Li Fang is a scholar, writer, and literary critic, and her works are not short of deep thinking beyond reading. Compared with the cultural masterpieces such as "Restless Muse", "Exploding in the Thunder", and "Qiankun on Paper", his latest collection of works," "Great Spring and Autumn," is more historically heavy. In the magnificent and profound historical and cultural field, the author wandered, searched, pondered, percussed, remembered, criticized, loved, and worried, and wrote a magnificent and abundant, profound, legendary and wise great historical and cultural landscape. This is a cultural adventure by the author and a historical note.
The "Great Spring and Autumn" contains the roots of Chinese culture
"Spring and Autumn" can be said to be a feast of ideas for the collision and fusion of culture and history. This collection of historical and cultural prose works has the wind and clouds of Confucius and Mencius Thought in the Spring and Autumn Period and the Warring States Period, the "Ten Keywords" of Su Shi's life, the different faces of the cultural highland of Chengdu, and the true truth of poverty alleviation in mountainous areas... From the Spring and Autumn Warring States to the Tang, Song, Ming, and Qing dynasties, from the famous people of the ages to the ancient city of Youyou, from the cultural relics to the mountains and rivers, Li Fang explained the inheritance and change of the roots of Chinese culture under the long river of time in this book. Just as the dialogue between the two Chinese giants in the spring and autumn era in the book "Spring and Autumn in the Spring and Autumn Era" enlightens us: History tells us that a country and a nation can never leave their ideals and beliefs; it also tells us how a country and a nation can maintain ideals and beliefs.
"Spring and Autumn, Shi Ye, Shi Ye." "Spring planting and autumn harvest, spring flowers and autumn fruits, spring leeks and autumn pines, spring dew and autumn frost, spring flowers and autumn moons... The beautiful words in the classics carry the beautiful expectations of the ancestors and also harvest the beautiful blessings of the ancestors. "Spring to autumn, the four seasons are reincarnated, and the vast soup of China for 5,000 years has been achieved." The "big" of "Great Spring and Autumn" means that it strives to show the charm and essence of China's excellent traditional culture bit by bit, which is a tribute to time.
23 poems connecting the "soldiers", "pulses" and "Tao" in the cultural genes
"Great Spring and Autumn" is divided into 23 series of "shi", "pulse" and "Tao", which interrogates the great collisions in the history of Chinese thought.
The book not only includes the author's representative prose titles, such as "Jiang Chun into the Old Year", "Eternity in the Drifting", "Spring and Autumn in the Spring and Autumn Era", etc., but also includes his latest prose masterpieces, such as "Qianqiu Yi Yangxiong", "Neon", "Awakening", "Footsteps", "Blood in mountains and rivers", etc., each article revolves around a historical figure or a historical story. The author begins each article with a classic Chinese poem as a reading hint related to the content.
Lee Fang
"The Works of the Ming Palace of the Early Dynasty of the Jiashe People" (Tang Wang Wei) recalls the weather of the Tang Dynasty and the hometown of the Tang Dynasty poems; "Remembering jiangnan" (Tang Bai Juyi) writes about the past and present lives of the "Heavenly City" Hangzhou; "Happy Rain on Spring Nights" (Tang Du Fu) shows the seven faces of Chengdu in the thousand-year-old time and space... 23 big essays, 23 poems, the historical genes of the national wenhua in the "Great Spring and Autumn" with "Chinese romance" to show the poetic sentiments that last for thousands of years, the choice of each poem is the essence and representative, the magic of the intention is amazing.
Through ancient and modern times, the wind and blood and ordinary daily life have shown cultural self-confidence
"Great Spring and Autumn" has the feelings of home and country, thick history, and ordinary stories that can be sung and wept. Li Fang let his brushstrokes travel through ancient and modern times, here is Qu Yuan's "the road is long and its repairs are far away, I will seek up and down", Cao Zhi's "sacrificing one's body to go to the country is difficult, and seeing death as a sudden return"; there are also the records of poverty alleviation interviews in mountainous areas, ordinary life and ordinary families converging into a beautiful new era of our common life. The echo of ancient and modern makes this work more bloody and shocking.
More than 2,000 years ago, there was a chanting in the Book of Poetry for people to pursue their dreams of a better life. Today, through thousands of years of vicissitudes, this dream has become a reality in the land of China - the mainland has won a comprehensive victory in the battle against poverty, creating another miracle in the annals of history. In "Awakening", Li Fang witnesses the vigorous changes in the mountains in Daliangshan and greets the thriving new life with the Yi people; in "Heaven", she focuses her vision on the langtang and restores the whiskers and eternity in the great river of time; the Jilin in "Neon" has seven colors, farming culture, nomadic culture, fishing and hunting culture... Li Fang's Jilin is low-key and pragmatic, never monotonous.
Li Fang once said: "Literature is the wise man of history, and history is the rich mine of literature." "The flow of time has created our today, she writes history, but also records today, "The Great Spring and Autumn" is her historical notes, but what is condensed is the beautiful picture of China, is the confidence of the rise of culture! (Fu Lin)