In the Song Dynasty, Su Dongpo and Tang Geng, who were demoted to Huizhou, both wrote a large number of poems singing about Huizhou during the Yuhui period. Their depiction and praise of Huizhou have added a lot of color to Huizhou, and it can be said that the two literary artists who are all about Huizhou are excellent "city spokesmen" in ancient Huizhou. In particular, Su Dongpo is a well-known figure in Huizhou, so much so that the Qing Dynasty poet Jiang Fengchen said: "Once the Slope is in the South China Sea, the world does not dare to underestimate Huizhou."
Su Du joined forces into a good sentence: A more mountain spits out the moon, and the jade pagoda lies slightly
In Su Dongpo's poem describing Huizhou, there is a poem that is very interesting, called "A more mountain spits out the moon, and the jade pagoda lies in Weilan". "One more mountain spitting moon" is actually from the tang Dynasty Du Fu's creativity, Du Fu's original poem is "four more mountains spit moon, remnant night water Ming Lou". Inspired by this, Su Dongpo even wrote "Five Songs of Jiang Yue", the most famous of which is "A more mountain spits out the moon, the jade pagoda lies in a slightly lan", which vividly writes the scene of the Sizhou Pagoda lying in the water. It can be said that "A more mountain spits out the moon, the jade pagoda lies in Weilan" is a joint masterpiece of Du Fu and Su Dongpo, two top poets, vividly reproducing the wonderful scenery of Huizhou West Lake. Because of the famous sentence of "a more mountain spits out the moon, the jade pagoda lies in Weilan", "Yuta Weilan" has become one of the eight scenic spots of Huizhou West Lake. Liu Kezhuang, a poet of the Southern Song Dynasty, was greatly impressed after reading Su Dongpo's poem "A More Mountain Spits moon, the Jade Pagoda Lies In Weilan", and also sighed: "I don't know if a Danqing hand can write a map of the Weilan Jade Pagoda", that is to say, I don't know which great painter can paint such a landscape as "Yuta Lying Weilan"?
Wang Tang wrote autumn light songs: mountains turn autumn light songs, and rivers are long and horizontal
"Xiao Dongpo" Tang Geng also described a large number of huizhou beauties in his miscellaneous poems, one of which is very interesting, "The mountains turn to autumn light, and the river is long and horizontal." In this poem, how does the mountain "turn"? How does Qiu Guang "qu"? How does Chuan embody "long"? How does the night reflect "horizontal"? In fact, "XiaoDongpo" Tang Geng also used the Tang Dynasty Wang Wei's "Mountain Residence Autumn Borer" "After the new rain in the empty mountains, the weather came late in autumn." Bright Moon Matsuma Illumination, Qingquan Stone Upstream" part of the idea, but he did a better refinement and carving on this basis, making this poem evocative. The two poems of the above-mentioned large and small Dongpo are very exquisitely written and are worth savoring. That kind of beautiful scenery outside the text, everyone can produce different scenes in their minds, but it is difficult to draw them with a paintbrush. I don't know if there are any interested painters who are willing to paint these two particularly difficult paintings of The beauty of Huizhou? Is there a more difficult beauty of Huizhou to paint? Welcome to point out.
Note: Lin Weifeng, the author of this article, photo: Chen Shuangyi.