Zhao Mengfu wrote the cursive "Meditation Thesis", also known as the "Jing rate thesis".
The post was written by Zhao to Wu Sen (字君茂, 号静心, Wu Xingren, Haogu Painting), which was written to Zhao during his tenure in Jiangsu and Zhejiang. The thesis method is rigorous, flowing and elegant, the penmanship is round and smooth, the combination of pen and hidden dew, the delay in moving the pen is staggered, the turns are alternate, the pen is sharp and sharp, and the weight of the press is changeable, showing Zhao Mengfu's superb and skillful calligraphy skills.
[1] Meng Fu bowed his head and prayed again, meditated on the relevant heart, and Meng Fu's meridian rate was white, so that he sent a small plan to go and look
[2] Take it in, and tell it not to make you feel it here, but only to check it. Undeclared. Meng Fu bowed his head and said goodbye.
[3] Remember the first prayer and goodbye, and meditate on the relevant feet. Zhao Mengfu is sealed.
Zhao Mengfu was an influential calligrapher in the early Yuan Dynasty. Its seal, fence, division, subordinate, kai, and cursive books are excellent, and they are the most profound and influential in calligraphy and writing. He was a very accomplished calligrapher of the Jin and Tang dynasties. Contemporaries greatly respected him, and some people in later generations included him in the four masters of the Book of Letters. The Ming Dynasty calligrapher and painter Dong Qichang considered his calligraphy to be directly Jinren, and commented that his calligraphy was "familiar and vulgar".
Zhao Mengfu is good at absorbing the strengths of others, so he has achieved great success in calligraphy. What is particularly valuable is that most of the calligraphers in the Song and Yuan dynasties were only good at walking and grass, but Zhao Mengfu was able to study each body. Later generations learned Zhao Mengfu's calligraphy a lot, and Zhao Mengfu's characters were very popular in Korea and Japan. Many of his handwritten calligraphies of Buddha and Tao are scattered in famous mountains.
Zhao Mengfu is erudite and versatile, able to write poetry, through economic science, gong calligraphy, fine painting art, good at gold stones, tonglulu, xie appreciation. In painting, he created a new style of painting in the Yuan Dynasty, known as the "Crown of the Yuan People". His paintings are widely used in a wide range of materials, comprehensive in techniques, and are good at landscapes, figures, flowers and birds.
Zhao Mengfu has an important role and far-reaching influence in the history of Chinese calligraphy art. His contribution to calligraphy is not only in his calligraphic works, but also in his treatises. He has a lot of insights into calligraphy. He believes: "There are two kinds of books, one is the brushwork, and the other is the glyph. The brushwork is exquisite, although good and evil; the glyphs are exquisite, although they are familiar and alive. Learning books can solve this, and then you can also use language books. "Studying books is playing with the ancient Fa Ti, and knowing the meaning of its pen is beneficial." In writing the ancient Fa-ti, he pointed out a rather meaningful fact: "When the predecessors got a few lines of ancient inscriptions and concentrated on studying, they could become famous in the world. Moreover, the "Orchid Pavilion Collection" is a calligraphy that Wang Youjun (Wang Xizhi) is satisfied with. If you keep learning, how can you worry that calligraphy is better than others. "These can give us important lessons.
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