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Lu Qinzhai, a "cultural relics thief", married a 15-year-old Parisian girl, only to associate with her 34-year-old mother-in-law

The full text is 1414 words in total, and the actual reading is about 3 minutes

Foreword: During the Opium War, many people in China were reduced to prisoners of the order and slaughtered. In fact, at that time, the number of great qing qi had been exhausted, and those discerning and refined egoists had begun to find their own way out. In an era of national turmoil, economic losses were inevitable, cultural aggression was inevitable, and China was a cultural power. Five thousand years of history will inevitably make people remember, and in the era of the collision of Eastern and Western cultures, China's historical relics have also been carpet plundered.

Lu Qinzhai, a "cultural relics thief", married a 15-year-old Parisian girl, only to associate with her 34-year-old mother-in-law

In that era of lack of knowledge of the whole people, coupled with the turmoil of the country, the government's understanding of the importance of cultural relics was insufficient, and the protection of cultural relics was even less lacking, so there were many, taking advantage of the turmoil of the times to start selling cultural relics. At the time of national crisis, he made a fortune to enrich his wine sack and rice bag. Lu Qinzhai is one of them, an unscrupulous and self-enriched figure, who is the most exquisite egoist in his complex family concept.

Lu Qinzhai, a "cultural relics thief", married a 15-year-old Parisian girl, only to associate with her 34-year-old mother-in-law

Lu Qinzhai was born in 1880 in Zhejiang Province, China, where his parents died, and he grew up living on the help of relatives. The educational conduct without his parents could not be predicted, let alone in such an era, from the perspective of birth, he was also a poor man. But then his actions were unforgivable. For the sake of money, he did not hesitate to lose his conscience, give up national honor, and satisfy personal selfish desires. It is also because he has no father and no mother since he was a child, and he has not thought that it is easier to get the appreciation of others because of this, because he knows what he wants, and he can still pretend to be a slave temperament when sending people to the fence. After that, he entered a family surnamed Zhang as a slave, and this Zhang family was a large family. Soon Lu Qinzhai received the appreciation of Young Master Zhang.

Lu Qinzhai, a "cultural relics thief", married a 15-year-old Parisian girl, only to associate with her 34-year-old mother-in-law

After being favored by Young Master Zhang, he went to Paris with it. At that time, France was a country with a high degree of cultural tolerance. In this context, I have learned a lot of techniques. The influence of culture and the broadening of the horizon are like the dandelions flying in the sky, which have left their mark on Lu Qinzhai's heart. He is convinced that he must work hard to learn this knowledge in order to change his destiny, he is deeply rooted in the industry of identifying cultural relics, and in the continuous learning afterwards, his ability has been exceptionally improved, so he has also increased his own value. Later, when the domestic rebellion was seriously divided, he chose to stay abroad, "simple-minded" only wanted to make some money, and once again disregarded the safety of the country.

Lu Qinzhai, a "cultural relics thief", married a 15-year-old Parisian girl, only to associate with her 34-year-old mother-in-law

Since then, his ability has improved enough to establish himself in the industry of identifying cultural relics, but such a humble origin is destined to make this person who has never seen the world stop here. What he wanted was more money, social status. Not only did he enrich himself, but at this time his ability matched his ambition, so he made a windfall abroad. He also aimed in the direction of the cemetery, privately looking for someone to transport the cultural relics in the Tang Dynasty tombs abroad, which in turn became part of his original accumulation.

Lu Qinzhai, a "cultural relics thief", married a 15-year-old Parisian girl, only to associate with her 34-year-old mother-in-law

In that stormy era, there will always be people who are mad and make a fortune, Lu Qinzhai is definitely the most excessive one, and the determination to make money at all costs is rooted in the heart. The times will not be left alone, and at the peak of his career, it will eventually fall into the hands of others. Qin Zhai's feelings are even more surprising. She fell in love with a woman named Olga, a woman four years his senior who was no better than him. It is also by selling the flesh to live in the world. It was as if the family did not enter the door, in order to live with Olga for a long time and accompany each other, Lu Qinzhai married his daughter.

Lu Qinzhai, a "cultural relics thief", married a 15-year-old Parisian girl, only to associate with her 34-year-old mother-in-law

This 15-year-old girl, at a young age, had to endure such humiliation, watching her lascivious mother and her husband do the same thing, and I was ambiguous, but there was nothing she could do. In addition, Mary also bore four daughters for this perverted husband, which is absurd and heart-wrenching in the eyes of outsiders. But even so, the two did not feel ashamed, because in the eyes of these exquisite egoists, money can represent everything, and can tolerate all hypocrisy, selfishness, and profit.

Lu Qinzhai, a "cultural relics thief", married a 15-year-old Parisian girl, only to associate with her 34-year-old mother-in-law

The man declared to the outside world that he had no children. This is undoubtedly another disregard for life, amplifying his hypocrisy and selfishness. Such an egoistic person, in such an era, lived ten thousand times better than ordinary people. It is Olga who falls in love, but marries her daughter, and also has four daughters with her daughter, Mary's life is buried in the hands of Lu Qinzhai, not loving but hurting.

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