Song Jianpeng
Chinese painter of Sichuan nationality
Born in 1968. He is currently a member of the Party Group of the Sichuan Provincial Federation of Literary and Art Circles, a director of the China Artists Association, a doctoral supervisor of Beijing Normal University, a doctoral supervisor of the Academy of Fine Arts of Sichuan Normal University, the chairman of the Doctoral Defense Committee, the executive director of the Chinese Academy of Painting, the deputy director of the Flower and Bird Painting Art Committee of the Guoyun Painting Academy of the Ministry of Culture, a member of the Sichuan Provincial Federation of Literary and Art Circles, a director of the Sichuan Overseas Friendship Association, and a special painter of the Sichuan Provincial Academy of Painting. In recent years, he has served as a member of the organizing committee and judges of the national art exhibition for many times, and has long served as the general convener of the jury of the art exhibition of the China Artists Association. The librarian of the Central Museum of Culture and History, enjoying the special allowance of the State Council, was rated as an excellent painter of the Chinese people, so he was known as a generation of masters of landscape painting after Huang Binhong!
Mr. Song Jianpeng has created a large number of colorful and unique fine art works, specializing in landscapes, flowers and birds, characters, and has won gold medals and first prizes in domestic and foreign exhibitions and Chinese painting competitions for many times, and has been widely collected by museums and art galleries at home and abroad. He has been invited to create huge Chinese paintings for Zhongnanhai, the State Council, the National Committee of the Chinese People, the Great Hall of the People, the Tiananmen Tower and many important places across the country. People's Daily, CCTV, and many important newspapers, magazines and television stations at home and abroad have been interviewed and reported many times.
In Chinese painting, symbolism or symbolism is to establish the mysterious induction state between the painter as the subject of artistic creation and nature. The objective visual image is only presented by the painter as a symbol, and through the appearance of the object, the painter wants to get close to and persecute the immortal and eternal reality in the spiritual realm.
Artistic creation should pay attention to the Chinese spirit, and we now have the responsibility and obligation to manifest the core values of Chinese culture and the Chinese spirit through fine art works, and to spread the soft power of Chinese culture.
The practice process of Chinese painting is the intersection of Eastern and Western cultures, but it is not limited to the surface, and I think the core requirement is reflected in how to study, explore and create around the Chinese spirit, Chinese realm and Chinese style.
Personal Achievements - For 25 consecutive years, his works have been selected for various five-year exhibitions and have been exhibited in major exhibitions at home and abroad.
His works have been exhibited, awarded and published at home and abroad. Dozens of works were displayed in important places such as the State Council, and some works were selected as gifts for state leaders when they visited abroad. In 1996, the All-China Youth Federation, the Calligraphy and Painting Office of the National Committee of the Chinese People's Political Consultative Conference and other units held a solo calligraphy and painting exhibition at the National Art Museum of China, and news media such as Xinhua News Agency, People's Daily, and CCTV reported it. In 1995, he donated 30 paintings and calligraphy to the Central Committee of the Communist Youth League, and all the charity sales funds supported the construction of youth science and technology book stations in poor areas along the Beijing-Kowloon Line. In 1995, 2000 and 2002, he went to Taiwan three times to participate in cultural exchange activities such as the joint exhibition of calligraphers and painters on both sides of the strait. In May 2003, he participated in the touring exhibition of "Huaxia" and "Famous Calligraphy and Paintings of Famous Artists" of the mainland delegation to Hong Kong, Macao and Taiwan. In December 2003, he participated in the delegation of contemporary Chinese young calligraphers and painters and went to Macao for a group exhibition of seven people. On April 18, 2005, he accompanied Zhou Qiang, first secretary of the Secretariat of the Central Committee of the Communist Party of China, to participate in the United Nations World Environmental Protection Awards Conference, and visited the United States, Singapore, New Zealand and other countries. Landscape works have been selected by the China Artists Association: "National Soul, Land Conditions" National Calligraphy and Painting Competition, won the third prize, commemorated Chairman Mao's "Speech at the Yan'an Literary and Art Forum" 60th anniversary of the national fine art exhibition, the Olympic National Chinese Painting Exhibition, the second China Beijing International Art Biennale series exhibition: 2004 Chinese young and middle-aged artists exhibition. Won the "Outstanding Artist Award" of the 14th World Youth Festival.
In 2018, Song Jianpeng's auction works became the highest record with the highest price of 836,000 yuan, and the cumulative auction reached 5.583 million yuan, becoming the most collected contemporary painter!