——Chu Shui, Chinese Popular Literature and Art Research Society
Comrade Lao Chu has not painted landscapes, and although he has a little experience in painting chickens over the years, he is basically a chicken alone, and at most he sprinkles some ink under his feet.
In This morning's painting of Pan Tianshou, watching two eagles sit on a fishing boat on top of a high mountain gorge, allowing the wind and waves to rise and sit firmly on a fishing boat, it is really enviable. So, I tried to make a picture, and the two eagles were still a bit similar. The others are really laughable and generous, and at the beginning, they mustered up enough courage to show people in the circle of friends. In the case that the ink has not dried thoroughly, it is still more or less like a painting, and after the ink has dried out, it is simply ugly, and I want to tear it off.
Objectively speaking, painting is not achieved overnight, especially coloring, which needs to be done over and over again. So, I tried to splash the ink on the second color, the water has not dried, and the result is now like this, and even the eagle's mouth has been dyed.
Mr. Li Keyan once carved a medal: three thousand waste paintings. Unfortunately, at that time, there was no mobile phone and no network, and it was impossible to record the process of why the waste painting became a waste painting. To some extent, recording the process of becoming a waste painting requires courage, and even more requires courage. Here, Lao Chu temporarily recorded that the completion process of a painting, or the process of equal to three thousand waste paintings, is actually quite interesting.