preface
Seven-word verses, common is the structure of four or three, such as two yellow orioles singing green willow, Chao Ci White Emperor Cai Yun, etc. However, there are also some syntactic structures with strange rhythms.
In the Song Ren's "Wild Guest Series", a syntax is mentioned, called Huang Lu Straight. Is there a difference between this syntax and the commonly said bending sentence?
First, Huang Tingjian's Lu Straight body
Huang Luzhi, also known as Sumen disciple Huang Tingjian. Huang Tingjian, the word Lu zhi, the number of the valley Daoren, the ancients will not call the name directly, so the ancient books in the Huang Tingjian, often known as the Yellow Valley, Huang Lu Zhi, Valley, Lu Zhi.
Wang Shu's "Wild Guest Series" mentions a syntax called "Lu Zhi Poetry Style":
Lu Zhishi said: "Guan Chengzi has no carnivorous phase, and Brother Kong Fang has a letter of renunciation." "Now it is said that this body is luzhi creative. The Wild Man Series
The so-called Huanglu straight poetry style actually refers to syntax, which is different from the common 4-3 structure, such as two yellow orioles - mingcui willow. Huang Tingjian's: Guan Chengzi - no carnivorous phase, Kong Fang brother - has a letter of renunciation. Can be seen as a 3-4 structure.
In a little detail, that is, the four-three structure, the first four words are often a combination of 2-2: two yellow orioles, while the first four words of the Huanglu straight body are, 3-1 combination: Guan Chengzi - none.
Second, it has long existed in Lu Zhi's Tang poetry
Wang Shu said that at that time, some people in the Southern Song Dynasty thought that this was the first creation of Huang Tingjian, so it was called Lu Zhi. But Wang Shu did not think so, because there were already many such sentences in Tang poetry:
Servants are not, and there are many Tang poems. Zhang Hu said in vain that "He Zhizhangkou said in vain that Meng Haoran's body was even more unquestionable"; Li Yiyue "Liu Wuxing has recently no news, Zhang Changgong is poor and lonely"; Guan Xiuyue "Guo Shang's father Hugh Qua SaiBei, Pei Zhong Ling Mo said Huaixi"; Du Xunhe said "Roll a foil for fishing lines, plant thousands of forests of bamboo as fishing rods", all of which are also syntactical. Reading it seems to be distraught, but it is actually co-ordination. The Wild Man Series
Zhang Hu's Seven Laws "Yu Huai Sent to Suzhou Liu Langzhong":
When He summoned Zuo Ming in zhou, Xi Wangdumen made a strong plan.
The Son of Heaven is a good writer and self-effacing, and the princes are strongly recommending Yuqi.
He Zhizhang said in vain that Meng Haoran's body was even more unquestionable.
However, the victory parade has not been repeated, and it is still too late to leave the capital country.
The rhythm of the first four words of the neck link is also a 3-1 combination: He Zhizhang-Kou, Meng Haoran-Body.
Li Yiqi's sentence "In the rain on September 10, Zhang Bojia (Yi Zuoxiong) period Liu Zhen (Yi Zuoxiong) did not reach the poetry trick":
Liu Wuxing has not heard from him nearly, and Zhang Changgong is poor and lonely.
Only the horned scarf was wet with rain, holding the remnants of the chrysanthemum and moving west.
At the beginning of the sentence, the first four words are also 3-1 structure Liu Wuxing - near, Zhang Changgong - poor.
There are also fragments of the poem Monk Guan Xiu: Guo Shangfu - Xiu Xue Saibei, Pei Zhongling - Mo said Huaixi.
It can be seen that these sentences exemplified by Wang Shu have a common feature, that is, the first three words are inseparable nouns: Guan Chengzi (referring to the brush), Kong Fangjie (money); He Zhizhang (personal name), Liu Wuxing (personal name).
In terms of syntactic structure, the so-called Huang Luzhi poetry style was indeed widely used in the Tang Dynasty.
Most of the Luzhi poems exemplified by Wang Shu are parts of the 3-4 structure of three words. The first four words are 3-1 structures, and 3 is indivisible.
But there is also an example: rolling a foil - for fishing line, planting a thousand forest bamboo - as a fishing rod. The first four words of this syntax are 1-3 structures, and the whole sentence is 4-3 structures, unlike other examples.
I don't know whether the Luzhi poetry style given by Wang Shu is the consensus of the Southern Song Dynasty, if so, it can be seen that the Luzhi poetry style is not all 3-4 structure.
Third, bend the waist sentence
In the volume of the Yuanren Wei Ju'an's "Poetry of Mei Ling", a syntax is mentioned:
The seven-word poem has three upper and lower four grids, which is called a bent waist sentence. Bai Lotte guarded Wu Men Ri and asked Hangzhou Shiyun: "The big eaves are equipped with goose teeth, and the small ships also paint dragon heads." Ouyang Gong Shiyun: "Quiet love bamboo when coming to the wild temple, alone in search of spring dolls to the creek bridge." Lu Zanyuan's "Rain" poem: "I want to cross the creek bridge and slip, so as to avoid the old farmers from worrying about wheat and longqian." Liu Houcun's "Hygiene" poem Yun: "Pick the chrysanthemums for sleeping on the pillow, and grind them to taste in tea." "Hu Qin" poem Yun: "Out of the mountains and gang clouds have their own ambitions, near the water plum first won my heart." "It's all the same.
The bent waist sentence mentioned in the Poems of Mei Ling. Judging from the several verses he exemplifies, he classifies the 3-4 structure of sentences as bent sentences.
The bent waist sentences in Wei Ju'an's "Mei Ling's Poetry" are much richer in form than the luzhi poetry exemplified by Wang Shu.
For example, Ouyang Xiu's "Quiet love bamboo when come to the wild temple, alone in search of spring dolls to the creek bridge." "The first three words, Quiet Love - Bamboo, Alone - Spring.
Lu Zanyuan's "Rain" poem: "I want to cross the creek bridge and slip, so as to avoid the old farmers from worrying about wheat and longqian." "The first three words, think - walker, free - old farmer.
A poem that we are more familiar with is also this special syntax: making wedding clothes for others. The first three words, for - others.
Judging from the verses given in the poems given in the books "Mei Ling Poetry" and "Wild Guest Series", the Luzhi poetry style and the bent waist sentence are almost the same syntax, but there are small differences. Most are 3-4 structures, but the Luzhi poetry style has a 4-3 structure.
Conclusion
It can be seen that in most of the Luzhi poetry, the first three words are inseparable nouns. The so-called bend sentence is not the case. What both verses have in common is that they are mostly 3-4 structures.
In The Luzhi poems given by Wang Shu, Du Xunhe's "roll a foil silk - for fishing line, plant a thousand forests of bamboo - as a fishing rod" is a 4-3 structure, but the first four words are a rare 1-3 structure, a little bit of a small bend in the meaning.
Learning poetry creation can learn from these special syntaxes of the ancients and increase the diversity of your own works. As to whether these two syntaxes are the same, and when they originate, it is a matter for scholars, not for poets. Don't worry too much.
@Old Street Taste
Spring water boats sit like heaven, old flowers look like fog, Li Bai Dufu stole sentences from the poets of this dynasty