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Since ancient times, there have been few female calligraphers, so when there is a female calligrapher with a good image and a good writing, it is widely concerned by everyone, and it becomes a natural thing.
Fang Fang, vice chairman of the Beijing Book Association, is a calligrapher who has been concerned by the majority of netizens and has received a lot of praise. Fang Fang was born in Shuxiangmendi, which is particularly precious at the end of the year after experiencing a cultural fault. Such a background allows Fang Fang to lay a relatively good basic skill since he was a child.
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Fang Fang's calligraphy, which really attracted everyone's attention, was still at the Book France Exhibition. Although today's calligraphy exhibitions have been criticized a lot, the national exhibition still plays a role that cannot be ignored in promoting the growth of young calligraphers.
Fang Fang has won the Excellence Award of the 5th and 6th Chinese Calligraphy Lanting Awards, and has also been included in the 10th, 11th and 12th National Calligraphy and Seal Engraving Exhibitions. This shows that Fang Fang's calligraphy creation has both a high standard and a relatively long time.
At the Book France Exhibition, there was also a phenomenon that a certain book writer suddenly won an award and became a star bookmaker who attracted much attention, but disappeared in a short period of time, not because he became famous and disappeared, but it was difficult to re-submit articles to enter the exhibition.
Nowadays, the style of calligraphy creation is changeable, and there is no very fixed standard for aesthetics, so there is a phenomenon that cannot be included in the exhibition after winning the award. Reflecting on Fang Fang's experience, it just can be proved that her calligraphy is taking a more moderate path, which is also the way that Chinese calligraphy has been a classic for thousands of years.
Fang Fang's calligraphy has a calm atmosphere, which is particularly valuable in the calligraphy environment of advocating artistic expression. Although calligraphy is a visual art, it requires a calligrapher to have a good cultural accomplishment. The so-called "book for the heart painting" and "characters like its people" all refer to a person's calligraphy, which is the external expression of his aesthetic vision and knowledge cultivation.
Fang Fang's calligraphy shows the strength and flexibility of the pen in a melodious way, as if breaking through the pen and paper, but it is well controlled within the law, beautiful and elegant, beautiful and elegant, beautiful and ethereal. Whether on the outside or inside, Fang Fang's calligraphy shows beautiful qualities.
If you look at it according to the method, Fang Fang's calligraphy is mainly unfolded along the lines of the Erwang Road, which has both the elegance of the Erwang and the modesty of Zhao Songxue, as well as the pen characteristics of Su Shi, Huang Tingjian, and Mi Fu.
We often say that to learn calligraphy is to "enter the ancient and get out of the new", but some people can enter the ancient, but they are trapped in the ancient; some people have not even entered the door of the ancient meaning, so they rush out of the new in a hurry, and finally become a crazy and vulgar jianghu character.
Fang Fang's calligraphy is obviously from the ancients, and can integrate many classics, and finally write his own face. It is said that her calligraphy can enter the ancient because it has a classical temperament - fluent with a pen and a handsome body; it is said that her calligraphy can be new because it writes out modern emotions - good at handling lines in a large way, ups and downs, and in one go.
In addition to cursive writing, Fang Fang was also good at calligraphy, and still took Zhao Songxue of the Erwang Yilu as the object of the method, especially the "Book of the Three Doors". Zhao Songxue's letters are flat and even, beautiful and graceful, and have a relaxed attitude, with a kind of temperament.
Fang Fang's calligraphy absorbs the strengths of Zhao Songxue's calligraphy, and writes it quietly and elegantly, but it is not vain and soft at all. What is even more rare is that she can write in italics very vividly. On the spot, Fang Fang wrote the calligraphy, even if it was a fly-headed small kai, it was written slowly and leisurely, and the pen was in place, which made her calligraphy more thick under the beautiful appearance.
I have an immature view that contemporary calligraphers, women's works are more attractive than men's works. Fang Fang is undoubtedly the best female calligrapher, who can both keep the right and make new ones. Her works are neither hoarse nor playful, showing a natural genius.
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