddenly realized that the book was first issued and finally arrived. In this way, it is beneficial to see the big brother fist fist in the contemptible person. Yesterday, he was ordered to write an inscription for Song Jiao, and cambodian my brother, and now he will be entrusted to Song Jiao to be transferred, and he is fortunate to teach it. To show that the clouds have a confidant, the rule is also said. Stealing is the value of confidant, which is different from gratitude, covering the ancient difficulties, and it is not easy to talk to the general. The Dukes of Drunken Bamboo, Leng Xiang, and Wei Nan all greeted him here, and the rest of the detailed oral descriptions were not hurriedly written.

Elder Elder

The year of the foolish brother Wang Wenzhi dunshou

Repeatedly, and thank you

Wang Wenzhi (1730-1802), courtesy name Yuqing, was a native of Dantu, Jiangnan (present-day Zhenjiang, Jiangsu). Qianlong twenty-five years into the jinshi, Qing Dynasty writers and calligraphers. He is the author of "Dream Lou Poetry Collection" in twenty-four volumes, "Fast Rain Hall Inscription", "Thirty On the Book of Absolute Sentences" and so on.

Wang Wenzhi was famous for his calligraphy throughout his life, and in his early years, he began with his predecessor Zheng Zhongguang and was deeply influenced by it. His calligraphy was studied by Chu Suiliang, and his cursive calligraphy was learned from the Orchid Pavilion Preface and the Sacred Order. However, Qian Yong believed that he had learned from Zhao Mengfu and Dong Qichang's pen, and changed to Zhang Jizhi after middle age.

Liang Shaoren of the Qing Dynasty said in the "Essays on the Two Autumn Rain Temples": "The State Dynasty Liu Shi'an Xiangguo (referring to Liu Yong) specializes in boldness, and the Zhengmeng Lou Taishou (referring to Wang Wenzhi) specializes in the wind god, so there is the purpose of 'thick ink prime minister, light ink probing flowers'. Qian Yong also compared him to Liu Yong and Liang Tongshu, believing that Wang Wenzhi's middle-aged Zhang Jizhi's handwriting was copied, so he entered the frivolous way, just like Qiu Niang Fu Powder, with clear bones, self-improvement posture, and lack of solemnity. Although this theory takes a pejorative meaning, it is still relatively accurate in the metaphor of Wang Wenzhi's calligraphy characteristics. This "Qiu Niang Fu Powder" style can also be used as the basis for authenticity identification.

According to Wang Chang's "Biography of Huhai Poems", Yu Qing You Gong Shu, Kai Fa Henan, Xing Shu imitated the "Lan Ting" and "Holy Sect"; entered the Beijing Division, and the scholar Dafu DuoBaozhi was heavy. Wang Shuyun's pen is soft, the ink rhyme is light, the cloth between the lines is white, the sparse and ethereal, the temperament and wind god are extremely graceful, close to Dong Qichang's style of writing and more feminine, the realm of the wind and current is difficult for counterfeiters to imitate, no wonder there was a saying that "the three beams under the heavens (referring to Liang Tongshu, Liang Yan, and Liang Guozhi) were not as good as the one king of Jiangnan".

Wang Wenzhi's book title was popular in Ryukyu. At that time, Koreans came to China and specially bought Wang Wenzhi's calligraphy with cake gold, and his calligraphy reputation spread far and wide. When the Qianlong Emperor toured the south of the Jiangnan River, he saw his book "Qiantang Monk Temple Stele" in the Hangzhou Temple, and greatly appreciated it. Due to the admiration of the Qianlong Emperor, Wang Wenzhi's calligraphy reputation was greatly enhanced, widely circulated, and treasured by Shilin. Many museums in Japan treasure the authentic works of Wang Wenzhi. For example, the Tokyo National Museum, the Fujii Saisei-ku in Kyoto, the Okinawa Prefectural Museum, and the Oita Prefectural Museum all have treasures of Wang's ink treasures.

Wang Wenzhi faithfully adheres to the meaning of the thesis, but there is no traditional thesis of the flow of roundness and lightness. His books are turned less and more with pens, mainly folded, appearing decisive and clean. The thin and hard strokes are slightly rounded, both feminine and moving, but also handsome and luxurious, the wind god is scattered, and the tip of the pen reveals the characteristics of talent and beauty everywhere.

Wang Wenzhi's letter "To the Xiaoya Shuzha" and other super Qing appreciation

Calligraphy Discover the beauty of the heart

Thinking of thousands of years, seeing through thousands of miles, the heart travels to ten thousand miles, and the eight poles are exquisite